This dissertation examines how in eighteenth-century Europe, naturalists sought to study, grasp and capture the world of fish. Working on the intersection of the history of science and book history... Show moreThis dissertation examines how in eighteenth-century Europe, naturalists sought to study, grasp and capture the world of fish. Working on the intersection of the history of science and book history, this research aims to shed light on how naturalists came to present themselves as authorities in an emerging field. It does so by focussing on a set of ‘fish books’, i.e., natural historical works that describe and depict fish. The first is Francis Willughby and John Ray’s "Historia piscium" (Oxford, 1686); the second Peter Artedi’s "Ichthyologia sive opera omnia de piscibus" (Leiden, 1738), and the third Marcus Élieser Bloch’s twelve volume series "Allgemeine Naturgeschichte der Fische" (Berlin, 1782–1795). These works are analysed alongside correspondences, manuscripts and natural historical collections. Together, these sources show that the development of the study of fish in this period can be best be understood as a process of continuous demarcation. This dissertation argues that the study of fish was subject to recurrent debates on subject, method and practitioner, and that such discussions were of both epistemological and social nature. In presenting their fish books, naturalists leveraged such discussions as to secure a place for themselves in the capricious environment of early modern natural history. Show less
This essay investigates the extent to which natural philosophical and literary discourses converged in the chambers of rhetoric of early seventeenth-century Amsterdam. The inquiry is based on a set... Show moreThis essay investigates the extent to which natural philosophical and literary discourses converged in the chambers of rhetoric of early seventeenth-century Amsterdam. The inquiry is based on a set of three dialogues written by the merchant, diplomat, and rhetorician Theodoor Rodenburgh. Rodenburgh was clearly invested in expanding both his own and his audiences’ knowledge of the stars, as is witnessed by his various writings that incorporate celestial teachings. The dialogues feature experts on the stars that instruct diplomats, servants, noble ladies, and other inquisitive individuals in the workings of the heavens. These passages can be traced to texts published by specialists in spherical cosmology and astrology. The inclusion of cosmological themes was meant to stimulate reflection not only on the constitution of the heavens, but also on the place of the human in Creation. In tracing Rodenburgh's teachings on the heavens, this essay shows that rhetoricians, in addition to their already significant repertoire of philosophical resources, worked unencumbered on and with cosmological knowledge. Show less
Science museums come in all shapes and sizes. In order to provide an overview of the present-day landscape of science museums, this survey proposes a typology based on their historical origins. It... Show moreScience museums come in all shapes and sizes. In order to provide an overview of the present-day landscape of science museums, this survey proposes a typology based on their historical origins. It suggests that, despite their distinct beginnings, museums of various types have converged in their institutional identities. Show less