In vier case studies wordt onderzocht hoe het ethische beginsel in de theologie in het denken en doen van D. Chantepie de la Saussaye en J.H. Gerretsen uitwerkte
Ibn Hazm, an Andalusian polygraph (XI century), is the author of an important critical history of religions and sects called al-Fasl. In the first chapter, the author draws a critical review of... Show moreIbn Hazm, an Andalusian polygraph (XI century), is the author of an important critical history of religions and sects called al-Fasl. In the first chapter, the author draws a critical review of modern research on this item. In the second chapter, he establishes a biography of Ibn Hazm studying the circumstances that influenced the author. In the third chapter he focuses on issues related to the history of the text of al-Fasl, its textual criticism, its internal structure and its sources. The pitiful state of the printed text clearly appears from the collation of the text of 19 printed editions with 15 manuscripts. These fifteen manuscripts form two groups. The manuscripts of the first group retain a first version of al-Fasl in which coexist two families. The manuscripts of the second group form a fully revised second version. Since this version of the book is the definitive state of the text, it is a priority to establish the text conveyed by these manuscripts. As an example of his method, the author provides a critical edition of the chapter of "the contradictions existing in the Pentateuch" according to its second, fully revised and final version. Show less
This project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the... Show moreThis project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the works with their socio-political, historical and cultural context, and allows the understanding of the transformations of the links (both ethic and aesthetic) between the filmed world and its referents This tesis posits that the memory of the violence that took place in this country during the 70s imprinted a significant mark in the articulation of discursive worlds as well as in any Argentine artistic production. It also considers the memory as a practice that acts in the Argentine collective imaginary, incorporating more extended historical periods that, in terms of causes and consequences, precede the last dictatorship and extend themselves into the present. Thus, the notion of memory is the focus that links the past events with every specific present, and, simultaneously, it is the hermeneutical frame of a research based on a corpus formed by diverse expressive genres. The specific systems of representation of those political events, whose impact manifested itself in the accounted period, are analyzed. We analyze the (fictional and documentary) film figurations of the myths and narrations of the peronismo (a contradictory political movement) and the ways of social irruption revealed in a climate of popular revolt that accompanied profound economical and institutional-political crisis at the dawning of this century. Show less
