The Spirit of Matter discusses excessive objects: those things that move people but whose existence is often denied by modern wishful thinking about ‘mind over matter’, and that things are... Show moreThe Spirit of Matter discusses excessive objects: those things that move people but whose existence is often denied by modern wishful thinking about ‘mind over matter’, and that things are supposedly ‘dead’. Such wishful thinking can be traced back to Protestant Christian influences, that were secularized in the course of modern and colonial history. A range of excessive objects – exhibits of human remains or live people, fetishes, objects in a Catholic museum, exotic photographs, commodities, and computers – demonstrate a subordinate modern consciousness about powerful objects and their ‘life’. If humanity wants to survive current planetary socio-ecological crises, it should learn from its humility towards both artefacts and non-human things. Show less
Egypt’s position in the caliphate has generally been considered either as loosely tributary, with its governors running the province more or less as a personal possession, granting the caliph a... Show moreEgypt’s position in the caliphate has generally been considered either as loosely tributary, with its governors running the province more or less as a personal possession, granting the caliph a share of the province’s riches, as it pleased them, or as the outer rim of a radial system extending from the caliph’s capital and through which caliphal power was exercised by means of administrative control and military force. In this model – which looks from the center outwards – Egypt is located at the decision-making periphery of the Muslim empire, the recipient of directives and consumer of developments initiated at the imperial capital (first located in Medina, then Damascus, and finally Baghdad), where the sneezes that precipitated all of the caliphate’s colds occurred.This chapter takes a different view. By examining Egypt’s relationship to the imperial center between the Arab conquest and the establishment of the Fatimid caliphate in Cairo in 969 CE, and the complex, ambiguous, and shifting processes of interdependency, caliphal ambition, and local self-assertion as they appear in the sources, I will argue that at all times Egypt’s centrality to the caliphate was a two-way relationship, in which Egypt occupied a key place in caliphal strategic thinking, and in which Egyptians saw themselves as intrinsic to the Muslim imperial project. Show less
This dissertation examines how in eighteenth-century Europe, naturalists sought to study, grasp and capture the world of fish. Working on the intersection of the history of science and book history... Show moreThis dissertation examines how in eighteenth-century Europe, naturalists sought to study, grasp and capture the world of fish. Working on the intersection of the history of science and book history, this research aims to shed light on how naturalists came to present themselves as authorities in an emerging field. It does so by focussing on a set of ‘fish books’, i.e., natural historical works that describe and depict fish. The first is Francis Willughby and John Ray’s "Historia piscium" (Oxford, 1686); the second Peter Artedi’s "Ichthyologia sive opera omnia de piscibus" (Leiden, 1738), and the third Marcus Élieser Bloch’s twelve volume series "Allgemeine Naturgeschichte der Fische" (Berlin, 1782–1795). These works are analysed alongside correspondences, manuscripts and natural historical collections. Together, these sources show that the development of the study of fish in this period can be best be understood as a process of continuous demarcation. This dissertation argues that the study of fish was subject to recurrent debates on subject, method and practitioner, and that such discussions were of both epistemological and social nature. In presenting their fish books, naturalists leveraged such discussions as to secure a place for themselves in the capricious environment of early modern natural history. Show less
During the Second Intermediate Period (ca. 1775-1550 BC) period, Egypt was politically and culturally divided into regions, and it was characterized by the presence of groups from modern-day Syria... Show moreDuring the Second Intermediate Period (ca. 1775-1550 BC) period, Egypt was politically and culturally divided into regions, and it was characterized by the presence of groups from modern-day Syria-Palestine and Sudan. To better understand the relationships between the Egyptian sites during this period, I have analysed the objects (beads, stone vessels, scarabs and seals, metal weapons, and two particular types of pottery) that the relevant sites have in common, through network analysis. This quantitative and statistical methodology, which makes use of digital tools, is ideal to examine the relations, as well as the flow and circulation of objects, resources, information, or knowledge between different entities, based on what these entities have in common (or not). During the Second Intermediate Period, contacts can still be detected between different areas, even though they were weaker and happened mostly through desert routes. Two phenomena can be detected: the growing importance of Tell el-Dab’a/Avaris in circulation of objects and resources, and the role played by the communities of Pan-grave culture, known only form archaeological remains and featuring connections with Nubia (modern-day Sudan). Show less
This thesis illuminates painting inscriptions written in the Ming dynasty (1368-164) in a social context, revealing that inscriptions as a particular genre of text richly encompass themes... Show more This thesis illuminates painting inscriptions written in the Ming dynasty (1368-164) in a social context, revealing that inscriptions as a particular genre of text richly encompass themes relevant but not confined to social history, material culture, early modern publishing, identity construction, and self-knowledge. This thesis argues that painting inscriptions written in the Ming era are not only the result of artistic concerns; on many occasions, the production, utilization, and circulation of inscriptions had social concerns, meanings, and influences. Inscriptions as such are rich of notions, attitudes and thoughts, which can be helpful to understand Ming artists and their world, as well as an important source for scholars to explore social and intellectual history of the Ming era. This study, perhaps for the first time, brings two types of sources of inscriptions—existing paintings and textual anthologies—into the vision of academia. The two sources also represent two categories of inscriptions and their dual nature. Inscriptions are material objects with trajectories of circulation and dissemination; on the other hand, they are the texts of histories of reproduction and dissemination. The two categories of inscriptions are transmittable. A Ming painting is not a closed entity, but rather a dynamic entity. Show less
A lamak is a long narrow hanging that is an essential requirement at most rituals in Bali. Made usually of palm leaves, it is by nature ephemeral. Although permanent forms of lamak, made of... Show more A lamak is a long narrow hanging that is an essential requirement at most rituals in Bali. Made usually of palm leaves, it is by nature ephemeral. Although permanent forms of lamak, made of cloth or coins, exist, the ephemeral palm leaf form must be present. Hung from altars and shrines, a lamak serves as base for offerings and attracts deities and deified ancestors to them. Decorative motifs representing sources of life are ordered according to Balinese concepts of the vertical structure of the cosmos. Through offerings and the active role of the lamak, worshippers offer thanks to their deities and request prosperity and protection. Despite decades of change and modernization in Bali, the role of the lamak has survived intact. This is the first study to examine in detail this unique form of ephemeral material culture which is a prominent aspect of Balinese creativity. The study answers the question: why do Balinese make lamak and why do they continue to make them time and again? It examines the use and function of the lamak in ritual, the motifs that decorate them, the materials and techniques to make them, regional and individual styles, and processes of change and commercialization. Show less
The title of this thesis, “Cultural Interaction between Assyria and the Northern Zagros”, geographically covers Assyria and the Northern Zagros and historically a period from the early... Show more The title of this thesis, “Cultural Interaction between Assyria and the Northern Zagros”, geographically covers Assyria and the Northern Zagros and historically a period from the early second millennium until the fall of Nineveh in 612 BCE. It focuses on Assyrian interaction with the Northern Zagros (or vice versa). The landscape, flora, fauna, natural resources and climate of lowland Assyria were different from those of the Zagros highlands, which led to complementary economical activity. The Northern Zagros was the nearest place for Assyria to obtain raw materials, horses, grain and manpower. Assyria often conflicted with the Northern Zagros peoples to obtain their goals. But there were also peaceful (commercial and diplomatic) negotiations between them, which led to cultural interaction of various kinds. The way these interactions were facilitated will be presented. The roles played by Assyrians, Zagrosians and others in this interaction will be dealt with. How Assyria and the Northern Zagros acted as intermediaries in cultural interaction further afield. In each chapter, textual, visual and archaeological evidence is combined to find elements of interaction. Each chapter is provided with several tables, explaining many aspects of cultural interaction between Assyria and the Northern Zagros. Show less
Freemasonry is an initiation society, active in the Netherlands since 1735. This dissertation discusses the history, rituals, material culture and iconography of freemasonry in the Netherlands and... Show moreFreemasonry is an initiation society, active in the Netherlands since 1735. This dissertation discusses the history, rituals, material culture and iconography of freemasonry in the Netherlands and its trade posts in India, Ceylon, the Dutch East Indies, China and Japan. The membership had particular advantages for travellers, which explains why ca. 20-30% of the employees of the Dutch East India Company (VOC) were members. They were involved in the trade in export art for the European and American markets, and also traded privately in goods for the masonic markets. The dissertation describes the daily routine in the lodges in the 18th and 19th centuries, the extraordinary ritual architecture and interiors of lodge buildings on Java, and the production of Chinese export porcelain and Japanese lacquer with complex symbolic decorations. The participation of women and (Eur)asians in lodges on Java is also briefly discussed. As such, the book offers those interested in art history, colonial history and/or the East India Company an introduction into a relatively unknown subject. It provides information for the identification and dating of relevant museum objects, and makes a large amount of material from lodge archives accessible. Show less
As part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period... Show moreAs part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period was a crucial turning point for the urban landscape of Rome, which was characterised by cultural diversity. Previous studies focus primarily on Greek influences on the development of Augustan material culture, while Egypt remains neglected or simply categorised as exoticism or Egyptomania. This research, in contrast, set out to investigate whether or not __Egypt__ constituted an integral part of Augustan material culture during this period. By comprising for the first time a comprehensive and interpretative overview of manifestations of Egypt in Augustan Rome __including public monuments, paintings, and architectural elements as well as pottery, gems, and jewellery from private contexts__ a wide variety of case studies could be conducted, among which object reappraisals as well as new finds and contextual analyses were featured. By focusing on the archaeological data, this study demonstrates that Egypt was not an exotic Outsider in Rome, but constituted a remarkably diverse part of Roman material culture and the Augustan urban landscape, and was integrally part of the inherently flexible Augustan material culture repertoire. Show less
To commemorate the Dutch Revolt people from both the Northern and Southern Netherlands commissioned, kept, and collected a large variety of objects. From paintings to clay pipes, from hearth plates... Show moreTo commemorate the Dutch Revolt people from both the Northern and Southern Netherlands commissioned, kept, and collected a large variety of objects. From paintings to clay pipes, from hearth plates to gable stones, from clothing to cannonballs; all these objects were used to either remember of forget the war in the late sixteenth and seventeenth century. Especially on an urban level many of these material memories survive. They are part of an urban memory landscape, a set of shared memories which survived on several levels of the urban community and involved multiple stakeholders such as the magistrate, the church, corporations, and individual citizens. Within the urban community these stakeholders used diverse objects to promulgate a certain message about the Revolt. Subsequently this could become part of a city's urban identity and civic representation. Whether in the Dutch Republic or in the Habsburg Netherlands cities were well aware of their options either to include, exclude or reinterpret stories about the past. Material memories of the Dutch Revolt were therefore continuously and carefully (re)selected and used to reflect on what the urban community had gone through during eighty years of war Show less
A life-like human arm decorated with lace sleeves, holding an eyelid on a string, fragments of skin swivelling in a phial with a twig, a shiny silvery liver, a dog with a cleft palate, a human ear... Show moreA life-like human arm decorated with lace sleeves, holding an eyelid on a string, fragments of skin swivelling in a phial with a twig, a shiny silvery liver, a dog with a cleft palate, a human ear with a tiny pox mark, foetuses decorated with colourful beads. At first sight, it seems an odd collection of specimens. Yet they are all part of the eighteenth century Leiden anatomical collections, made by Leiden anatomists and their acquaintances and acquired by Leiden University afterwards.A lot has been written about the anatomists and their discoveries, but very little is known about these preparations. That is odd, as it are the preparations themselves that evoke so many questions: why these body parts, plants, animals? Why these decorations and combinations? Why did their makers conceive them? Why were they acquired by the university? It is also worrying that we know so little about these preparations, as they are steadily deteriorating - no matter how great the curatorial efforts made.This Ph.D. thesis uses the materiality of the anatomical preparations as the starting point to answer the questions they evoke, combining material and contextual analysis. The author argues that aesthesis, an epistemic culture that included a tacit quest for beauty and perfection rooted in sensory experience and intertwined with the rise of the new field of aesthetics, was defining for the way the eighteenth-century Leiden anatomists made and used their preparations. The knowledge embedded in the materiality of these historical objects is essential for making informed decisions about their preservation and display, now and in the future. Show less
Greek whisky is a historical ethnography of alcohol consumption that explores several facets of contemporary Greek culture. The focus of the study is on the “social life” of Scotch whisky in Greece... Show moreGreek whisky is a historical ethnography of alcohol consumption that explores several facets of contemporary Greek culture. The focus of the study is on the “social life” of Scotch whisky in Greece and more specifically on three distinct trajectories of the beverage. The analysis of the mediascapes of the Greek cultural industry, the Athenian nightlife and entertainment and the North Aegean island drinking habits, aims in the examination of the localization process of Scotch in these spaces. While several studies in Greece have focused on the consumption of Greek-produced alcoholic beverages, imported beverages—and especially Scotch whisky—have been neglected. By “following the thing” the study seeks to link several key concepts such as popular culture, consumption and style. In opposition to views of global cultural homogenization as monoculture, the author argues that consumption as cultural appropriation is a process of meaning creation by consumers, multinational corporations and the cultural industry. Furthermore the localization of a commodity is not only understood as an act of consumption and a form of making oneself ‘at home’ as a result of the impersonal realm of commodity production. Localization is a major arena of negotiation of gender and group styles and more importantly a tactical practice. Show less
