This paper presents the initial report of our “Karakorum Rescue Project 2020-21” in the Gilgit-Baltistan region of Pakistan. The petroglyphs of the Karakorum Mountains are very important as it was... Show moreThis paper presents the initial report of our “Karakorum Rescue Project 2020-21” in the Gilgit-Baltistan region of Pakistan. The petroglyphs of the Karakorum Mountains are very important as it was crucial crossroads throughout ancient times and different routes were used by a wide diversity of merchants, travellers, caravans and pilgrims for thousands of years. These rock art sites in the region are in danger due to the construction of dam, destruction and vandalism of especially the Buddhist rock art continue to threaten the existence of these historical petroglyphs, including many that have as yet never been documented before. For the preservation and documentation of this heritage, we initiated this project with the support of the Prince Claus Heritage Emergency Grant and the Aliph Alliance. This helps us to outline the academic and fieldwork strategies we used and how we combined a (non-invasive) archaeological photographical rescue campaign with an active and inclusive outreach to the local communities of the research region. Show less
The Safaitic rock art of the North Arabian basalt desert is a unique and understudied material, one of the few surviving traces of the elusive herding societies that inhabited this region in... Show moreThe Safaitic rock art of the North Arabian basalt desert is a unique and understudied material, one of the few surviving traces of the elusive herding societies that inhabited this region in antiquity. Yet little is known about this rock art and its role in the desert societies. Why did these peoples make carvings in the desert and what was the significance of this cultural practice? What can the rock art tell us about the relationship between the nomads and their desert landscape? This book investigates these questions through a comprehensive study of over 4500 petroglyphs from the Jebel Qurma region of the Black Desert in north-eastern Jordan. It explores the content of the rock art, how it was produced and consumed by its makers and audience, and its relationship with the landscape. This is the first-ever systematic study of the Safaitic petroglyphs from the Black Desert and it is unique for the study of Arabian rock art. It demonstrates the value of a material approach to rock art and the unique insights that rock art can provide into the relationship between nomadic herders and the wild and domestic landscape. Show less
