Early dementias are difficult to distinguish from normal age-related memory decline. In the preclinical stages of Alzheimer’s disease and Huntington’s disease, brain functions are already changing... Show moreEarly dementias are difficult to distinguish from normal age-related memory decline. In the preclinical stages of Alzheimer’s disease and Huntington’s disease, brain functions are already changing, but this is not directly visible from the outside. Many research is aimed at discovering early disease markers. However, research using EEG registration during conventional eyes closed conditions revealed little additional information. The yield of EEG research can be improved by probing the weakest spot, which, in case of dementia, is memory. Karin van der Hiele introduced memory tests during EEG registration and found that early abnormalities in brain functioning can then be observed in Alzheimer’s disease and Huntington’s disease. An interesting finding came to light: the EEG in dementia displays a lot of muscle activity which is normally filtered out. However, the researchers decided not to throw this activity away but to measure it. Interestingly, they found that the amount of muscle activity was related to cognition and to the number of depressive complaints. It may pay to keep an open mind regarding the nature of the parameter to be measured. Show less
The aim of this thesis is to explore in which way Latin American novels from the last decade of the twentieth century represent urban violence. These novele are: Plata quemada by Ricardo Piglia, La... Show moreThe aim of this thesis is to explore in which way Latin American novels from the last decade of the twentieth century represent urban violence. These novele are: Plata quemada by Ricardo Piglia, La pesquisa by Juan José Saer and La virgen de los sicarios by Fernando Vallejo. All three display extreme forms of violence. Frequently, this violence seems to position itself at the edge of reason or at least at the edge of what Jacques Lacan would refer to as symbolic order. These novels are urban stories and are constructed according to the pattern of the classical genres of the modern city: the detective, the urban chronicle and the so-called non-fiction. At the core, the novels on violence seem to be telling the same story: the failure of the modern project in Latin America and in any case the decadence of an imaginary, understood as a series of shared images that consolidate the community. There is a decline in them, an adversity, an “anthropological machine” that has finally exhausted itself after a hundred years. The reader is obliged to look again and reconstruct these texts through which he discovers the scandal of everyday violence and history’s hell. Show less
