The dissertation is focused on three interrelated aspects: 1) the development of a decolonial theoretical framework and collaborative research methodology with the Kamëntšá people centred on the... Show moreThe dissertation is focused on three interrelated aspects: 1) the development of a decolonial theoretical framework and collaborative research methodology with the Kamëntšá people centred on the respect for Kamëntšá ethics, principles and social norms, and the consequent reconstruction, revitalization and dignification of Kamëntšá knowledge, arts, spirituality and notions of time and space; 2) the history and colonization processes of the Kamëntšá people and Uaman Tabanok, its ancestral lands, with a specific emphasis on the work of the Capuchin missionaries, particularly their concept of enculturation and how it transformed and resignified Kamëntšá culture and religion using its own arts, narratives and rituals which were in harmony with Christianity; and 3) the concept of “cultural heritage” and the role of academic disciplines, research practices, government institutions and cultural policies in the perpetuation of colonialism through the appropriation, interpretation, control and resignification of the objects, monuments and cultures of Indigenous peoples, and their consequent contribution to maintaining inequality, racism and historical social injustices. Show less
Products and Producers of Social and Political Change. Activism and Politicking in the Mentawai Archipelago is about a generation of young, formally educated and politically engaged Mentawaians.... Show moreProducts and Producers of Social and Political Change. Activism and Politicking in the Mentawai Archipelago is about a generation of young, formally educated and politically engaged Mentawaians. From the late 1990s onwards these people, whom I have called the Mentawaian elite, have been involved in a quest for more access to the resources of the local state. The introduction of decentralisation and regional autonomy has formed an important window of opportunity for the Mentawaian elite. Due to their intense lobby the Mentawai Archipelago became an independent district in 1999. Freed from decades of cultural, economic and political hegemony of the mainland oriented Minangkabau, the Mentawaians now saw themselves placed for the laborious task to built a new district from scratch. Divided over seven chapters, this thesis describes and discusses developments in anticipation of the new district as well as the intense politicking that characterised the first years of Reformation. This thesis offers an in-depth portrait of a generation of Mentawaians that is as much a product as well as a producer of social and political change. Show less
The Third Avant-garde investigates radical art manifestations in Southeast Asia, which took place around the mid-1980s, when postmodernism started to gain force in the region. It proposes that... Show moreThe Third Avant-garde investigates radical art manifestations in Southeast Asia, which took place around the mid-1980s, when postmodernism started to gain force in the region. It proposes that the advent of postmodernism in Southeast Asia is anchored in the materiality of traditional arts, an aspect that renders it different from its Western equivalent. The dissertation distinguishes two sets of postmodern manifestations: first, practices that use traditions in a celebratory way, and second, a set of works which use traditional arts radically. This study proposes that the second possibility manifests a double dismantle—first, against local patronizing forces that were enforcing artists to practice academic art and Western media (such as painting and sculpture), and second, a distancing attitude from Western art intelligentsia, who acted as ‘owners of the discourse’, and regarded ‘non-Western’ practitioners as followers rather than as trendsetters. For this investigation, the discipline of anthropology was called in, as was the art historical category of the avant-garde. The two approaches combined reveal how contemporary art from Southeast Asia that reprocesses traditional arts can be regarded as avant-garde. These gestures are novel, and result from practicing art in a certain location, and which is bound to a specific socio-political context. Show less
A lamak is a long narrow hanging that is an essential requirement at most rituals in Bali. Made usually of palm leaves, it is by nature ephemeral. Although permanent forms of lamak, made of... Show more A lamak is a long narrow hanging that is an essential requirement at most rituals in Bali. Made usually of palm leaves, it is by nature ephemeral. Although permanent forms of lamak, made of cloth or coins, exist, the ephemeral palm leaf form must be present. Hung from altars and shrines, a lamak serves as base for offerings and attracts deities and deified ancestors to them. Decorative motifs representing sources of life are ordered according to Balinese concepts of the vertical structure of the cosmos. Through offerings and the active role of the lamak, worshippers offer thanks to their deities and request prosperity and protection. Despite decades of change and modernization in Bali, the role of the lamak has survived intact. This is the first study to examine in detail this unique form of ephemeral material culture which is a prominent aspect of Balinese creativity. The study answers the question: why do Balinese make lamak and why do they continue to make them time and again? It examines the use and function of the lamak in ritual, the motifs that decorate them, the materials and techniques to make them, regional and individual styles, and processes of change and commercialization. Show less
This thesis traces and analyses the evolution of domestic space in Maltese vernacular and ‘polite’ houses from the medieval to contemporary times. The houses under study range from humble... Show more This thesis traces and analyses the evolution of domestic space in Maltese vernacular and ‘polite’ houses from the medieval to contemporary times. The houses under study range from humble buildings of modest size, materials and design, like farmhouses or those for the less affluent town-dwellers, to buildings of grand design, like townhouses and palazzi. Owing to the complex nature of the Maltese houses a combination of enquires and a variety of sources was necessary to achieve a holistic picture. This included fieldwork in different parts of the islands, extensive research work in local archives, libraries and museums, an analysis of a sample of literary sources, national censuses and works-of-art, as well as methods of spatial analysis (Space Syntax). Show less
Dit boek gaat over de relatie tussen de Marokkaanse overheid en Marokkaanse Nederlanders. Het perspectief van Marokkaanse Nederlanders staat hierin centraal. Wat zijn hun percepties over,... Show moreDit boek gaat over de relatie tussen de Marokkaanse overheid en Marokkaanse Nederlanders. Het perspectief van Marokkaanse Nederlanders staat hierin centraal. Wat zijn hun percepties over, ervaringen met en reacties op de zogenaamde ‘lange arm’ van Marokko?De Marokkaanse overheid voert actief beleid om banden te onderhouden met Marokkaanse Nederlanders; er is een Marokkaans ministerie van Marokkanen in het Buitenland, Stichting Hassan II organiseert zomerreizen naar Marokko en de overheid heeft programma’s om investeerders met een Marokkaanse achtergrond te begeleiden bij ondernemingen in Marokko. Deze relatie is in Nederland onderwerp van discussie, omdat ze als problematisch wordt ervaren. Er bestaat maatschappelijke en politieke onrust over dubbele nationaliteiten en het contact tussen burgers en een vreemde overheid.De Nederlandse discussie richt zich voornamelijk op het optreden van de Marokkaanse overheid. Er is opvallend weinig aandacht voor wat de Marokkaanse Nederlanders hiervan merken en wat zij hiermee doen. Marokkaanse Nederlanders blijven uit beeld of worden voorgesteld als enigszins weerloze ontvangers van de boodschappen en belangen die de Marokkaanse overheid over ze uitspreidt. Dit boek laat zien dat dit beeld onvolledig is: voor de daadwerkelijke uitvoering van het Marokkaanse overheidsbeleid vervullen Marokkaanse Nederlanders zelf een cruciale rol Show less
This is a study of oral tradition focusing on family stories that relate to historical events and social issues of contemporary Mentawai kin groups. I give descriptive answers for the central... Show moreThis is a study of oral tradition focusing on family stories that relate to historical events and social issues of contemporary Mentawai kin groups. I give descriptive answers for the central research question of how and to what extent oral narratives are involved in dealing with current issues about place of origin, the notion of identity, and discourses about land and land rights in Mentawai society in Indonesia. The family stories are an important source of information with regard to identity, forming a verbal reflection of the kin groups__ identity and justifying certain claims with regard to ancestral land. A family story must be properly preserved by its owners by carefully transmitting the content and significance of the story to following generations. The power of human memory plays an important part in maintaining and transmitting the significance of past events. In the field of oral tradition, family stories can thus be regarded as a specific genre of oral narratives. When studying oral narratives it is, in my opinion, important to pay special attention to family stories. Not in the last place so, because the communities still using family stories frequently consider them indispensable. Show less
Tamil movie fans typically manifest themselves in public space during movie releases and other special occasions. All over Tamil Nadu their fan club organizations put up billboards and posters,... Show moreTamil movie fans typically manifest themselves in public space during movie releases and other special occasions. All over Tamil Nadu their fan club organizations put up billboards and posters, paint murals, and generate a plethora of images in different media. With this ‘fandom on display’ fans pursue aspirations of power that seem to go beyond the fan clubs’ cinematic roots. This ethnography explores these diverse ambitions by looking at the images that fans produce, disseminate and consume. Images, Roos Gerritsen argues, are crucial for fans in engaging with their star, but they also assist in putting forward their own personas and hence they underpin individual needs, personal career aspirations, and desires for power. A second important focus of this dissertation is organized around fan images in Tamil Nadu’s wider mediascape and public sphere. It concentrates on the role of urban space in the dissemination of political imaginations and aspirations that are embedded in neoliberal, global imaginaries of “world class”. The dissertation shows how such imaginations are slowly changing the ways in which fans use public spaces, watch films and engage in socio-political networks. In this last part of her dissertation, Gerritsen shows how public space and the images it contains become the canvas on which these clashing and shifting discourses are played out. Show less
This thesis studies Venetian painting in its golden age, the sixteenth century, from an unconventional, anthropological point of view. Paintings of masters like Titian are demonstrated to have... Show moreThis thesis studies Venetian painting in its golden age, the sixteenth century, from an unconventional, anthropological point of view. Paintings of masters like Titian are demonstrated to have had social lives. Together with human beings they were embedded in social networks in which humans and paintings interacted; this happened to such an extent that paintings indeed became person-like. These interactions could take many forms; examples that are analysed include the miraculous image that is believed to supernaturally heal the faithful; images that suffer from violence (iconoclasm); and the veneration of female portraits that became substitutes for their absent sitters. Making use of a wide variety of sources, such as chronicles, letters, poetry, treatises, and legal documents, this study argues that the remarkable agency of these paintings was the result of a highly complex interplay of forces; religious, political, social, cultural and artistic factors all carried weight. One of its major conclusions is that the role of the artist, the one who physically produced the work, was relatively unimportant for the way these paintings functioned. Using a framework that is both anthropologically and historically informed, this thesis offers a new model for the study of pre-modern European art that is less biased by conceptions of art in the modern West. Show less
Long-Lived Sociality is an ethnographic account of the lives of older persons in Kerala. Through its detailed account of these highly educated, middle and upper class individuals, it challenges... Show moreLong-Lived Sociality is an ethnographic account of the lives of older persons in Kerala. Through its detailed account of these highly educated, middle and upper class individuals, it challenges many popular and academic stereotypical notions of the old. Contrary to such preconceptions for instance, their lives turn out to be interdependent, not at all stagnant, extremely mobile and as far as possible actively shaped by the older persons themselves. Cultural notions about sociality are furthermore explored to understand how meaning is given to social and care relationships with others. These relations are informed by strong expectations and a discourse that stresses the importance of duties. This discourse makes it possible for older persons to explicitly demand care when needed. The investigation of the possibilities and limitations of this discourse provides insights into the older persons__ appreciation of their social lives and their overall wellbeing. Show less
New Edge. Technology and Spirituality in the San Francisco Bay Area is a study of the way that technologists, artists, writers and entrepreneurs in the San Francisco Bay Area negotiate the events... Show moreNew Edge. Technology and Spirituality in the San Francisco Bay Area is a study of the way that technologists, artists, writers and entrepreneurs in the San Francisco Bay Area negotiate the events that have characterized this region since World War II: the rise of the computer industry and of New Age spirituality. The book argues that some of these negotiations have led to a New Edge culture, consisting of high-tech New Agers seeking to produce ways of being, acting and thinking that transcend the modernist assumption that technoscience and spirituality exclude each other. As the chapters progress it becomes clear that the assumed tension between technology and spirituality does not New Edge life sufficiently. New Edge has grown in relation to several other paradoxes that inform everyday life in one of the most high-technological regions in the world. Tracing New Edge back to the 1960s counterculture, this dissertation explores how New Edgers negotiate life in a society that calls itself secular but also believes in ultimate truth, that is both in and out of control, that invites passive consumption as well as active engagement, and that celebrates communal living as much as an individualistic ‘Do It Yourself’ ethic. Show less
This study is rooted in the places where daily struggles to make a living in the environment coincide and collide with efforts to save nature and/or the environment through the delineation of... Show moreThis study is rooted in the places where daily struggles to make a living in the environment coincide and collide with efforts to save nature and/or the environment through the delineation of protected areas. In this dissertation the author explores the intertwining of the causes of environmentalism and indigenous peoples rights. She looks into whether this interface lends itself well to both environmentalist causes and indigenous aspirations. It is critical to understand both elements of this dynamic: indigenous peoples, their link with the conservation of biodiversity and their relationship with the implementors/advocates of nature conservation; and the impact of the latter actors and their green vision on indigenous communities and their environments. In this light, this dissertation, in a combination of chapters and published papers, describes and analyzes the ways in which indigenous peoples and environmentalists interact, and the repercussions of these interactions. Show less
Greek whisky is a historical ethnography of alcohol consumption that explores several facets of contemporary Greek culture. The focus of the study is on the “social life” of Scotch whisky in Greece... Show moreGreek whisky is a historical ethnography of alcohol consumption that explores several facets of contemporary Greek culture. The focus of the study is on the “social life” of Scotch whisky in Greece and more specifically on three distinct trajectories of the beverage. The analysis of the mediascapes of the Greek cultural industry, the Athenian nightlife and entertainment and the North Aegean island drinking habits, aims in the examination of the localization process of Scotch in these spaces. While several studies in Greece have focused on the consumption of Greek-produced alcoholic beverages, imported beverages—and especially Scotch whisky—have been neglected. By “following the thing” the study seeks to link several key concepts such as popular culture, consumption and style. In opposition to views of global cultural homogenization as monoculture, the author argues that consumption as cultural appropriation is a process of meaning creation by consumers, multinational corporations and the cultural industry. Furthermore the localization of a commodity is not only understood as an act of consumption and a form of making oneself ‘at home’ as a result of the impersonal realm of commodity production. Localization is a major arena of negotiation of gender and group styles and more importantly a tactical practice. Show less
This study discusses the question of how refugee women in the Netherlands, as indi-viduals and as members of a family and a group, act in response to their experiences of sexual violence, and why... Show moreThis study discusses the question of how refugee women in the Netherlands, as indi-viduals and as members of a family and a group, act in response to their experiences of sexual violence, and why they regard silence as the best coping strategy. The women who participated in the research have different backgrounds: cultural, social, geographi-cal, and religious, as well as with respect to the kind of political conflict they fled from. But in spite of this, this research shows that all the women considered remaining silent about their experiences the best coping strategy. The emphasis in this study is on the subjective experiences of the women, and it shows that the way the women deal with their experiences is embedded in very complex and dynamic interactions occurring in and between different important contexts for them, such as the family, the social group, their culture of origin, and the Netherlands. In all this, the intra-psychic condition of the women is also of great impor-tance. Although the women suffer from their experiences, they do not talk about the cause of their suffering, because they think that if their secret became public it would de-stroy the connectedness with loved ones. Show less
Connecting and Correcting is a case study of Sami healers in Porsanger, Finnmark, Norway, and focuses on two Coastal Sami healers, their worldview and healing practices. The cultural and historic... Show moreConnecting and Correcting is a case study of Sami healers in Porsanger, Finnmark, Norway, and focuses on two Coastal Sami healers, their worldview and healing practices. The cultural and historic context of Sami healing practices is explored, most notably Sami folk beliefs, the Laestadian branch of Lutheranism, and the changes in the discourse on the noaidi, a Sami term that is often translated as __shaman__. Healers today may be connected historically to the noaidi of the past, but they cannot be identified with the noaidi. The healers are Christian and conceive of their healing gift as a special connection to God. This gift resembles important Laestadian concepts. In Laestadianism the __congregation of the reborn__ holds the Keys to Heaven, which are the binding and unbinding keys received from the Savior. Having inherited the gift the healer can diagnose; bodily experiences, visions and/or thoughts are their guide. The leading principle for Sami healers, their __inside__ knowledge, is that a __correct connection__ is required. The local discourse concerning healers active during the twentieth century, shows that expectations are quite consistent, most notably healers can prophesize and render immobile. These were features already recorded by Schefferus (1674) and Laestadius (1843). Show less
This dissertation describes Thangmi, a Tibeto-Burman language spoken in eastern Nepal, primarily in the districts of Dolakha and Sindhupalcok, as well as in Darjeeling district of West Bengal,... Show moreThis dissertation describes Thangmi, a Tibeto-Burman language spoken in eastern Nepal, primarily in the districts of Dolakha and Sindhupalcok, as well as in Darjeeling district of West Bengal, India. The grammar focuses on the Dolakha (Eastern) dialect of the language, although contrastive examples and specific features of the Sindhupalcok (Western) dialect are also discussed. While the Thangmi ethnic group number around 40,000, speakers of the language do not amount to more than 20,000. In terms of genetic affiliation, Thangmi appears to be closely related to Newar and Baram, which together form the ‘Newaric’ linguistic grouping. Thangmi is also related to the so-called ‘complex pronominalised’ Kiranti languages, which together with Newaric form the Mahakiranti group within Tibeto-Burman. The Thangmi refer to themselves as Thangmi, while shamans who are the sole religious practitioners in the community call themselves Thani. In Nepali the Thangmi community and their language continue to be referred to as Thami. This 862-page book contains a grammatical analysis of the Thangmi language, forty-five analysed texts with interlinear morpheme glosses and translations, a trilingual Thangmi-English-Nepali lexicon, a graphic representation of Thangmi kinship terminology and a comprehensive bibliography. The linguistic description is based on fieldwork conducted between 1997 and 2004 on a series of trips to Nepal and India. The grammar of Thangmi, which makes up the first third of the book, is divided into seven chapters. Chapter One deals with the changing historical classifications of Thangmi within the Tibeto-Burman language family, and particular attention is paid to lexical correspondences with Newar. Chapter Two offers an introduction to Thangmi culture and society, and addresses earlier research and scholarship on the Thangmi and their language. Thangmi toponyms, ethnonyms, clan names, kinship terms, mythology and history are all discussed in this chapter. Chapter Three deals with the Thangmi sound system and phonology, while Chapter Four addresses morphophonology. The fifth chapter focuses on nominal morphology, word classes and derivation. Thangmi nominals are characterised by a large number of postpositions. There is no grammatical gender in Thangmi and adjectives do not agree with the nominals they modify. A particularly interesting feature of Thangmi is the complexity of the verbal agreement system which is the subject of Chapters Six and Seven. Chapter Six offers a detailed morphological analysis of Thangmi simplex forms which are intransitive, transitive or reflexive verbal strings showing agreement with one or more actants and containing a tense morpheme. Complex verbal forms, including periphrastic constructions, imperative forms and other modals make up Chapter Seven. Gerunds along with the two intransitive verbs which correspond to the English verb ‘to be’ are also discussed in this final chapter. In common with other Tibeto-Burman languages, with the exception of Chinese and Karen, Thangmi exhibits SOV word order. Show less
