Installation art is one of the most common forms of contemporary art. Installations constitute themselves both in space and time. They are made of multiple media and materials. Often they are... Show moreInstallation art is one of the most common forms of contemporary art. Installations constitute themselves both in space and time. They are made of multiple media and materials. Often they are compared to stage sets, which the viewer can enter physically. Well-known installations are the site-specific works created by Carsten Höller, Doris Salcedo and Olafur Eliasson for the Turbine Hall of London’s Tate Modern. Installation art is particularly known for the kind of spectatorship that it has brought about. Installations are said to turn passive viewers into active participants. This dissertation aims to analyze this spectatorship: How do we experience works of installation art, what is so particular about this spectatorship, and how does it reflect on the ‘experience society’ we are supposed to be living in? The aim of my research is to contribute to the theoretical reflection on spectatorship. I contend that installation art transforms the viewer into a ‘performing observer’. In experiencing an installation viewers revert to their own memories, associations, wishes and dreams. Inadvertently they are writing themselves into the ‘play’ that is suggested by the scenario in which they find themselves. Performing an installation means entering into a playful yet reflective interaction with one’s surroundings. Show less
This study examines the links between the state and civil society in Chile and the ways social policies have contributed since 1990 to the construction of democratic governance in that country. The... Show moreThis study examines the links between the state and civil society in Chile and the ways social policies have contributed since 1990 to the construction of democratic governance in that country. The main transformations in the link between the state and civil society in the period under consideration took shape in public policies, particularly in the social area. This was the top priority in government management and constituted the main difference from the previous neoliberal stance adopted by the Pinochet regime (1973-1990). On the basis of such policies, furthermore, participatory guidelines were set forth and efforts were directed to ensure social inclusion of the poorest sectors in society. The study discusses the role of public policies and the opportunities they provide for civil society in a scenario of political stability and economic growth based on opening to the foreign sector and the predominance of market economy. Given a broad notion of governance, it is argued that public policies have been the main instrument for transformation resorted to by democratic administrations since 1990 to amend the circumstances inherited from the military regime. However, the ability of these policies to expand democratic governance has proved to be limited, to the extent that such policies have become subordinate to an elitist model of democracy and adopted a restricted form of citizen participation. In this context, the following are discussed: (a) major social policy agendas; (b) selected innovations in the link between civil society and public policies; and (c) personal trajectories from civil society to positions of government power. Show less
