Cine Argentino y política (1980-2007) : la imagen justa

Amado, Ana Maria

This project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the works with their socio-political, historical and cultural context, and allows the understanding of the transformations of the links (both ethic and aesthetic) between the filmed world and its referents This tesis posits that the memory of the violence that took place in this country during the 70s imprinted a significant mark in the articulation of discursive worlds as well as in any Argentine artistic production. It also considers the memory as a practice that acts in the Argentine collective imaginary, incorporating more extended historical periods that, in terms of causes and consequences, precede the last dictatorship and extend themselves into the present. Thus, the notion of memory is the focus that links the past events with every specific present, and, simultaneously, it is the...Show moreThis project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the works with their socio-political, historical and cultural context, and allows the understanding of the transformations of the links (both ethic and aesthetic) between the filmed world and its referents This tesis posits that the memory of the violence that took place in this country during the 70s imprinted a significant mark in the articulation of discursive worlds as well as in any Argentine artistic production. It also considers the memory as a practice that acts in the Argentine collective imaginary, incorporating more extended historical periods that, in terms of causes and consequences, precede the last dictatorship and extend themselves into the present. Thus, the notion of memory is the focus that links the past events with every specific present, and, simultaneously, it is the hermeneutical frame of a research based on a corpus formed by diverse expressive genres. The specific systems of representation of those political events, whose impact manifested itself in the accounted period, are analyzed. We analyze the (fictional and documentary) film figurations of the myths and narrations of the peronismo (a contradictory political movement) and the ways of social irruption revealed in a climate of popular revolt that accompanied profound economical and institutional-political crisis at the dawning of this century.Show less

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Cine Argentino y política (1980-2007) : la imagen justa