Leiden University Scholarly Publications

Persistent URL of this record https://hdl.handle.net/1887/3161381

Documents

In Collections

This item can be found in the following collections:

Şimşek, B. (2021)

On the aesthetic regime of Kurdish cinema: the making of Kurdishness

Doctoral Thesis
Through my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish films and directors, by academics working on Kurdish cinema, by Kurdish institutions, and by contemporary artists. By employing a content analysis of films in Kurdish languages, identifying Kurdish directors as agents of history making, and investigating attempts to institutionalize Kurdish cinema, I address the Kurdish presupposition of equality to act in an aesthetic regime of art. I structure my research under three chapters: ‘A Foundation of Kurdish National Cinema’, ‘A Re-interpretation of Kurdish Trauma’, and ‘An Aesthetic Regime of Kurdishness’. Based on the detailed discussion, across these three chapters, of national cinema, the art of the un-representable, and digital revolution, I aim to reveal the necessity of exploring the aesthetics regime of Kurdishness in audio-visual terms, in order to articulate the subjectification processes leading to an ethical community in the...Show moreThrough my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish films and directors, by academics working on Kurdish cinema, by Kurdish institutions, and by contemporary artists. By employing a content analysis of films in Kurdish languages, identifying Kurdish directors as agents of history making, and investigating attempts to institutionalize Kurdish cinema, I address the Kurdish presupposition of equality to act in an aesthetic regime of art. I structure my research under three chapters: ‘A Foundation of Kurdish National Cinema’, ‘A Re-interpretation of Kurdish Trauma’, and ‘An Aesthetic Regime of Kurdishness’. Based on the detailed discussion, across these three chapters, of national cinema, the art of the un-representable, and digital revolution, I aim to reveal the necessity of exploring the aesthetics regime of Kurdishness in audio-visual terms, in order to articulate the subjectification processes leading to an ethical community in the name of Rancièrian democratic politics.I posit cinema as a home for the communicative act that will empower speech and thought for the Kurdish social body. It does so by folding the future into the present through an aesthetic regime of imperfect, mobile audio-visual assemblages.
Show less
Aesthetics
Kurdish
Subjectification
Politics
Trauma
Democraticization
All authors
Şimşek, B.
Supervisor
Zurcher, E.J.
Co-supervisor
Jongerden, J.
Committee
Bruijn, P. de; Bozarslan, H.; Steyerl, H.
Qualification
Doctor (dr.)
Awarding Institution
Leiden University Institute for Area Studies (LIAS), Faculty of Humanities, Leiden University
Date
2021-05-04