This study presents a re-evaluation of Malay adventure stories. These narratives were found in a large part of Southeast Asia for at least three centuries until the beginning of the twentieth... Show moreThis study presents a re-evaluation of Malay adventure stories. These narratives were found in a large part of Southeast Asia for at least three centuries until the beginning of the twentieth century. By adopting a cross-disciplinary approach, it aims to show that Malay adventure stories were not the meaningless fairy tales that Western collectors and scholars have previously held them for. It is argued that instead, they were greatly connected, in various ways, to the socieyt they have sprung from. The second part of the study comprises an annotated edition and translation of the Malay adventure story, 'Story of Bahram Syah' Show less
The leading questions in discussing the role of the Islam in Europe are: how and in what ways did Europeans and Muslims interact, and what is the role of religion therein? And for those Europeans... Show moreThe leading questions in discussing the role of the Islam in Europe are: how and in what ways did Europeans and Muslims interact, and what is the role of religion therein? And for those Europeans who had never met a Muslim: what was their image of Islam, and how did they study the Muslim? This book shows that in the course of thirteen centuries the Muslim as well as Islam have undergone many metamorphoses. The Muslim has entered the European stage as a conqueror, antichrist, scholar, benign ruler, corsair, tradesman and fellow citizen. The image of Islam has meandered accordingly, as a religion that was feared as an enemy or embraced as a partner against heretical Christians, despised as an abomination or admired as a civilization, and studied for missionary, academic, colonial or security purpose. Show less
Every culture has to balance innovation and conservation. Most innovations are bad because they are maladaptive, but since a few of them turn out well, absence of innovation in a culture is also... Show moreEvery culture has to balance innovation and conservation. Most innovations are bad because they are maladaptive, but since a few of them turn out well, absence of innovation in a culture is also maladaptive. The question is where the balance is to be struck, and in the Islamic case the answer was well toward the conservative end of the spectrum. Show less
For much of the 20th century, it was widely assumed that early modern Arabic-Islamic civilisation had been in an advanced state of 'decadence' or 'sclerosis'. The 'golden' or 'classical' age of... Show moreFor much of the 20th century, it was widely assumed that early modern Arabic-Islamic civilisation had been in an advanced state of 'decadence' or 'sclerosis'. The 'golden' or 'classical' age of Arabic-Islamic civilisation had, it was believed, come to an end in the 13th or 14th century, giving way to a 'dark age' of intellectual stagnation - an age of 'imitation and compilation' - that lasted until the 19th century 'renaissance' (nahda). This sad intellectual state of affairs was also thought to mirror an imagined economic and demographic decline attributed to Ottoman (mis)rule and/or shifts in international trade routes. Show less
