Documents
-
- Download
- Title Pages_Contents_Preface
- open access
-
- Download
- Introduction
- open access
-
- Download
- Conclusion
- open access
-
- Download
- Bibliography_Photo Credits
- open access
-
- Download
- Summary in Dutch
- open access
-
- Download
- Curriculum Vitae_Acknowledgements
- open access
-
- Download
- Propositions
- open access
In Collections
This item can be found in the following collections:
The photographic surface: between substances and spaces
The photographic surface is the pivotal carrier of information – be it the mediated image or material indications about the object. It is presented here as the entrance into the study of photographic materiality that unfolds in a profound scanning of a photograph’s multi-layered dimensionality and of all the interactions that (can) take place in its lifetime – ranging from human to molecular. The chosen case studies are photoworks (hybrid photographic works of art) that are partially overpainted and show (first) signs of degrading photographic material. The different (material) properties of the two interacting media with their distinct surfaces pose challenging questions on a representational, chemical, conservational as well as a theoretical level. The key concern is: How does the photographic surface act in hybrid photoworks as interface between substances and their surrounding space?
By panning back and forth between material, technical, and theoretical studies and...
Show moreThe photographic surface is the pivotal carrier of information – be it the mediated image or material indications about the object. It is presented here as the entrance into the study of photographic materiality that unfolds in a profound scanning of a photograph’s multi-layered dimensionality and of all the interactions that (can) take place in its lifetime – ranging from human to molecular. The chosen case studies are photoworks (hybrid photographic works of art) that are partially overpainted and show (first) signs of degrading photographic material. The different (material) properties of the two interacting media with their distinct surfaces pose challenging questions on a representational, chemical, conservational as well as a theoretical level. The key concern is: How does the photographic surface act in hybrid photoworks as interface between substances and their surrounding space?
By panning back and forth between material, technical, and theoretical studies and the case studies – Tacita Dean’s (*1965) Crowhurst II (2007), and two photoworks by Ger van Elk (1941-2014): Dutch Grey (1983/84) and Russian Diplomacy’s (1974) – I follow the methodological path of a multi-angled analysis of photoworks in order to respond to their hybrid nature and to think with their materiality and subject matter. The result is an in-depth theoretical investigation of the photographic surface as interface between substances and spaces within photoworks in particular, and ontologically in any chemically created photograph. It ties together philosophical, esthetical, technical and ethical point of views and therewith creates a deep understanding of photographic materiality at the verge of digital dominance.
- All authors
- Gräfin von Courten, C.J.V.
- Supervisor
- Zijlmans, K.
- Co-supervisor
- Westgeest, H.
- Committee
- Lammes, S.; Ritchin, F.; Zwijnenberg, R.; Esner, R.; Marchesi, M.; Shobeiri, A.
- Qualification
- Doctor (dr.)
- Awarding Institution
- Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University
- Date
- 2023-10-31