Through my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish films and directors, by academics working on Kurdish cinema, by Kurdish institutions, and by... Show moreThrough my investigation, I expose the multiple layers of Kurdish cinema constructed by Kurdish films and directors, by academics working on Kurdish cinema, by Kurdish institutions, and by contemporary artists. By employing a content analysis of films in Kurdish languages, identifying Kurdish directors as agents of history making, and investigating attempts to institutionalize Kurdish cinema, I address the Kurdish presupposition of equality to act in an aesthetic regime of art. I structure my research under three chapters: ‘A Foundation of Kurdish National Cinema’, ‘A Re-interpretation of Kurdish Trauma’, and ‘An Aesthetic Regime of Kurdishness’. Based on the detailed discussion, across these three chapters, of national cinema, the art of the un-representable, and digital revolution, I aim to reveal the necessity of exploring the aesthetics regime of Kurdishness in audio-visual terms, in order to articulate the subjectification processes leading to an ethical community in the name of Rancièrian democratic politics.I posit cinema as a home for the communicative act that will empower speech and thought for the Kurdish social body. It does so by folding the future into the present through an aesthetic regime of imperfect, mobile audio-visual assemblages. Show less
Kurdish dengbêjs are singer-poets who are trained in singing and telling stories. For a long time, the dengbêjs and their art were suppressed and forgotten, and only recently did they return into... Show moreKurdish dengbêjs are singer-poets who are trained in singing and telling stories. For a long time, the dengbêjs and their art were suppressed and forgotten, and only recently did they return into public life. Today the dengbêjs are seen as guardians of Kurdish history and culture. This vision tells much about recent socio-political developments and should be understood in the context of the evolving story of Kurdish nationalism. The dengbêjs and their songs create a Kurdish home set within the landscape of Turkey and the surrounding (nation-)states. Since the foundation of the Republic of Turkey, the political landscape of the Kurdistan region was marked by conflict and turmoil that greatly affected the lives of millions of people. The art the dengbêjs, and the negotiation about what it means to be a dengbêj today, reflect this difficult history. From a theoretical perspective the dissertation gives an ethnographic account of narrative. The variety of narratives circulating in a society at a particular time and place are presented and analyzed. The narratives do not only tell us a story about Kurdish society in Turkey, but also about the larger global stories of modernity, nationalism, and Orientalism. This gives the study a wider relevance. Show less
