This article uses the COVID –19 crisis to re –evaluate the importance of reproductions – 3D prints – for art’s authenticity, and their significance in keeping art museums meaningful in a rapidly... Show moreThis article uses the COVID –19 crisis to re –evaluate the importance of reproductions – 3D prints – for art’s authenticity, and their significance in keeping art museums meaningful in a rapidly changing world. The fixation on ‘auratic experiences’, inherent to artworks’ materiality is integral to contemporary art theory and museum practice, resulting in a rejection of reproductions. However, the inaccessibility to engage with physical artworks due to the coronacrisis would suggest a loss of art’s significance and the museum’s importance. Yet, the opposite is happening, as engaging with artworks happened via anti-authentic: reproductions. Dennis Dutton’s analysis of authenticity helps unfolding the various values an artwork can have beyond its physicality. Additionally, Henry Jenkins’ convergence theory helps seeing our relationship with artworks as dispersed over mixed media, reaching beyond materiality. By considering museums as multifaceted mediums themselves, it becomes possible to understand the dynamics of authenticity in museums without physical borders. Authenticity is not static; it is a social construct allowing various perceptions that change over time, resulting in shifting appreciations of both artworks and 3D prints. Finally, ways are proposed in which reproductions can attribute to developing meaningful narratives that can take place with limited or no engagement with artworks or museums’ physicality. Show less
The articles included in the present issue of the Journal of the LUCAS Graduate Conference, titled Animals (Un)tamed. Human–Animal Encounters in Science, Art, and Literature, are the result of the... Show moreThe articles included in the present issue of the Journal of the LUCAS Graduate Conference, titled Animals (Un)tamed. Human–Animal Encounters in Science, Art, and Literature, are the result of the diverse and interdisciplinary research on our multifaceted relationship with animals which is currently taking place. The fifth biennial LUCAS Graduate Conference, held in April 2019, shared this same theme. This conference on “Animals: Theory, Practice, and Representation” gave PhD and Master students the opportunity to present, exchange and discuss their research relating to animal studies with participants from diverse backgrounds. The resulting exchange focused on a re-examination of the relationship between humans and animals, and the definitions involved. Many of the articles in the present issue are result of the lively debate which took place during this conference. The contributions to this issue of JLGC reflect the wide variety of approaches in animal studies. Show less
