The Geoglyphs of Palpa, Peru is a revision of the author´s Ph.D. thesis. In this study, the famed geoglyphs of the Paracas and Nasca cultures on the south coast of Peru are investigated in order to... Show moreThe Geoglyphs of Palpa, Peru is a revision of the author´s Ph.D. thesis. In this study, the famed geoglyphs of the Paracas and Nasca cultures on the south coast of Peru are investigated in order to better understand their function and meaning. Combining aerial photogrammetry, archaeological fieldwork, and GIS-based analysis, more than 600 geoglyphs in the vicinity of the modern town of Palpa were recorded and analyzed. This interdisciplinary approach enabled the establishment of the first digital archive of these prehispanic monuments. It also led to important new insights into the origin, development, and spatial context of the geoglyphs. The Palpa dataset was furthermore used to test a recent model that explains the function and meaning of the Nasca geoglyphs in terms of Andean social, cultural, and religious traditions. The results of this study indicate that the ancient activities which took place on the geoglyphs revolved around concepts of water and fertility, and were a means of expressing social status and cultural concepts. The geoglyphs integrated the desert into the cultural landscape of the valley-based Paracas and Nasca societies, and were thus a valuable cultural resource that can still be appreciated today. Show less
From ca. 1600 – 1000 BC, builders across southern Greece crafted thousands of rock-cut chamber tombs similar to earlier and contemporary ‘beehive’ tholos tombs. Both tomb styles were designed with... Show moreFrom ca. 1600 – 1000 BC, builders across southern Greece crafted thousands of rock-cut chamber tombs similar to earlier and contemporary ‘beehive’ tholos tombs. Both tomb styles were designed with multiple uses in mind, filling with the remains of funerals forgotten over generations of reuse. In rare cases, the tombs were used once or seemingly not at all, cleaned thoroughly or sealed and abandoned entirely. Rather than focus on the missing or muddled record of funeral and post-funeral activities, this book re-examines Mycenaean tomb architecture and the decisions that guided it. From minimalistic to monumental, builders designed tombs with forethought to how commissioners and witnesses would react and remember them. Patterns suggest that memories of what tombs should look like heavily influenced new construction toward recurring shapes and appropriate scales. The wider debates over cost from ‘architectural energetics’ and perception in Aegean mortuary behaviour are thus revisited. Both can find common purpose in labour measured through a relative index and collective memory—how labourers and patrons saw their work. That metric for comparison lies within a median standard: in this instance, tombs expressed in terms of correlative shape and simple labour investment of the earth and rock moved to create them. Show less
