The Greek rhetorician and historian Dionysius of Halicarnassus was active in Rome at the end of the first century BC. In his rhetorical writings, he analyses the styles of classical Greek orators,... Show moreThe Greek rhetorician and historian Dionysius of Halicarnassus was active in Rome at the end of the first century BC. In his rhetorical writings, he analyses the styles of classical Greek orators, historiographers and poets, including Homer, Lysias, Isocrates, Demosthenes and Thucydides. Dionysius believes that careful study, evaluation and imitation of classical Greek literature should be the basis of eloquence and rhetorical writing. In his rhetorical writings, Dionysius combines theories and methods from various language disciplines (rhetoric, grammar, philology, philosophy, metrical and musical theory) and he integrates them into a coherent and effective programme of rhetorical instruction. A close examination of Dionysius’ works increases our knowledge of the language theories that circulated in the Augustan period, from which only a few fragments of grammatical and philological texts have survived. On the other hand, it illuminates the important connections between different ancient language disciplines. Careful analysis of his ideas and methods shows us that Dionysius is a learned scholar, who studied a large number of literary and scholarly works from earlier times. He acquired an impressive knowledge of language theories and effectively integrated these theories into a practical programme of rhetoric. Show less
Prior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising... Show morePrior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising of Apartheid, several farm novels were published, but with an entirely different message. In Unheimlich moederland insights from several disciplines are used to show how major changes in social-economic relations, land rights and the construction of cultural identity in and between these two periods were reflected on farms and in farm novels. Das Unheimliche (The Uncanny) – those things within ones own realm that are strange and therefore frightening – , a concept coming from Freud, but also used by structuralists and cultural critics, proofs to be capable to explain certain effects of (post-)colonalism and interculturality. Uncanny for instance, were the rising dead or venging powers of nature that in late 20th century farm novels undermined white hegemony. Death is a plural metaphor: in a literary as well as in a social context, it refers to transgressing boundaries, change and chaos but also to land rights and patrimonie and from there to the establishing of spatial and identifying boundaries. In text as in real life, the structure of a rite de passage (separation, liminality, reintegration) is being used to link death to life, and thus to control it. Show less
Mian Mian pouring beer on Wei Hui's head in a Shanghai bar; Wei Hui baring her breasts at a press conference; mutual threats on the internet - self-labelled Beauty Writers Mian Mian and Wei Hui... Show moreMian Mian pouring beer on Wei Hui's head in a Shanghai bar; Wei Hui baring her breasts at a press conference; mutual threats on the internet - self-labelled Beauty Writers Mian Mian and Wei Hui fear no accusations in their public catfight over alleged plagiarism in turn-of-the-century Shanghai. The rivalry began after publication of their semi-autobiographical 'shock novels' portraying hedonists searching for love and self in Shenzhen and Shanghai. Plagiarism or not, Wei Hui's Shanghai Baby and Mian Mian's Candy are products of their time. Show less
