In today's 'onlife' era, online and offline realities are intimately intertwined. This dissertation focuses on a specific expression of this interconnectedness: 'digital doppelgangers'. The focus... Show moreIn today's 'onlife' era, online and offline realities are intimately intertwined. This dissertation focuses on a specific expression of this interconnectedness: 'digital doppelgangers'. The focus is on visual digital doppelgangers, i.e. digital manufactured images of man. This dissertation aims to gain insight into the role that such doppelgangers play in the formation of human identity and self-understanding, using three disciplinary angles. The ‘image aspect’ of digital doppelgangers is explored through a visual culture studies/ media studies lens; the ‘human aspect’ through a philosophical anthropology/ philosophy of technology lens; and finally, the ‘identity aspect’ and unheimliche dimensions through a philosophical anthropology/ psychoanalysis lens. Three cases will elaborate on these themes: selfies, internet memes and deepfake videos. Drawing on the work of Helmuth Plessner, I show that man can be understood as a "doppelganger". The inevitable unheimlichkeit that results from this gets a more or less fixed character in visual digital doppelgangers. An important conclusion is that regulation of digital doppelgangers should not be so much focused on the (impossible) elimination of digital unheimlichkeit, but on preventing situations in which digital doppelgangers no longer can be adjusted. Living humanely in the onlife world requires being able to live the lives of our digital doppelgangers, too. Show less
In the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These... Show moreIn the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These stereotypes had come into existence during the many wars with the Burgundian and Habsburg princes, who wanted to conquer the duchy. Some Guelders historians, however, used these negative stereotypes in order to create a positive image of their compatriots: they described the people of Guelders as natural, brave, and as lovers of freedom. According to them, these labels were the essence of the Guelders identity. In Gelre. Dynastie, land en identiteit Aart Noordzij describes the development of a political identity in Guelders between 1100 and 1600. He does this by analyzing the interaction between political processes, state-formation and the shaping of identities. Successively, the formation of the dynasty, the structure of the territory, and the imagination of the dynasty, the territory, and its inhabitants pass in review. By reconstructing the interaction between political processes, imagination, and the shaping of identities, we can understand how a political community like Guelders, notwithstanding its complexity and lack of unity, could exist, function, and get coherence. Show less
Prior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising... Show morePrior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising of Apartheid, several farm novels were published, but with an entirely different message. In Unheimlich moederland insights from several disciplines are used to show how major changes in social-economic relations, land rights and the construction of cultural identity in and between these two periods were reflected on farms and in farm novels. Das Unheimliche (The Uncanny) – those things within ones own realm that are strange and therefore frightening – , a concept coming from Freud, but also used by structuralists and cultural critics, proofs to be capable to explain certain effects of (post-)colonalism and interculturality. Uncanny for instance, were the rising dead or venging powers of nature that in late 20th century farm novels undermined white hegemony. Death is a plural metaphor: in a literary as well as in a social context, it refers to transgressing boundaries, change and chaos but also to land rights and patrimonie and from there to the establishing of spatial and identifying boundaries. In text as in real life, the structure of a rite de passage (separation, liminality, reintegration) is being used to link death to life, and thus to control it. Show less
