Images have low priority in the study of Islam, despite their ubiquitous proximity to lived experience. This chapter argues for an exploration of images in contemporary Islam. It proposes a dynamic... Show moreImages have low priority in the study of Islam, despite their ubiquitous proximity to lived experience. This chapter argues for an exploration of images in contemporary Islam. It proposes a dynamic approach towards the relationship between Islam and the image by engaging with the concept of provocation. The chapter proposes that provocation helps us to draw attention to a multiplicity of emotions that images may engender, from feelings of joy and enlightenment to terror and rage, and from mixed feelings and feelings of indifference to a sense of shame. The chapter suggests that provocation helps to map how Muslims navigate and make sense of the overwhelming abundance and multiplicity of sounds and images in the religious public sphere today. Show less
