This book offers an intriguing account of the complex and often contradictory relations between music and society in Freetown's past and present. Blending anthropological thought with ethnographic... Show moreThis book offers an intriguing account of the complex and often contradictory relations between music and society in Freetown's past and present. Blending anthropological thought with ethnographic and historical research, it explores the conjunctures of music practices and social affiliations and the diverse patterns of social dis/connections that music helps to shape, to (re)create, and to defy in Sierra Leone's capital Freetown. The first half of the book traces back the changing social relationships and the concurrent changes in the city's music life from the first days of the colony in the late 18th century up to the turbulent and thriving music scenes in the first decade of the 21st century. Grounded in this comprehensive historiography of Freetown's socio-musical palimpsest, the second half of the book puts forth a detailed ethnography of social dynamics in the realms of music, calibrating contemporary Freetown's social polyphony with its musical counterpart. Show less
In this chapter the author explores how the inhabitants of Lusaka, the capital of Zambia, have used their church organization to create a viable social texture for themselves, serving political,... Show moreIn this chapter the author explores how the inhabitants of Lusaka, the capital of Zambia, have used their church organization to create a viable social texture for themselves, serving political, economic and kinship goals way beyond the letter of the gospel. In Zambia, towns only came into being during the colonial period. The author starts with a discussion of the relative importance of continuity and transformation in the urban social structure of rural patterns of social relations. He then presents a long monologue of just one urban protagonist, recorded during fieldwork in 1972-1973. Mrs. Evelyn Phiri lives in the township of Kapemperere in Lusaka, and is a member of a well-established church body, the Roman Catholic Church. Her monologue highlights the discussion of elements of continuity and transformation. The church appears as a local formal organization, as a structure of material and ideological/spiritual assistance, and finally as a structure of social control. It assumes functions which can only be understood against the background of preexisting rural traditional patterns, yet caters for needs of crisis support, conflict regulation and the expression of group identity and an emerging class structure. This provides a framework within which to identify urban social processes such as they manifest themselves in the social drama evocated in Mrs. Phiri's monologue. Notes, ref Show less
