This dissertation explores the ways in which affective responses to disabled bodies are represented and how this invites us to read these bodies aesthetically. I argue that this affective impact... Show moreThis dissertation explores the ways in which affective responses to disabled bodies are represented and how this invites us to read these bodies aesthetically. I argue that this affective impact can be understood as an affordance, a term I use to describe how the appearance of and interaction with disabled bodies produces affective responses such as fear, wonder, or disgust. I study the relationship between representation and affective reactions through literature and other art forms. Through close readings of literary texts and works of art, this dissertation offers an alternative to so-called model thinking—an approach that emphasizes categorization. Instead, I propose a reading that focuses on how bodily capacities are culturally and socially translated into (dis)abilities. Unlike taxonomic approaches that categorize and generalize, this method allows moving from the particular to the private. Works of art, although prone to generalization, emphasize their unicity and resist categorization. By analyzing how different art forms represent disabled bodies, the dissertation brings a new dimension to understanding our emotional responses and the aesthetic appreciation of bodily diversity. Show less
In Savage Embraces: James Purdy, Melodrama, and the Narration of Identity, Looi van Kessel explores the ways in which the early works of the American author James Purdy undermine the notion of a... Show moreIn Savage Embraces: James Purdy, Melodrama, and the Narration of Identity, Looi van Kessel explores the ways in which the early works of the American author James Purdy undermine the notion of a stable and true identity. Writing in the 1950s and 60s, a time in which identity politics enjoyed increased purchase in the United States, Purdy imagines characters who feel the urge to act out their sexual desires without having to conform to oppressive identity categories. In so doing, Purdy is searching for a language that shows how identity is produced through narration. To tease out this language, Looi approaches Purdy’s writing through the mode of melodrama—a mode that focuses on the aesthetic dramatization of tensions in the plot—while also bringing his work in conversation with current queer thinking. Ultimately, this dissertation attempts to bring the disparate fields of narrative theory and queer theory in a meaningful relation with one another. Show less
Big Books in Times of Big Data examines recent trends of size and scale in the novel in terms of the shift from the bound book to the newer materialities of the digital. Using a wide-ranging... Show moreBig Books in Times of Big Data examines recent trends of size and scale in the novel in terms of the shift from the bound book to the newer materialities of the digital. Using a wide-ranging international archive of hefty tomes by authors such as Mark Z. Danielewski, Roberto Bolaño, Elena Ferrante, and Karl Ove Knausgård, George R.R. Martin, Jonathan Franzen, and William T. Vollmann, Van de Ven takes us into a contested bookish terrain beyond the 1,000-page mark, where issues of scale and readerly comprehension clash with authorial aggrandizement and the pleasures of ‘binging’ and serial consumption. Show less
The emergence of Ottoman Turkish popular erotic narratives coincided with the proclamation of the Second Constitution in 1908. Thereafter, the publication of these narratives continued for... Show moreThe emergence of Ottoman Turkish popular erotic narratives coincided with the proclamation of the Second Constitution in 1908. Thereafter, the publication of these narratives continued for around two decades until they were prohibited in the early years of the Turkish Republic on the grounds that they would damage public morality. This dissertation comprehensively reads examples of Ottoman Turkish popular erotic narratives. It provides insight into newly emerging discourses on gender and sexuality in the twentieth-century Ottoman Empire. In addition to investigating the emergence of new discourses on gender and sexuality through which the transition from sexual practices to construction of sexual identities unfolded, this dissertation is intended to demonstrate the Ottoman Empire’s political transition to modernity as well as to the nation state in relation to those newly emerged discourses. Show less
Fragments, marginal texts, and even ‘bad literature’ can sometimes take us further than better-known, canonical works. I was reminded of this after an unexpected find in Leiden University’s van... Show moreFragments, marginal texts, and even ‘bad literature’ can sometimes take us further than better-known, canonical works. I was reminded of this after an unexpected find in Leiden University’s van Gulik Collection. Show less
This is quite possibly the first literary critical paper to be written in English on contemporary Mongolian poetry. As such, it would seem fitting that the title used here repeats the words of the... Show moreThis is quite possibly the first literary critical paper to be written in English on contemporary Mongolian poetry. As such, it would seem fitting that the title used here repeats the words of the poet Ayurzana. That he, a member of Ulaanbaatar’s young, cool intelligentsia, should see the 19th century poet-monk Danzanravjaa as his hero provides us with a powerful socio-cultural platform from which to observe how these young poets work in a modern idiom while remaining aware of their Mongolian heritage. Show less
