A recent IIAS workshop brought together esteemed scholars to look at the production, distribution and collection of Sanskrit manuscripts in Ancient South India.
Photography was first introduced to India in 1840, only a year after the announcements of the daguerreotype and calotype processes in France and England. The fragility of this early material, the... Show morePhotography was first introduced to India in 1840, only a year after the announcements of the daguerreotype and calotype processes in France and England. The fragility of this early material, the uniqueness of the daguerreotype and the harshness of the Indian climate mean that photographs from this time are scarce, leaving us with a fragmented picture of the development of the medium. Show less
In India, 'love' and 'arranged' marriages appear to be at opposite ends of the spectrum, but Michiel Baas argues that this 'opposition' is being challenged by IT professionals in the South India... Show moreIn India, 'love' and 'arranged' marriages appear to be at opposite ends of the spectrum, but Michiel Baas argues that this 'opposition' is being challenged by IT professionals in the South India city of Bangalore. Show less
On 26 October 1947 the state of Jammu and Kashmir acceded to the Indian Union, infuriating Pakistan and spawning one of the world's longest unresolved conflicts: Kashmir. India and Pakistan's half... Show moreOn 26 October 1947 the state of Jammu and Kashmir acceded to the Indian Union, infuriating Pakistan and spawning one of the world's longest unresolved conflicts: Kashmir. India and Pakistan's half-century of perpetual conflict has been punctuated by four full-scale wars waged over the Line of Control, forcing villagers to hinterland refugee camps that have fundamentally changed the structure of the families living in them. Show less
Nighttime. The shimmering air is filled with the scent of sweet perfume as the dim figures of visitors are seen in the shadows. Inside, the room is hung with draperies and chandeliers. Velvet... Show moreNighttime. The shimmering air is filled with the scent of sweet perfume as the dim figures of visitors are seen in the shadows. Inside, the room is hung with draperies and chandeliers. Velvet cushions litter the floor while customers lie back, perhaps smoking a water pipe, listening to the sweet voices of the mujarewali. Women sing, mostly seated, subtly moving their bodies as the graceful gestures of their hands and suggestive looks from beneath their veils cast a spell on the male audience. Sometimes eyes meet and wordless messages are sent. Their outcome is easy to guess.... Show less