Installation art is one of the most common forms of contemporary art. Installations constitute themselves both in space and time. They are made of multiple media and materials. Often they are... Show moreInstallation art is one of the most common forms of contemporary art. Installations constitute themselves both in space and time. They are made of multiple media and materials. Often they are compared to stage sets, which the viewer can enter physically. Well-known installations are the site-specific works created by Carsten Höller, Doris Salcedo and Olafur Eliasson for the Turbine Hall of London’s Tate Modern. Installation art is particularly known for the kind of spectatorship that it has brought about. Installations are said to turn passive viewers into active participants. This dissertation aims to analyze this spectatorship: How do we experience works of installation art, what is so particular about this spectatorship, and how does it reflect on the ‘experience society’ we are supposed to be living in? The aim of my research is to contribute to the theoretical reflection on spectatorship. I contend that installation art transforms the viewer into a ‘performing observer’. In experiencing an installation viewers revert to their own memories, associations, wishes and dreams. Inadvertently they are writing themselves into the ‘play’ that is suggested by the scenario in which they find themselves. Performing an installation means entering into a playful yet reflective interaction with one’s surroundings. Show less
