Youth literature of the Meiji period (1868–1912) has been portrayed as moralistic and unable to overcome premodern literary styles and tropes. However, in this article I show how this literature... Show moreYouth literature of the Meiji period (1868–1912) has been portrayed as moralistic and unable to overcome premodern literary styles and tropes. However, in this article I show how this literature was transformative and functioned as an arena within which literary writers and the government contended for the minds of young Japanese citizens. I reexamine the early development of the genre of youth literature in Japan through the lens of Juri Lotman’s theory of cultural memory. In Lotman’s spatial model of culture, or semiosphere, foreign concepts travel from the periphery to the centre of a given cultural (sub)sphere through an amalgamation with established texts, in a process of ‘creative memory’. This process, I argue, is reflected in the serialized adaptations of premodern warrior legends by the pioneering author Iwaya Sazanami (1870–1933), in which he explores the conventions of nineteenth-century youth literature from the West. Recognizing the new genre’s deep connection to citizenship, he shaped his protagonists into exemplary boys who display wanpaku (spirited) dispositions, in opposition to the moralism and ‘narrow-minded nationalism’ imparted at home and in schools. As a mediator between premodern and modern concepts and modes of text production, Meiji youth literature thus offered adults a way to develop modern identities. Show less
