Until recently, the study of the influence and image of religion in the rich visual art of the Yoruba, the largest ethnic group of Nigeria, was limited to indigenous and Christian religious... Show moreUntil recently, the study of the influence and image of religion in the rich visual art of the Yoruba, the largest ethnic group of Nigeria, was limited to indigenous and Christian religious terrains. However, contacts with Islamic culture predated other non-local religions and are also manifest in the artistic panorama of this group, offering a paradoxical image of enrichment and iconoclasm. A Yoruba saying confirms the antiquated history of Islam in their culture: Show less
This working paper provides research findings emanating from the De-Agrarianisation and Rural Employment (DARE) Research Programme, coordinated by the African Studies Centre, Leiden. The aim of... Show moreThis working paper provides research findings emanating from the De-Agrarianisation and Rural Employment (DARE) Research Programme, coordinated by the African Studies Centre, Leiden. The aim of the Programme was to examine, from a multidisciplinary perspective, the changes in size and significance of the peasant population in sub-Saharan African countries and to draw attention to the new labour patterns and unfolding rural-urban relations now taking place. This paper focuses on Nigeria and chronicles the patterns of long-term diversification that are observable in the cocoa farming community of Alade in Idanre Local Government Area of Ondo State. After some historical background information on cocoa cultivation and government policies up to 1970, when Nigeria began to experience its oil boom, it looks at the impact of the oil boom of the 1970s and the Structural Adjustment Programme (SAP), introduced in 1986, on cocoa farming before turning to the situation of household production and reproduction in the aftermath of SAP, and the internal dynamics of Alade households. Finally, it looks at the extent and trends of diversification of livelihood strategies within the farming community. The conclusion is that SAP has led to a revival of cocoa farming in Nigeria and that farming households have responded to new opportunities opened up to them by adjusting their use of household resources. However, the benefits of this revival have not been evenly spread. Show less
This working paper provides research findings emanating from the De-Agrarianisation and Rural Employment (DARE) Research Programme, coordinated by the African Studies Centre, Leiden. The aim of... Show moreThis working paper provides research findings emanating from the De-Agrarianisation and Rural Employment (DARE) Research Programme, coordinated by the African Studies Centre, Leiden. The aim of the Programme was to examine, from a multidisciplinary perspective, the changes in size and significance of the peasant population in sub-Saharan African countries and to draw attention to the new labour patterns and unfolding rural-urban relations now taking place. This paper focuses on Nigeria, and is based on research carried out in the village of Osumenyi in Nnewi South (Igboland), in southeastern Nigeria. It considers aspects of farm and nonfarm activities: the role and trend of farming activities and output, patterns of migration, incomes from nonfarm activities and other sources, the role of social networks, the role of infrastructure and community development, and linkages between nonfarm activities and agriculture. The conclusion is that nonfarm income far outweighs agricultural income. The Nigerian government, still under the impression that rural development is synonymous with agricultural development, should encourage areas with increasing land shortage, increasing populations and poor agricultural resources to diversify their incomes as a matter of priority. Show less
The Plaza cinema squats on the edge of the Old City of Kano, Nigeria. Outside women sell bean cakes, men hawk cassettes, cigarettes, and oranges. Buses stop and taxis unload, disgorging passengers... Show moreThe Plaza cinema squats on the edge of the Old City of Kano, Nigeria. Outside women sell bean cakes, men hawk cassettes, cigarettes, and oranges. Buses stop and taxis unload, disgorging passengers who hurry on to catch other buses, different taxis. 'Drop me at the Plaza.' 'Meet me at the El Dorado.' These quotidian directions are uttered by urbanites who have little interest in going to the cinema but who have internalized the fact that cinema theatres, along with mosques, the post office, banks, and other institutions of the post-colony, architecturally punctuate the city. Their built forms create an abstract skeletal structure around which the city's nervous system circulates. Show less
