A series of figurines, known in the archaeological literature as Mazapan-style, was recently discovered at the site of El Palacio, Michoacan, Mexico, in strata radiocarbon dated from the Early... Show moreA series of figurines, known in the archaeological literature as Mazapan-style, was recently discovered at the site of El Palacio, Michoacan, Mexico, in strata radiocarbon dated from the Early Postclassic (a.d. 900–1200/1250). Considered diagnostic markers for Early Postclassic cultural and economic dynamics, these artifacts raise questions regarding the role of this settlement at both regional and interregional scales prior to the rise of the Tarascan state. We study the specimens found at El Palacio through a thorough examination of the archaeological contexts, technological and iconographic characteristics, and compare them to cases fromthe literature. By demonstrating their local production and their association with other artifacts or iconographic traits characteristic of the Early “Postclassic international style,” we bring new elements to the definition of these artifacts and underline the capacity of local elites to connect culturally and economically with other regions ofMesoamerica. Show less
El trabajo de Cecilia Noriega-Bozovich está vinculado de manera muy directa con la sociedad peruana, a la cual convierte al mismo tiempo en su tema principal. Esta mirada encaja en lo que pudiera... Show moreEl trabajo de Cecilia Noriega-Bozovich está vinculado de manera muy directa con la sociedad peruana, a la cual convierte al mismo tiempo en su tema principal. Esta mirada encaja en lo que pudiera ser una ‘escuela latinoamericana’, donde la producción artística va acompañada de un registro o comentario social o político a lo largo del siglo XX. De tal forma, en esta obra los fetiches del poder, en particular vistos desde una óptica mexicana, forman parte de una dinámica regional que adquiere expresiones similares. Existe una intimidad cultural compartida, una identidad que se nutre de la experiencia común del colonialismo español, la formación de nuevos estados nacionales inspirados por el imperialismo del siglo XIX, las revoluciones sociales, y hoy en día la transición a la “democracia” y la “modernidad” neoliberal. En esa línea, el análisis que aquí se presenta ensaya relaciones y paralelos entre ciertas creaciones de Noriega-Bozovich y referentes culturales de México, para de esa manera sugerir la productividad de miradas en paralelo sobre el arte surgido de un contexto latinoamericano compartido. Show less
Ceramic Technology and “Cultural Borders”. The Example of Ceramic Decoration Techniques of two Postclassic Sites from the Malpaís of Zacapu (Mexico): Palacio and Malpaís Prieto Technical behaviors... Show moreCeramic Technology and “Cultural Borders”. The Example of Ceramic Decoration Techniques of two Postclassic Sites from the Malpaís of Zacapu (Mexico): Palacio and Malpaís Prieto Technical behaviors within the ceramic operating sequences may reflect sociocultural identities. Investigation of techniques, gestures, and know-how helps us to estimate whether the changes observed from one period to the other are endogenous (cultural evolution of the local traditions) or related to population changes. At the Malpaís of Zacapu, we use Postclassic ceramics to assess the possible arrival of a group of migrants in the thirteenth century. We aim to understand whether there is technological continuity between the Palacio (AD 900‑1200) and the Milpillas (AD 1200‑1450) phases. This study focuses on one aspect of the operating sequence: the decoration. The technological analysis discussed here highlights differences in the ceramic production between these two phases. These data support information from ethnohistoric sources that a new group of people arrived in the region during the thirteenth century. Show less
The existence of communities and peoples develops over time, in a diachronic line of heritage and cultural memory as well as in a synchronous coexistence with the cosmos, marked by a cyclically... Show moreThe existence of communities and peoples develops over time, in a diachronic line of heritage and cultural memory as well as in a synchronous coexistence with the cosmos, marked by a cyclically returning rituals. Under the pressure of “clock time” (“time is money”) these organic “other times” of identity are eroding rapidly. In these respects, modernity has come to be characterised by a deep, dramatic and often violent conflict between traditional values of societies that have their own cultures and the processes of colonisation, urbanisation and and industrialisation, which usually presented as “progress”. This volume brings together complementary reflections of archaeologists, historians, anthropologists, sociologists and social activists on this issue. Central to their work is the perception and representation of time, its different symbolic aspects and its social impact. Espousing a comparatist methodology, the case studies focus on Mexico and Guatemala and on southern Italy. Show less
Conversion to Islam has been taking place in the conflict-ridden Mexican state of Chiapas for about ten years. Islam was introduced to the local indigenous population by members of the... Show moreConversion to Islam has been taking place in the conflict-ridden Mexican state of Chiapas for about ten years. Islam was introduced to the local indigenous population by members of the transnational Murabitun movement who founded a commune in the town of San Cristóbal de las Casas, governed by its own rules and protected strictly against outsiders. Show less
