"Indianisatie" was de term waarmee in het interbellum de opkomst van Indonesiers in de lagere middenrangen van gouvernement en westers bedrijfsleven werd beschreven. Deze Indonesiers wisten zich... Show more"Indianisatie" was de term waarmee in het interbellum de opkomst van Indonesiers in de lagere middenrangen van gouvernement en westers bedrijfsleven werd beschreven. Deze Indonesiers wisten zich met beperkte westerse opleiding op te werken binnen bedrijven en Europese vakbonden, die door de krappe arbeidsmarkt van hen afhankelijk werden. In de vakbondsbladen van onder meer de Indische Post lieten zij hun stem horen. Toen de Indische regering tijdens de grote crisis deze indianisatie zowel als natuurlijke ontwikkeling en als bezuiniging presenteerde, barstte een ongekend felle discussie los tussen de fracties in de raad. In deze discussie bleek hoezeer het rassencriterium, hoewel officieel passe, in praktijk het Nederlandse sociale beleid in de kolonie nog vorm gaf. Conservatieve Indonesische Volksraadsleden, onder meer van het Inlands Binnenlands bestuur, raakten gaande de discussie doordrongen van het feit, dat het indianisatiebeleid van de Indische regering blijvend te kort schoot. Met de nationalistische fractie in de Volksraad gingen zij indianisatie zien als opstap naar het grote bestuurshervormingswerk waarvan zij voor Indonesie hoopten dat het met rasse schreden zou naderen. Show less
Hong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art... Show moreHong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art that emerged during the 2019 anti-extradition protests. We explore how actors produced a sense of “Hong Kong-ness” and distributed political meanings through networked agitprop: a form of strategic communication that links people and ideas together in both physical and digital contexts, through emotional appeals in the service of a grassroots political programme. By analysing examples of such agitprop, we show how the movement organically constructed networks of meaning to promote its ideas of people, nation, and even independence. However, we also find that the commitment to nationalist frames of reference ultimately prevents such art from re-imaging Hong Kong outside the confines of nations and that it even inadvertently reproduces the systems of power it ostensibly sets out to challenge. Show less
Youth literature of the Meiji period (1868–1912) has been portrayed as moralistic and unable to overcome premodern literary styles and tropes. However, in this article I show how this literature... Show moreYouth literature of the Meiji period (1868–1912) has been portrayed as moralistic and unable to overcome premodern literary styles and tropes. However, in this article I show how this literature was transformative and functioned as an arena within which literary writers and the government contended for the minds of young Japanese citizens. I reexamine the early development of the genre of youth literature in Japan through the lens of Juri Lotman’s theory of cultural memory. In Lotman’s spatial model of culture, or semiosphere, foreign concepts travel from the periphery to the centre of a given cultural (sub)sphere through an amalgamation with established texts, in a process of ‘creative memory’. This process, I argue, is reflected in the serialized adaptations of premodern warrior legends by the pioneering author Iwaya Sazanami (1870–1933), in which he explores the conventions of nineteenth-century youth literature from the West. Recognizing the new genre’s deep connection to citizenship, he shaped his protagonists into exemplary boys who display wanpaku (spirited) dispositions, in opposition to the moralism and ‘narrow-minded nationalism’ imparted at home and in schools. As a mediator between premodern and modern concepts and modes of text production, Meiji youth literature thus offered adults a way to develop modern identities. Show less
Precies honderd jaar geleden kwam er een definitief einde aan drieduizend jaar Griekse aanwezigheid in Klein-Azië. De verwoesting van Smyrna werd het symbool van de ‘Klein-Aziatische Catastrofe’,... Show morePrecies honderd jaar geleden kwam er een definitief einde aan drieduizend jaar Griekse aanwezigheid in Klein-Azië. De verwoesting van Smyrna werd het symbool van de ‘Klein-Aziatische Catastrofe’, de militaire nederlaag tegen het Turkije van Mustafa Kemal. De humanitaire tragedie die volgde, leidde tot de ontworteling van anderhalf miljoen orthodoxe Grieken en hun gedwongen hervestiging in het ‘moederland’ – een demografische en culturele transitie die het moderne Griekenland en haar inwoners blijvend veranderde, vol trauma’s en nostalgie. Show less
This thesis investigates the formation of the Japanese nation-state from the angle of children’s literature. On the one hand, it elucidates how premodern warrior legends were canonized and adapted... Show moreThis thesis investigates the formation of the Japanese nation-state from the angle of children’s literature. On the one hand, it elucidates how premodern warrior legends were canonized and adapted in children’s literature and textbooks of the Meiji (1686-1912) and Taishō (1912-1926) period to shape the dispositions of young citizens according to various modern ideals. On the other hand, it analyses the role of children’s literature in Japan’s transition to modernity and the identity-formation of the adults involved. This thesis challenges the idea that ‘books for children’ did not exist before the Meiji period by placing the material within the contemporary context. Focusing on the work of the author Iwaya Sazanami (1870-1933), it consequently re-assesses the development of modern children’s literature in Japan through the lens of Yuri Lotman’s theory on cultural memory. The re-appropriation of warrior legends in a modern literary genre for young citizens contributed to the coherence of culture during Japan’s transition to modernity. The new genre moreover signified Japan’s status as a modern society that separates the sphere of childhood from adulthood, thereby providing the latter with a sense of Selfhood and the right to guide both real and metaphorical children in their development. Show less
This dissertation analyzes the changing discourses of Turkish nationalism between 1950s-1980 through the reproduction of political myths in nationalist action/adventure films with historical... Show moreThis dissertation analyzes the changing discourses of Turkish nationalism between 1950s-1980 through the reproduction of political myths in nationalist action/adventure films with historical settings. How myths narrate the nation’s spatial, ancestral, temporal roots, present situation, future, and mission is examined in seventy-one films that recreate the past within the frameworks of different historical-political contexts. The central question is: How does the depiction of the past change through time with the increasing polarizations hence nationalist militancy in the country? With a close reading in combination with film analysis, the depictions of the ideal representative of the Turkish nation, the national leader, warrior, enemies, friends, women, children, the national space, religion, and national mission are revealed. Show less
Recent historical studies tend to confirm the antimodernist interpretation, emphasizing the strong premodern roots of nations and nationalism. However, a broad comparative analysis of the rise of... Show moreRecent historical studies tend to confirm the antimodernist interpretation, emphasizing the strong premodern roots of nations and nationalism. However, a broad comparative analysis of the rise of the nation-state during the Age of Revolution shows that earlier notions of nationhood did not have a significant role in the creation of nation-states in Europe and the Americas. They were not the consequence of a glorious national revolt, but of a clash between the Old Regime and new ideals of political legitimacy. Many of these conflicts led to civil wars and the survival of the nation-state was mostly determined by the geopolitical constellation. The boundaries of the nation were defined in terms of civilization, whereas language and culture were largely irrelevant. Within these new nation-states, a universalist nationalization process began. In many instances, citizenship was awarded easier to foreigners than to “uncivilized” inhabitants, while Classical Antiquity was preferred over the national past. Show less
Twelve historians and social scientists reflect on Miroslav Hroch's contributions to the field of nationalism studies. There are essays on his pioneering comparative historical studies of ‘small... Show moreTwelve historians and social scientists reflect on Miroslav Hroch's contributions to the field of nationalism studies. There are essays on his pioneering comparative historical studies of ‘small nation’ national movements and his distinction between nationalism and national movements. Other essays focus on concepts such as those of protagonist, the three phases of national movements, the small nation and nationally relevant conflict of interest. A further set of essays explores how Hroch's approach can be extended beyond small nations, beyond Europe and into the contemporary period. Show less
Nationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's... Show moreNationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's Republic of China (PRC) is a case in point: In the PRC, digital nationalism has become a central feature of political discourse and decision-making, at times powerfully shaping the state's policy efforts. This article explores a missing puzzle piece in how state-led and popular nationalism interact in Chinese politics: the role that advanced information and communication technologies play in such processes. This is a question that is not only relevant to scholars of China but also to anyone interested in the role that digital media and communication play in the formation and spread of contemporary nationalism. How do interactions in complex sociotechnical systems affect nationalism today? To answer this question, the article analyses and traces interaction and feedback loops in Chinese digital environments during Sino-Japanese disputes over the East China Sea. It shows how the interactions between humans, organisations and technologies create unexpected variations in outcome that resonate through China's internet and create the conditions from which digital nationalism can powerfully emerge to shape legitimation and policy-making processes. Show less
This chapter proposes a typology of the architecture of national pavilions. The current architectural classification is not very suitable because it highlights the supposedly unique, national... Show moreThis chapter proposes a typology of the architecture of national pavilions. The current architectural classification is not very suitable because it highlights the supposedly unique, national character of most pavilions. For a comparative analysis of the way in which the nation was represented two factors are crucial. Was the pavilion inspired by buildings pertaining to high culture – such as temples and palaces – or does it refer to “low” culture – such as vernacular buildings or commercial structures? Another axis is the opposition between a universalist language (timeless classicism or a future-oriented functionalist style) and national particularism (which could be expressed by focusing on characteristic features). By thus defining four different options for national pavilions a number of global trends can be mapped. Around 1900, the emphasis on high culture – expressed in a dominant role for classicist and historicist pavilions – was replaced by a growing influence of popular culture – both in the form of festive, commercial structures and neo-vernacular buildings. Another clear shift is the rapid advance of architectural modernism in the late 1920s. Moreover, the typology shows that transnational influences are crucial to understand the decision-making process concerning the construction of national pavilions. First, global architectural trends heavily influenced how each participating country aimed to position itself. Second, the definition of each country’s national heritage was largely determined by a transnational public. World fairs induced a quest for the extraordinary; quaint and striking buildings became a central aspect of the nation’s heritage everywhere. Show less
Refugees’ effect on domestic terrorism is conditioned by host-country social perception (attitude about living next-door to foreigners) and economic competition. These hypotheses are tested cross... Show moreRefugees’ effect on domestic terrorism is conditioned by host-country social perception (attitude about living next-door to foreigners) and economic competition. These hypotheses are tested cross-nationally from 1995-2014 leveraging data from the World Values Survey. The results show social perception matters. When refugee flow to a country increases from the mean to 75th percentile, it does not statistically alter domestic terrorism risk. But when a host-country’s preference to not live next-door to foreigners is accounted for and changes from the mean (20.9%) to 75th percentile (30.3%), the change in refugee flow increases the risk of domestic terrorism by 40%. Show less
In the art world of the late 18th. and the entire 19th. century, there appeared to have been a widespread notion of sea painting as a bearer of national pride. An idea that was directly related to... Show moreIn the art world of the late 18th. and the entire 19th. century, there appeared to have been a widespread notion of sea painting as a bearer of national pride. An idea that was directly related to the economic prosperity of the 17th-century Republic, which stemmed from the shipping industry of the time. An impression emerged of how the interaction between art and society can take shape. The role of sea painting within 19th. century nationalism was a striking aspect, but the effect that the label of a national genre had on its practice and appreciation also stood out. Sea painters started to work with it and art critics included it in their judgements. For a long time, traditional style criteria were maintained; the 17 th. century was never far away in many respects.This led to a framing of sea painting in an artistic tradition, which resulted in a certain inability to keep up with innovations in painting. The love of the ship and the specialist nautical knowledge of the sea painters were for a long time a unique quality, but they ultimately proved to be their Achilles' heel. When at the end of the 19th century the artistic tradition of the 17th-century Dutch school was definitively broken, sea painting disappeared from the canon of the visual arts. Show less
When the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations... Show moreWhen the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations about its ostensibly floundering legitimacy and instead turned the crisis into a national success story. This article explores the role that digital media played in cementing this success, specifically how various actors mobilized nationalist sentiments and discourses on the online video-sharing platform Bilibili. By focusing on visual discourses, online commentaries, and the affordances of the digital platform, the article analyses the role that ‘hip’ and youthful content played in the authorities’ attempts to guiding online audiences to rally around the flag. The results of these efforts were viral villages of community sentiment that created strong incentives for conformity, and in which the official party line was able to reverberate with pop-culture memes and popular nationalism. Show less
This article explores how competing actors established, spread, and challenged visual representations of the Chinese nation during the COVID-19 pandemic. It asks: how do official gatekeepers of... Show moreThis article explores how competing actors established, spread, and challenged visual representations of the Chinese nation during the COVID-19 pandemic. It asks: how do official gatekeepers of meaning in China imbue their visual construction of a crisis-hit nation with pathos?; and what happens when their critics utilize the resulting repertoire of visual cues for their own ends? To answer these questions, the article first examines the visual libraries of nationalism and national crisis from which Chinese propaganda drew during the COVID-19 outbreak. It then analyses the struggles that ensued over such representations, specifically the use of national flags and the sentiments they elicit. The analysis traces representations of the flag of the People’s Republic of China (PRC) from an initial satirical portrayal in a Danish broadsheet to the angry Chinese backlashes that followed on social media, and it shows how the tensions over such portrayals became part of a meme war over the sovereignty of Hong Kong. The analysis shows how representations of the nation can become a matter of existential anxieties during a time of crisis, especially in highly networked communication environments where authoritative official actors and their supporters are no longer in control of the symbols they established as part of their ‘emotional governance’. Show less
This dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in... Show moreThis dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in October 1915. We investigate the remembrance of this iconic event as a symptom of Serbian mythologized self-perception. The Retreat today is a canonised memory symbolising Serbian heroism and sacrifice. The First World War and the Retreat are experienced as specific and personal. Any attempted introduction of alternative views of the Serbian role in the First World War are rejected as hostile revisionism. The Serbian government has used the centenary commemorations to distract the Serbian public from the more recent unexamined past — Serbia’s role in the wars of the Yugoslav succession of the 1990s. This commemorative opportunism has been termed in the thesis as historical frame switching —framing current political events within arguably irrelevant historical contexts mostly in order to present an image of biased and unjust treatment of Serbs by the West. Further, politically loaded commemorations are analysed alongside grassroot events and ceremonies that memorialise the War and the Retreat. The latter are recognised as fictive kinships of remembrance, as previously characterised by Jay Winter. Show less
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth... Show moreBefore 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth century, Palestinian music evolved as a reflection of the social, cultural, and political evolution of Palestinians. Palestinian music-making evolved exponentially resulting in the expansion of various folk tunes into shaʿbī songs, the creation of the Palestinian qaṣīda song genre, new compositions of instrumental music for traditional and Western music formations, the establishment of choirs and children music programing, and active engagement in composing in the styles of the dominant Egyptian genres of the time as well as muwashshaḥāt.In 1948, the vast majority of Palestinians were displaced, and musicians found themselves at the frontier of implementing new political and cultural visions in the countries of Jordan, Lebanon and Iraq. Therefore, the continuation of the musical narrative in the West Bank did not seem attainable. By the early 1950s, Palestinian musicians and intellectuals developed a vocabulary that reflected the topography, scenery, culture, dialects, and history of al-Mashriq, one that is independent of Egypt’s. Their input, intuition, experience, and convictions of various Palestinian musicians helped to make the music scene in Lebanon, Iraq, and Jordan what they are today. Show less
