This article explores what conflicts over information and meaning-making in digital Asia can tell us about politics in advanced networked societies, using examples from East Asia. It interprets the... Show moreThis article explores what conflicts over information and meaning-making in digital Asia can tell us about politics in advanced networked societies, using examples from East Asia. It interprets the construction and spread of unverified information as part of near-ubiquitous political practices that threaten to lead to a decoupling of realities. The article makes the case that digital Asia is a crucial site for researching such practices: Asian societies are characterized by a long-standing engagement with rumours, and they also maintain highly developed digital infrastructures across diverse socio-political and economic environments. To explore the relevance of rumours and conspiracy theories in such contexts, the article suggests a three-step research agenda that analyzes the anatomy of rumours, traces their genealogy across complex socio-technical systems, and assesses their pathology – that is, the way in which they are products of, and in turn produce, power in translocal networks. Show less
In ancient Greek philosophy the concept of ataraxia (“absence of disturbance,” “freedom from anxiety,” “tranquility”) rapidly gained importance in the third century BCE during and after the... Show moreIn ancient Greek philosophy the concept of ataraxia (“absence of disturbance,” “freedom from anxiety,” “tranquility”) rapidly gained importance in the third century BCE during and after the conquests of Alexander the Great († 321 BCE). In this period most of the so-called Hellenistic philosophers—the Epicureans, Stoics, Academic skeptics, and Pyrrhonists—related tranquility to their concept of happiness as a fulfilled life. In this chapter I briefly discuss views of ataraxia in the work of Epicurus, the Stoics Seneca and Marcus Aurelius, and the Academic skeptic Cicero. I then give more space to the role of ataraxia in the Pyrrhonism defended by Sextus Empiricus because it presents us with an attitude to life that may appear particularly helpful to us in the twenty-first century. Show less
Increasingly code and algorithms are techniques also applied in textual scholarship, giving rise to new interactions between software engineers and textual scholars. This book argues that much of... Show moreIncreasingly code and algorithms are techniques also applied in textual scholarship, giving rise to new interactions between software engineers and textual scholars. This book argues that much of that process and its effects on textual scholarship are still poorly understood and go unchecked by otherwise normal processes of quality control in scholarship such as peer review. The text provides case studies in which some of these interactions become more apparent, as well as the academic challenges and problems that they introduce. The book demonstrates that the space between code creation and conventional scholarship is one that offers many affordances to textual scholarship that until now remain unexplored. The author argues that it is an intellectual obligation of programmers and textual scholars to examine the properties of digital text and how its existence changes and challenges textual scholarship. Show less
Nadarajah, Y.; Burgos Martinez, E.E.; Su, P.; Grydehøj, A. 2022
Although the field of island studies has from the start regarded itself as a defender of islands and islander interests, it is entangled in coloniality. This editorial focuses on issues of power,... Show moreAlthough the field of island studies has from the start regarded itself as a defender of islands and islander interests, it is entangled in coloniality. This editorial focuses on issues of power, knowledge, and position. Who wields power in island studies? Who knows about islands? Where is island studies located, and how does it position itself? The paper discusses problems such as tokenism and forced inclusions, denial and circumscription of expertise, and onto-epistemological discrimination and hegemony within island studies. Ultimately, the paper advances the need for critical reflexivity and decolonial methodology within island studies, for pluralistic approaches to inclusivity and recognition of epistemic differences. Show less
Conflict mobiles are individuals whose mobility—and lack of mobility—is informed by violence andconflict. Based on personal narratives of those who move across borders within and beyond the Central... Show moreConflict mobiles are individuals whose mobility—and lack of mobility—is informed by violence andconflict. Based on personal narratives of those who move across borders within and beyond the Central African region, this thesis is an ethnography of mobility. By taking mobility as its axiom and placing the lives of people on the move at its centre, the goal of this thesis is twofold. On the one hand, it contests fixed (national) borders and defies static historical readings of Central Africa. On the other hand, it investigates how the multiple trajectories of individuals in Central African give form to the mobility paradigm. There are many avatars of the conflict mobile, the CAR (Central African Republic) refugee-students in Kinshasa (DR Congo), on whom the empirical part of this thesis is based, form only one. It is these students’ journeys, their life stories and means of fending for themselves, as well as their dreams and frustrations, that stand at the core of this thesis. By acknowledging the role of the people (including artists) with whom researchers produce knowledge, this thesis finally invites the reader to ‘un-border’ by looking at the field, and academia, through a mobile lens. Show less
Esse estudo examina diferentes abordagens das comparações etnográficas e analisa debates recentes e antigos sobre como comparar evidências etnográficas, bem como mostra de que modo epistemologias... Show moreEsse estudo examina diferentes abordagens das comparações etnográficas e analisa debates recentes e antigos sobre como comparar evidências etnográficas, bem como mostra de que modo epistemologias comparativas mudaram durante momentos políticos específicos (colonialismo, descolonização e fim da Guerra Fria). Recentemente emergiram novas formas reflexivas de comparação com raízes na epistemologia interpretativa. O fim da Guerra Fria estimulou formas de comparação e reflexividade que deram surgimento ao que chamo de comparação por serendipidade: uma abordagem comparativa baseada em uma epistemologia interpretativa que abraça serendipidade, reflexividade e relevância como mais importantes que controle.This study examines different approaches to ethnographic comparisons and analyses recent as well as older debates on how to compare ethnographic evidence. It shows how comparative epistemologies have changed during specific political moments (colonialism, decolonization, and the end of the Cold War). Recently, new forms of reflexive comparison have emerged that are rooted in an interpretative epistemology. The end of the Cold War stimulated new forms of comparison and reflexivity that gave rise to what I call serendipitous comparison: a comparative approach that is based on an interpretative epistemology that embraces serendipity, reflexivity, and saliency as being more important than control. Show less
Pels, P.; Boog, I.; Florusbosch, H.J.; Kripe, Z.; Minter, T.; Postma, M.; ... ; Richards‐Rissetto, H. 2018
Recent demands for accountability in ‘data management’ by funding agencies, universities, international journals and other academic institutions have worried many anthropologists and ethnographers.... Show moreRecent demands for accountability in ‘data management’ by funding agencies, universities, international journals and other academic institutions have worried many anthropologists and ethnographers. While their demands for transparency and integrity in opening up data for scrutiny seem to enhance scientific integrity, such principles do not always consider the way the social relationships of research are properly maintained. As a springboard, the present Forum, triggered by such recent demands to account for the use of ‘data’, discusses the present state of anthropological research and academic ethics/integrity in a broader perspective. It specifically gives voice to our disciplinary concerns and leads to a principled statement that clarifies a particularly ethnographic position. This position is then discussed by several commentators who treat its viability and necessity against the background of wider developments in anthropology – sustaining the original insight that in ethnography, research materials have been co‐produced before they become commoditised into ‘data’. Finally, in moving beyond such a position, the Forum broadens the issue to the point where other methodologies and forms of ownership of research materials will also need consideration. Show less
In vier case studies wordt onderzocht hoe het ethische beginsel in de theologie in het denken en doen van D. Chantepie de la Saussaye en J.H. Gerretsen uitwerkte
The thesis is about artistic research – what it is, or what it could be. And it is about the place that artistic research could have in academia, within the whole of academic research. It is also... Show moreThe thesis is about artistic research – what it is, or what it could be. And it is about the place that artistic research could have in academia, within the whole of academic research. It is also about the ways we speak about such issues, and about how the things we say (in this study and elsewhere) cause the practices involved to manifest themselves in specific ways, while also setting them into motion. In this sense, the thesis not only explores the phenomenon of artistic research in relation to academia, but it also engages with that relationship. This performative dimension of the thesis is interwoven with its constative and interpretive dimensions. If the thesis succeeds in its aims, it will not only advance knowledge and understanding of artistic research, but it will further the development of this emerging field. Show less
New Edge. Technology and Spirituality in the San Francisco Bay Area is a study of the way that technologists, artists, writers and entrepreneurs in the San Francisco Bay Area negotiate the events... Show moreNew Edge. Technology and Spirituality in the San Francisco Bay Area is a study of the way that technologists, artists, writers and entrepreneurs in the San Francisco Bay Area negotiate the events that have characterized this region since World War II: the rise of the computer industry and of New Age spirituality. The book argues that some of these negotiations have led to a New Edge culture, consisting of high-tech New Agers seeking to produce ways of being, acting and thinking that transcend the modernist assumption that technoscience and spirituality exclude each other. As the chapters progress it becomes clear that the assumed tension between technology and spirituality does not New Edge life sufficiently. New Edge has grown in relation to several other paradoxes that inform everyday life in one of the most high-technological regions in the world. Tracing New Edge back to the 1960s counterculture, this dissertation explores how New Edgers negotiate life in a society that calls itself secular but also believes in ultimate truth, that is both in and out of control, that invites passive consumption as well as active engagement, and that celebrates communal living as much as an individualistic ‘Do It Yourself’ ethic. Show less
That art has some sort of relation to reality is an assumption underlying most of the past and the present discourse on and about art. The questions of what sort of relation, whether it is at all... Show moreThat art has some sort of relation to reality is an assumption underlying most of the past and the present discourse on and about art. The questions of what sort of relation, whether it is at all valid and specific (as opposed to science’s or philosophy’s relation to reality), however, are hardly ever addressed. In studying a relation between terms, one needs to be clear about the terms themselves: ‘Art’ is understood here in the sense of the notion that crystallized no earlier than the 18th century in Europe. That notion is, in its essential features, still valid today. ‘Reality’ tends to be understood as that what exists independently of us ‘out there’, but it can also be the inner world of feelings, perceptions and memories, which entirely depends on the individual. The former is best described by science whereas the latter is inaccessible for it. Then there is the reality of inter personal relations, like society, culture and language. The thesis examines art in relation to each of them, on the level of individual experience, on the level of social life, in historical perspective. Informed by all these different viewpoints it eventually addresses the question whether the making or the experiencing of art can lead to any knowledge.Concerning the illustrations 5, 9, 10, 11, 18, 19, 20, 21, 26, 27, 28, 34, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, and 49 of Chapter I, the illustrations 15, 17, 18, 19, 24, 25, 26, 27, 28, and 31 of Chapter II, the illistrations 20, 21, 22, 23, 27, 28, 32, 33, 42, 45, 44, 45, 46 , 47, 48, 49, and 50 of Chapter III. the illustrations 4, 5, 8, 9, and11 of chapter IV, and the reproduction of a painting by Mondriaan on the cover the author does not own the copyright, Concerning this material the author has striven to ensure that in using the illustrations all legal rights have been taken into proper account. However, parties who believe they can claim legal rights are invited to apply to Leiden University, c/- Universiteitsbibiotheek, Afd. Acquisitie, Postbus 9501, 2300 RA Leiden, or to proefschrift@library.leidenuniv.nlMet betrekking tot de afbeeldingen 5, 9, 10, 11, 18, 19, 20, 21, 26, 27, 28, 34, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48 en 49 van het hoofdstuk (I.), de afbeeldingen 15, 17, 18, 19, 24, 25, 26, 27, 28 en 31 van het hoofdstuk (II.), de afbeeldingen 20, 21, 22, 23, 27, 28, 32, 33, 42, 43, 44, 45, 46, 47, 48, 49 en 50 van het hoofdstuk (III.), de afbeeldingen 4, 5, 8, 9, 11 van het hoofdstuk (IV.), en de afbeelding van het Mondriaan schilderij op de cover bezit hij geen copyright. Met betrekking tot dit beeldmateriaal heeft de promovendus ernaar gestreefd de rechten van de illistraties volgens wettelijke bepalingen te regelen. Degenen die desondanks menen zekere rechten te kunnen doen gelden, kunnen zich wenden tot de Universiteit Leiden, p.a. Universiteitsbibliotheek, Afd. Acquisitie, Postbus 9501, 2300 RA Leiden, of bij proefschrift@library.leidenuniv.nl Show less
