This dissertation explores the ways in which affective responses to disabled bodies are represented and how this invites us to read these bodies aesthetically. I argue that this affective impact... Show moreThis dissertation explores the ways in which affective responses to disabled bodies are represented and how this invites us to read these bodies aesthetically. I argue that this affective impact can be understood as an affordance, a term I use to describe how the appearance of and interaction with disabled bodies produces affective responses such as fear, wonder, or disgust. I study the relationship between representation and affective reactions through literature and other art forms. Through close readings of literary texts and works of art, this dissertation offers an alternative to so-called model thinking—an approach that emphasizes categorization. Instead, I propose a reading that focuses on how bodily capacities are culturally and socially translated into (dis)abilities. Unlike taxonomic approaches that categorize and generalize, this method allows moving from the particular to the private. Works of art, although prone to generalization, emphasize their unicity and resist categorization. By analyzing how different art forms represent disabled bodies, the dissertation brings a new dimension to understanding our emotional responses and the aesthetic appreciation of bodily diversity. Show less
In de loop van de eerste vier decennia van de twintigste eeuw dringt de poëzie vanaf 1880 door in bloemlezingen voor de hoogste klassen van gymnasium en h.b.s. In deze studie worden de overwegingen... Show moreIn de loop van de eerste vier decennia van de twintigste eeuw dringt de poëzie vanaf 1880 door in bloemlezingen voor de hoogste klassen van gymnasium en h.b.s. In deze studie worden de overwegingen om poëzie te bloemlezen en de keuzes die daaruit voortkomen van een vijftal bloemlezers (allen leraren) beschreven. Elk van hen propageert een methodiek om poëzie in de literatuurles te verwerken, van een open, globale kennismaking tot een intensieve analyse van een gedicht. Soms wordt een gedicht van een context voorzien maar doorgaans wordt een gedicht als zelfstandige tekst aangeboden. Naast deze bloemlezers brengt voordrachtskunstenaar Paul Huf ter ondersteuning van het onderwijs op een veertiental grammofoonplaten zijn gesproken bloemlezing. Zijn voordracht kan als voorbeeld dienen. Verder inventariseert deze studie de inhoud van 85 schoolbloemlezingen uit de periode 1898–1941 met in totaal 6758 gedichten van 254 dichters. Uit deze inventarisatie blijkt naast de voorkeur voor dichters uit de eerste jaren vanaf 1880 de vrij snelle popularisatie van anderen in de loop van de jaren 1920, 1930. Bloemlezers volgen op literair-historische gronden keuzes van voorgangers, daarnaast tonen zij een brede persoonlijke keuze. Schoolbloemlezingen representeren de voortgang van de contemporaine poëzieproductie en representeren het belang dat docenten voor de literatuurles hechten aan poëzie. Show less
The Bibliotheca Enchusana or Librije of Enkhuizen is one of the oldest libraries that are still preserved in situ in the Netherlands and can rightfully be called a unique book historical monument.... Show moreThe Bibliotheca Enchusana or Librije of Enkhuizen is one of the oldest libraries that are still preserved in situ in the Netherlands and can rightfully be called a unique book historical monument. In this dissertation the history of the Librije is reconstructed through a new scholarly catalogue, which is based on a hands-on examination of all the books from the library’s holdings. The catalogue contains extensive bibliographical descriptions as well as information about the physical evidence of every book’s unique history, such as inscriptions of former owners, binding details, and manuscript annotations. Together with information from archival documents, the new catalogue helps to better understand the holdings of the Librije, their origin and history, as well as the use and function of the library since its foundation. Subsequently, this dissertation explores how the specific character of Enkhuizen influenced the Librije and how the role of the library changed throughout history. Show less
"Change, alter, or perhaps transform?" Selecting the perfect word for a specific context, such as when composing a report or a speech, is all the easier with a thesaurus at hand. These... Show more"Change, alter, or perhaps transform?" Selecting the perfect word for a specific context, such as when composing a report or a speech, is all the easier with a thesaurus at hand. These lexicographic resources are invaluable for looking up alternative words or phrases that convey a specific meaning. In addition, thesauri offer a number of uses beyond looking up alternative phrasings: they are veritable treasure troves for cultural, linguistic, anthropological, and literary-critical research — especially when these resources are arranged in a topical fashion, a hierarchical ordering of its groups of loosely synonymous words according to their meaning. This doctoral dissertation investigates how Web-based dissemination of historical language thesauri can be improved to facilitate academic explorations of language and culture. The investigation includes a case study of "A Thesaurus of Old English", expressing it in a Linguistic Linked Data form and making it available through the web application Evoke, newly developed by the author of this dissertation. A number of researchers, taking part in the research project Exploring Early Medieval English Eloquence, have engaged with these two digital resources and show that thesauri are by no means exhausted by previous investigations. The results demonstrate that both the new dissemination form and the innovative functionalities provided by the web application can offer novel ways in which to explore and analyse thesaurus content of this early medieval variant of the English language. Show less
What does this dissertation on De Haan and language contribute to the ongoing research on De Haan? As I explain in the introduction, this dissertation does not discuss in detail the person and life... Show moreWhat does this dissertation on De Haan and language contribute to the ongoing research on De Haan? As I explain in the introduction, this dissertation does not discuss in detail the person and life of Jacob Israël de Haan himself. The focus has been on the conceptualisation of language and De Haan’s use of language. By making this choice, I do not reduce De Haan to his decadent period, which is often the case, but rather consider his work from the meta-level of language. This dissertation not only shows how De Haan views the phenomenon of language and its use, but also what he is capable of with language, in which way he uses language as a flexible instrument, which language approaches he uses in the process, which language attitudes he can adopt and to what end. Show less
This thesis researches the profession of the upholsterer – or ‘kamerbehanger’ in Dutch – and the role they played in the creation of interiors in the Dutch Republic, in the long eighteenth century ... Show moreThis thesis researches the profession of the upholsterer – or ‘kamerbehanger’ in Dutch – and the role they played in the creation of interiors in the Dutch Republic, in the long eighteenth century (1680-1810). Its research centers on the cities of Amsterdam, The Hague and Haarlem. A total of 234 shops or individual upholsterers working there in this period were found. Hopefully, the index of their names included in this thesis will advance future research. The first chapter describes the way the profession developed, as well as how upholsterers learned the trade, worked, kept their shops and advertised. In the following four chapters, the relation between upholsterer and client is explored in-depth through case studies from the period 1680-1810.Upholsterers provided bed and wall hangings, curtains of all sorts, upholstered furniture and other textile wares. They were a relatively small but diverse group working in the luxury industries, with about 10 shops at any one time in Amsterdam and in The Hague, and about 1-5 shops in Haarlem. Some upholsterers did not have a shop but worked their trade from a single room, or worked for others. Most kept a small shop. For some, this was indeed the best profession (‘le meilleur métier’). Upholsterers such as a Pierre Courtonne or Johannes Deel, working for the Stadholders and the elite of their day, were able to amass fortunes of 20,000-50,000 guilders and played a role in designing interiors. Succes was dependent on factors such as seed money, an up-to-date knowledge of current fashions, and maintaining good relations with clients. Most shops went from father to son, and most of the upholsterers working in the Republic were locals. Only a small percentage were foreign-born, and even though France exercised a large influence on the luxury market in the eighteenth century, this is not reflected in the number of French upholsterers settling in the Republic. Only at the end of the century can an increase in their number be seen, and a handful of ‘French upholsterers’ settle in Holland. They seem to have had an advantage over their Dutch colleagues in that they were able to purchase the latest French wares directly through their connections.Regarding the relationship with their clients, it has been found that most upholsterers played the role of advisor and facilitator, when helping their clients buy a new interior or furniture. All-in-all, the case studies show how upholsterers would balance their client’s quest for the newest and most fashionable furniture and interiors with their budget and the available goods. Show less
This thesis explores the use of narrative patterns in Herodian’s History of the Roman Empire (third century AD), a work that covers in eight books the period between the death of Marcus Aurelius,... Show moreThis thesis explores the use of narrative patterns in Herodian’s History of the Roman Empire (third century AD), a work that covers in eight books the period between the death of Marcus Aurelius, in 180, and the accession of Gordian III, in 238. Drawing from narratological studies and literary theory, this dissertation provides a detailed analysis of the shape, function, and scope of the literary strategies used in the History. Aspects of Herodian’s narrative style that have often been criticized in modern scholarship (abundance of repetitions and formulae, indiscriminate use of classical models, excessive dramatization of events and characters) are re-examined through close readings of selected episodes. This is an investigatigation into the inner workings of Herodian’s storytelling and historiographical methods, in an effort to show that truth is not opposed to fiction, but both are key elements of the intellectual process inherent to the production of a historical text: through amplification, thematization, and arrangement, fiction, or invention, supplies raw facts with a density essential to any sort of deeper historical understanding. The narrativization of historical material is at the heart of this study. Show less
Het begrip burgerschap speelt al eeuwenlang een sleutelrol in de (veranderlijke) relatie tussen burger en de staat en tussen burgers onderling. Verbondenheid komt tot stand in alledaagse culturele... Show moreHet begrip burgerschap speelt al eeuwenlang een sleutelrol in de (veranderlijke) relatie tussen burger en de staat en tussen burgers onderling. Verbondenheid komt tot stand in alledaagse culturele praktijken en gesprekken. In dit onderzoek wordt cultureel burgerschap benaderd vanuit het perspectief van de mensen zelf en niet vanuit instituties. Het onderzoek richt zich op de alledaagse culturele burgerschapsvorming met ondersteuning van Cultureel Ondernemende Professionals. Daarin worden de beroepscompetenties van deze professionals in kaart gebracht op basis van drie casestudies. Het publiek van deze casestudies bestaat uit drie generaties Nederlanders met een Turkse of Marokkaanse achtergrond waarbij binnen de publieksgroep van de derde generatie een nieuwe stedelijke elite aan het ontstaan is met een pluriforme culturele habitus. Show less
As a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The... Show moreAs a curator, in museum Beelden aan Zee, I exhibited the Gorille enlevant une Femme, by Emmanuel Fremiet dated 1887, in an exhibition of French and Belgian animal sculptors in 2011. The confrontation with, and my great surprise about this sculpture (a gorilla abducting a woman) led to this research. Just imagine: you walk into a living room in an appartment on the Boulevard des Capucines in Paris around 1890, and on a side table, one discovers a bronze sculpture: a gorilla abducting a woman. Such a sculpture does not suit our sense of taste. I suspected that this sculpture would represent more than just 'a curious piece of kitsch'. The resulting research in my dissertation led to many things: it turned out that the artist was world-famous in his time, it turned out that the gorilla had only been discovered in 1847, and it turned out that a few more gorilla sculptures had been made by Fremiet, the first as early as 1859. Furthermore, I discuss the entrance of the gorilla into zoology, the theme of the abduction of women in art and the use of the image for nationalistic and anti-Semitic purposes. The relevance of this research lies in the use of all kinds of other disciplines, which results in a new art-historical image of nineteenth century art and sculpture. The study also addresses nineteenth century issues: colonialism, the poor position of women, antisemitism, nationalism and our relationship to the animal kingdom are related to technical and iconographical interpretations of the Fremiet gorillas. Show less
This study investigates the meaning of divine forgiveness in the thought of Philo of Alexandria. Did Philo share in the common philosophical disregard for seeking divine pardon? Could he still... Show moreThis study investigates the meaning of divine forgiveness in the thought of Philo of Alexandria. Did Philo share in the common philosophical disregard for seeking divine pardon? Could he still encourage his readers to seek God’s pardon when they have done evil, while he at the same time explained to them that God cannot be hurt nor angered by human evil or made to change his mind? Can divine pardon have a meaningful place within the well-considered thought of a Hellenistic intellectual at all? This study shows that in the case of Philo of Alexandria the answer to this question is affirmative. Yes, divine amnesty has a meaningful place within Philo’s thought, while he managed to avoid implications he and other contemporary intellectuals considered inappropriate. He saw divine pardon as a vital manifestation of God’s goodness, allowing humans to purge their minds from the evil thoughts that have overwhelmed them and caused them to commit evil, to re-establish the control of good reason and welcome God’s wisdom to form their thoughts, words and acts, so that they think, speak and act rationally, as their Creator intended them when he created humans in his own image. Show less
This dissertation discusses the concept of the inverted world as a philosophical commonplace and as a belated baroque aesthetic principle in modernity. The inverted world is at once a response to... Show moreThis dissertation discusses the concept of the inverted world as a philosophical commonplace and as a belated baroque aesthetic principle in modernity. The inverted world is at once a response to the critique of capitalist modernity as well as a consequence of its essential social relations. Show less
This thesis explores the memory culture of the Kurdistan Region of Iraq (KRI). More specifically, it considers representations of traumatic events in the recent history of this region in the... Show moreThis thesis explores the memory culture of the Kurdistan Region of Iraq (KRI). More specifically, it considers representations of traumatic events in the recent history of this region in the context of Saddam Hussein’s counter-insurgency campaign, code-named Anfal, and the chemical attacks on Halabja, which both targeted the Kurdistani population. Embedded in the field of Memory Studies, the thesis mainly analyzes how these events are remembered, commemorated, imagined and represented in the present, with the word “present” referring to the era that roughly spans the last twenty years, beginning with the US-led invasion of Iraq, which resulted in the fall of Saddam Hussein in 2003.To analyze the KRI’s memory culture, the thesis develops interpretations of four very different objects of study. Two of these are museums in the region: Amna Suraka: In Order Not to Forget, in the city of Sulaymaniyah, and the Halabja Monument and Peace Museum. Thirdly, the thesis focuses on textbooks used at Kurdistani primary and secondary schools, produced by the Kurdish Regional Government (KRG) with help of UNESCO. Fourthly, the thesis develops close-readings of Kurdistani writer Bachtyar Ali’s 2010 novella My Uncle Jamshid Khan whom the Wind always Carried with Itself and his 2005 novel The City of White Musicians, which are embedded in critical analyses of approaches to Kurdistani literature and of the relationship between literature and memory culture.The thesis combines analyses of these four very different objects and in that way presents a unique multi-faceted, multi-disciplinary, and hitherto undeveloped perspective on the region’s memory culture. This perspective also results in the introduction of interpretations that contribute more generally to the fields of Memory Studies, Museum Studies and Trauma Studies. The concepts are introduced in this thesis to describe the specific way in which representations of the KRI’s past (1) apostrophically address a non-existing independent and national Kurdistan and (2) are haunted by traumatic memories of victims who, under Saddam’s regime, disappeared and have never been found.Following a concise summary of what has been argued in the four chapters, the brief conclusion embeds the thesis in the field of Peace Studies by reflecting on Aleida Assmann and Linda Shortt’s claim that memory can be an agent of change. This thesis, it is concluded, can be understood as a humble attempt at designing such exploration for a specific area in this region. Show less
Roger Martin du Gard (1881-1958) (Nobel Prize for Literature in 1937 for the novel cycle Les Thibault in 8 parts, included in the Pléiade edition, Oeuvres complètes, 1955) put, between 1941 and... Show moreRoger Martin du Gard (1881-1958) (Nobel Prize for Literature in 1937 for the novel cycle Les Thibault in 8 parts, included in the Pléiade edition, Oeuvres complètes, 1955) put, between 1941 and 1955, the novel Le Lieutenant-Colonel de Maumort (or: Maumort) on paper, his latest work, which remaines unfunished. It was released posthumously in 1983.The thesis covers in seven chapters a number of aspects of Maumort. In Section I the septuagenarian Bertrand de Maumort looks back on his life (the story is in the first person). His childhood spent in a castle in Normandy (Le Saillant) and his studies in Paris, were given the most space. Instead of ‘Mémoires’, the basic form of Maumort could also have been that of letters (Section II). Maumort corresponds with his friend, the doctor Gévresin (by whom he was given shelter for a large part of the war) about everything he experiences after his return to Le Saillant. There are now (only) nine letters (december 1944-January 1945). After that, the correspondence stops. In the Boîte Noire (Black Box)(Section III), about 40 files appear (= folders in which Martin du Gard stored thoughts on specific subjects that he had written); some of them mention Les Thibault, especially regarding the character Antoine Thibault. Show less
The Spanish comedia nueva was one of the most popular theatrical genres in the seventeenth-century Low Countries. The adaptations of these plays were performed in Dutch and Flemish theatres. This... Show moreThe Spanish comedia nueva was one of the most popular theatrical genres in the seventeenth-century Low Countries. The adaptations of these plays were performed in Dutch and Flemish theatres. This study aimed to explain the popularity of this genre. The conclusion is that the emotional effects were responsible for the popularity of these plays that were translated from Spanish. These tragicomedies by Félix Lope de Vega y Carpio and Pedro Calderón de la Barca offered a drastic alternative for the emotional prescriptions found in the oeuvre of Jacob Cats, Joost van den Vondel, and Pieter Cornelisz Hooft. This way, comedia nueva offered Dutch and Flemish spectators a refuge from emotional and social expectations. Show less
The reputation of the statesman M. Tullius Cicero in the Roman imperial period (ca. 31 BC – 300 AD) is often approached from a rhetorical perspective. After all, Cicero was most influential as an... Show moreThe reputation of the statesman M. Tullius Cicero in the Roman imperial period (ca. 31 BC – 300 AD) is often approached from a rhetorical perspective. After all, Cicero was most influential as an orator and rhetorician — or was he? This dissertation discusses four important episodes in the reception of Cicero’s political achievements, which together demonstrate that the orator’s career is fruitfully applied by imperial historical writers to symbolize the crisis of the first-century Roman Republic. As Sallust testifies, already in the late Republic, Cicero’s skills as political leader are critically evaluated (and found wanting). In the early empire, under the influence of the Roman discourse of exemplarity, which amplifies civic virtue at the cost of anything else, Cicero’s public achievements are often overshadowed by a focus on his intellectualism. Readings of Seneca, Plutarch, Appian, and Cassius Dio show further how in the course of the first three centuries AD, Cicero’s life exemplifies the conflict between intellectual ideals and political interests. This dissertation explores step by step how Cicero became a universal icon for the problem of political morality, which, according to ancient authors, lay at the basis of the fall of the Republic. Show less
This thesis compares the uses of the classical underworld descent, or katabasis, in three contemporary English-language authors, women and/or Black writers, as an instrument to express their... Show moreThis thesis compares the uses of the classical underworld descent, or katabasis, in three contemporary English-language authors, women and/or Black writers, as an instrument to express their poetics. It focuses on one central text from each author, contextualizing its use of katabasis within the author's larger oeuvre. For this analysis, use has been made of Conceptual Metaphor Theory and cognitive theory of allegory, theories of metaliterature and intertextuality, and transgeneric narratology. Katabasis has proven to hold a central position in the oeuvre of all three authors, albeit in very different ways. In the work of Boland and Naylor, the motif is omni-present. Boland maps katabasis onto the moment of poetic creativity, in which access to the female underworld is attempted, but nevertheless remains barred. Naylor's work combines the various regions of Dante's afterlife with western esotericism, offering a somewhat happier prospect for women and writing. For Walcott, on the other hand, katabasis is omni-present in his magnum opus Omeros only, and is applied as a final reckoning with his literary critics. Thus, for all three authors katabasis has proven to be used as an instrument to appropriate the western literary canon and to define their poetics. Show less
The corpus of Æsopian fables books has been taught to French children and teenagers for centuries. Yet little analysis looks at the production in its entirety. Therefore, within this corpus, I... Show moreThe corpus of Æsopian fables books has been taught to French children and teenagers for centuries. Yet little analysis looks at the production in its entirety. Therefore, within this corpus, I evaluated the relationship between the text, the images, and the educational purpose of various fable authors using 252 visuals, published between 1500 and 2020. Sources include picture books, board games, sheet music, posters, school materials, and even application software. All have in common the aim of pursuing or promoting an educational use of the fables. My research focuses on the role that illustrated fables play in French education.Through a sociological approach that features the concept of médiation littéraire, book history, literary analysis, the study of the layout of the books and intermedial analysis, I conclude that Æsopian fables are used as a social link between generations of French people.They became essential across primary schools in the mid-19th century. Before that, they were mostly intended for socially privileged children whose families could afford a secondary education.Regardless of the century, the illustrations which accompany fables play a role in the text’s adoption across French schools: they participate in the transmission of the genre and other kinds of knowledge Show less
a successful book in Italy and then beyond the Alps. While the literary reception of Ariosto inFrance has already been widely studied since the work of Alexandre Ciorănescu and SijbrandKeyser, this... Show morea successful book in Italy and then beyond the Alps. While the literary reception of Ariosto inFrance has already been widely studied since the work of Alexandre Ciorănescu and SijbrandKeyser, this PhD dissertation consists of an analysis of the diffusion of this masterpiece throughthe prism of the loving passion. In the sixteenth century, during the first French reception, readers and authors felt passionately about amorous episodes, and more specifically ones about the madness of desperate lovers. French authors took several figures of unfortunate lovers from the abundance of characters in Orlando furioso. Besides, thanks to its plasticity, Ariosto’s text was able to inspire most literary genres. We study the evolution of this representation of passion in French translations and imitations, both through a diachronic analysis and an analysis by literary genre. While in the first translations the French transposition can sometimes influence the representation of passion, the love poetry adopted more aesthetical an approach of these episodes. We insist on the 1570s, as they demonstrate the presence of remake in the epic genre but also of many partial imitations. Thus, the representation of the sentiment amoureux will progressively be depicted with more diversity and complexity until the beginning of the seventeenth century when it evolved towards a more psychological approach. Show less
This research problematizes the rapid growth of beauty blogs, investigating how this process has been shaped and accelerated by gender discourses, platform labor, and the beauty industry, each of... Show moreThis research problematizes the rapid growth of beauty blogs, investigating how this process has been shaped and accelerated by gender discourses, platform labor, and the beauty industry, each of which is rooted in the broader context of China’s social transformation. It offers an integral frame to understand the drivers and effects of beauty bloggers and the wanghong economy in China. It reveals that the explosive development of beauty blogging in China is a result of connections and cooperation among heterogeneous actors at a specific historical conjuncture. Gendered beauty has played an indispensable role in China’s economic reform in that the former has driven and strengthened the latter and vice versa. Platforms worked in tandem with changing beauty discourses and promoted their expansion through beauty blogs. In the meantime, the rise of beauty blogging in China is an embodiment of global capitalism, which has strong ties with the beauty industry’s pre-digital system of mass production. Show less
**English Translation of this thesis can be found at : https://hdl.handle.net/1887/3245181 **Deze dissertatie gaat over hoe schrijvers en beeldende kunstenaars uit Equatoriaal Guinea door middel... Show more**English Translation of this thesis can be found at : https://hdl.handle.net/1887/3245181 **Deze dissertatie gaat over hoe schrijvers en beeldende kunstenaars uit Equatoriaal Guinea door middel van hun werk aandacht vragen voor de huidige (politieke) situatie in hun land; een voormalige kolonie van Spanje die in 1968 onafhankelijk werd met tot op heden een dictatoriaal regime. Onderzocht is, vanuit een politiek-filosofisch kader (Jacques Rancière en Alain Badiou) en door middel van een narratieve en visuele analyse, waar zich in de werken van de uit het land afkomstige schrijvers Donato Ndongo Bydiogo, Juan Tomás Ávila Laurel en María Nsue Angüe, en de beeldende kunstenaar Ramón Esono Ebalé, breukvlakken en leegten bevinden. Mijn onderzoek toont aan dat het bijzondere en de kracht van hun werken niet zozeer gelegen is in de hierin naar voren komende historische aspecten of bepaalde binaire tegenstellingen (zoals veel onderzoekers tot nu toe veronderstelden), maar juist in het poëtische van wat de in de werken gevonden breukvlakken en leegten blootleggen en openen. Dat maakt dat met deze werken een procedure in gang wordt gezet die de gesloten waarheid van het huidige dictatoriale regime overstijgt, waarmee die dictatuur als het ware wordt opengebroken en geleegd. Show less
