The study of newspaper legends emerged as a vital research topic in the nineteen fifties and has so far focused on the past half century. The present study explores the potential of digitized... Show moreThe study of newspaper legends emerged as a vital research topic in the nineteen fifties and has so far focused on the past half century. The present study explores the potential of digitized newspaper archives to analyze the discursive construction of newspaper legends in Dutch dailies during the years 1850-1950. Emic concepts of Dutch journalists are contextualized in shifts regarding content, genre and work routines of the Dutch daily press. During this period, the most frequently used label for traditional stories of uncertain veracity was zeeslang, i.e. sea serpent. These stories were said to be particularly frequent during the slow news season in summer, the so-called komkommertijd (lit. ‘cucumber time’). Identifying and condemning these stories as false or unreliable served the rhetorical function of bolstering the journalists’ ethos as a credible professional. Discussing sea serpent and cucumber stories, journalists demarcated their routines and output from those of less professional news purveyors (Gieryn’s ‘boundary work’). The most commonly named scapegoat were allegedly money-driven American journalistic practices. Show less
News media and web-based discussion forums frequently feature crime stories so monstrous that they defy belief and are classified as crime legends. The present study focuses on the rhetorical means... Show moreNews media and web-based discussion forums frequently feature crime stories so monstrous that they defy belief and are classified as crime legends. The present study focuses on the rhetorical means employed by journalists and forum users to convince their audience of the veracity and value – or the lack thereof – of these recur¬rent stories about horrendous crimes. Two cases were studied: stories featuring the motif Drugged and Abused (1885-2008) and the tale type of the Smiley Gang (2003). It is argued that approaching crime legends as rhetorical constructions instead of essentially untrue stories opens new windows for the analysis of both news and vernacular discourse and as a point of departure for critiquing journalistic practices Show less
