As a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The... Show moreAs a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The confrontation with, and my great surprise about this sculpture (a gorilla abducting a woman) led to this research. Just imagine: you walk into a living room in an appartment on the Boulevard des Capucines in Paris around 1890, and on a side table, one discovers a bronze sculpture: a gorilla abducting a woman. Such a sculpture does not suit our sense of taste. I suspected that this sculpture would represent more than just 'a curious piece of kitsch'. The resulting research in my dissertation led to many things: it turned out that the artist was world-famous in his time, it turned out that the gorilla had only been discovered in 1847, and it turned out that a few more gorilla sculptures had been made by Fremiet, the first as early as 1859. Furthermore, I discuss the entrance of the gorilla into zoology, the theme of the abduction of women in art and the use of the image for nationalistic and anti-Semitic purposes. The relevance of this research lies in the use of all kinds of other disciplines, which results in a new art-historical image of nineteenth century art and sculpture. The study also addresses nineteenth century issues: colonialism, the poor position of women, antisemitism, nationalism and our relationship to the animal kingdom are related to technical and iconographical interpretations of the Fremiet gorillas. Show less
Unlike most city histories, this book focuses exclusively on the city’s connections with colonialism and slavery. Rotterdam, the second-largest Dutch city, is one of Europe’s leading ports. Its... Show moreUnlike most city histories, this book focuses exclusively on the city’s connections with colonialism and slavery. Rotterdam, the second-largest Dutch city, is one of Europe’s leading ports. Its maritime expansion was intrinsically linked to Dutch colonialism, including slave trading and colonial slavery in the Americas, Africa and Asia. This painful history sits uneasily with the city’s modern cosmopolitan image and its large population of ‘new Rotterdammers’ with colonial roots. The present volume provides a summary of the research that has documented this history, with chapters on the contribution of colonial trade to economic development; the city’s involvement in slavery; the role of the urban political elites; the impact on urban development and architecture; the ‘ethical impulse’; colonial art and ethnographic collections; colonial and postcolonial migration; and finally the resonance of this history in postcolonial Rotterdam. Show less
Barrows, as burial markers, are ubiquitous throughout North-Western Europe. In some regions dense concentrations of monuments form peculiar configurations such as long alignments while in others... Show moreBarrows, as burial markers, are ubiquitous throughout North-Western Europe. In some regions dense concentrations of monuments form peculiar configurations such as long alignments while in others they are spread out extensively, dotting vast areas with hundreds of mounds. These vast barrow landscapes came about through thousands of years of additions by several successive prehistoric and historic communities. Yet little is known about how these landscapes developed and originated. That is what this research set out to do. By unravelling the histories of specific barrow landscapes in the Low Countries, several distinct activity phases of intense barrow construction could be recognised. Each of these phases contributed to how the barrow landscape developed and reveals shifting attitudes to these monuments. By creating new monuments in a specific place and in a particular fashion, prehistoric communities purposefully transformed the form and shape of the barrow landscape. Using several GIS-techniques such as a skyline-analysis, this research is able to demonstrate how each barrow took up a specific (and different) position within such a social landscape. While the majority of the barrows were only visible from relatively close by, specific monuments took up a dominating position, cresting the horizon, being visible from much further away. It is argued in this research that these burial mounds remained important landscape monuments on the purple heathlands. They continued to attract attention, and by their visibility ensured to endure in the collective memory of the communities shaping themselves around these monuments. Show less
