As a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The... Show moreAs a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The confrontation with, and my great surprise about this sculpture (a gorilla abducting a woman) led to this research. Just imagine: you walk into a living room in an appartment on the Boulevard des Capucines in Paris around 1890, and on a side table, one discovers a bronze sculpture: a gorilla abducting a woman. Such a sculpture does not suit our sense of taste. I suspected that this sculpture would represent more than just 'a curious piece of kitsch'. The resulting research in my dissertation led to many things: it turned out that the artist was world-famous in his time, it turned out that the gorilla had only been discovered in 1847, and it turned out that a few more gorilla sculptures had been made by Fremiet, the first as early as 1859. Furthermore, I discuss the entrance of the gorilla into zoology, the theme of the abduction of women in art and the use of the image for nationalistic and anti-Semitic purposes. The relevance of this research lies in the use of all kinds of other disciplines, which results in a new art-historical image of nineteenth century art and sculpture. The study also addresses nineteenth century issues: colonialism, the poor position of women, antisemitism, nationalism and our relationship to the animal kingdom are related to technical and iconographical interpretations of the Fremiet gorillas. Show less
This thesis looks at the representation of violence in Dutch newspapers during the rise of the mass media in the Netherlands, from 1880 to 1930. Newspaper circulations shot up and newspapers... Show moreThis thesis looks at the representation of violence in Dutch newspapers during the rise of the mass media in the Netherlands, from 1880 to 1930. Newspaper circulations shot up and newspapers increasingly targeted women readers and the working class. The thesis examines how these changes affected press coverage of sexual and family violence, crimes that involved women either as the victim or the perpetrator. A key question was whether public condemnation of male violence against women increased during this period, as has been argued by some historians.I find that newspaper reporting on partner violence and sexual violence increased after 1880, and the reports became more sympathetic to the women involved. I argue that this was in part because such human-interest stories were thought to appeal to the new target segment of women readers. However, journalists never treated such violence as a social problem and they often romanticized or trivialized assaults by men. Moreover, crime news was mediated by the sources and shaped by distinctive features of the Dutch criminal justice system. Show less
This article argues that corrective justice is an adequate principle of criminalization. On my interpretation, corrective justice holds that, in order for an action to count as a crime, there needs... Show moreThis article argues that corrective justice is an adequate principle of criminalization. On my interpretation, corrective justice holds that, in order for an action to count as a crime, there needs to be a plausible normative story about an offender having violated the interests of a victim in a way that disturbs their relationship as equal persons and a subsequent story about responding to crime in a way that corrects this disturbance. More specifically, I claim that corrective justice is concerned with the protection of interests that persons have in owning private goods throughout standard interactions with other persons. The argument proceeds in three steps. First, I specify the subject-matter that principles of criminal law need to ground and provide an outline of the idea of corrective justice. Second, I show that corrective justice can account for the main cases of crime and the salient modes of criminal responsibility. I also argue that corrective justice can make sense of two prima facie recalcitrant types of cases (rape and inchoate offenses). Third, and finally, I address two objections to my corrective justice theory of criminal law. The first concerns the implications corrective justice has for locating criminal law along the private/public law divide. The second objection raises the putatively problematic consequences corrective justice has for understanding the separation between criminal and civil law. Show less
Loeve, A.J.; Bilo, R.A.C.; Emirdag, E.; Sharify, M.; Jansen, F.W.; Dankelman, J. 2013
