This dissertation examines the continued, yet hitherto overlooked, engagement of the Greek community in Egypt from the period after the en masse departure of most of its members (1962), until the... Show moreThis dissertation examines the continued, yet hitherto overlooked, engagement of the Greek community in Egypt from the period after the en masse departure of most of its members (1962), until the implementation of the infitāh policies in 1976 by Anwar Sadat. Beyond Departure: The Greeks in Egypt, 1962-1976 explores the Greeks’ multiple personal, local and institutional histories that make up the Greek presence in history after 1962. It reveales the diversity of Greek experiences based on geographical, socioeconomic and individual context. It analyzes the motivations and strategies they employed to respond to the economic and social changes in Egyptian society, such as the end of the Capitulations, WWI and WWII, the formation of the post-colonial state, and the 1961 Nationalization laws, among others, and the relations these events formed between Egyptian nationals and non nationals and the Egyptian state. It also explores how Greeks negotiated their presence, identity and feelings of belonging, in mind and practice, as a diaspora with a transnational agency. Show less
Why has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial... Show moreWhy has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial times; new ones are currently taking shape, based in part in African languages. The book uses cross-cultural psychology to show that such new cultural traditions are indeed forming in Africa. However, almost all African countries currently use a former colonial language in secondary and higher education. The book demonstrates that if more and more people get educated, this system will no longer scale. Over the next decade, more and more African countries will have to make a transition towards increased use of African languages. The book proposes a distinction between discerned and designed languages. All over the world, designed languages are made to serve speakers of several discerned languages. This could and should happen in Africa as well. The book contains a number of brief case studies, showing how in fact such a transition is practically possible. In future, African countries will be able to achieve success in their educational systems by using a small number of languages as medium of instruction. Such a transition will also help to form the new cultural traditions that are already taking shape on the continent. Show less
This introductory piece outlines the lens adopted in this special issue, which foregrounds the examination of language and semiotics as a means of revisiting the concept of diaspora. Guided by... Show moreThis introductory piece outlines the lens adopted in this special issue, which foregrounds the examination of language and semiotics as a means of revisiting the concept of diaspora. Guided by posthumanist applied linguistics,the papers here envision human experiences as more complex than critical social theory may suggest; moreover, grass-roots agency–a focus that may be inadvertently overlooked in work that adopts a solely critical perspective–representsan important area of attention. Such an approach is grounded in the diversity of human realities that emerge from dif-ferential interfaces between structures and individuals who, themselves, possess the capacity to recognize these struc-tures and respond to them in unique ways. Together, the diverse pictures of inventive, creative, and, in some cases,dynamic constructions of diasporic identity presented here supplement, broaden, and challenge common conceptual-izations of diasporic positionality. Show less
This dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in... Show moreThis dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in October 1915. We investigate the remembrance of this iconic event as a symptom of Serbian mythologized self-perception. The Retreat today is a canonised memory symbolising Serbian heroism and sacrifice. The First World War and the Retreat are experienced as specific and personal. Any attempted introduction of alternative views of the Serbian role in the First World War are rejected as hostile revisionism. The Serbian government has used the centenary commemorations to distract the Serbian public from the more recent unexamined past — Serbia’s role in the wars of the Yugoslav succession of the 1990s. This commemorative opportunism has been termed in the thesis as historical frame switching —framing current political events within arguably irrelevant historical contexts mostly in order to present an image of biased and unjust treatment of Serbs by the West. Further, politically loaded commemorations are analysed alongside grassroot events and ceremonies that memorialise the War and the Retreat. The latter are recognised as fictive kinships of remembrance, as previously characterised by Jay Winter. Show less
This article aims to redefine the identity traits of an Andean protagonist presented in the narrative of Peruvian author Ulises Gutiérrez Llantoy. In first novel, Ojos de pez abisal, I shall... Show moreThis article aims to redefine the identity traits of an Andean protagonist presented in the narrative of Peruvian author Ulises Gutiérrez Llantoy. In first novel, Ojos de pez abisal, I shall concentrate on the way he modifies the traditional landscape. Andean geography is readjusted as it is presented through the eyes of an andino living in Japan. His second novel, Cementerio de barcos, presents the global experience of the main character, how he engages in the construction of urban alliances as part of peripheral dynamics. Gutiérrez Llantoys’s Andean protagonist emerges as a polyglot inhabitant of shanty towns, a world traveler that loves rock. Following James Holston’s concept of insurgent citizenship, I aim to reveal the contribution of recent Andean narrative to the global debate on identity construction. This exploration of the globalized andino implies taking on the challenge of redescribing traditional Andean components in a radical new setting. Show less
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth... Show moreBefore 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth century, Palestinian music evolved as a reflection of the social, cultural, and political evolution of Palestinians. Palestinian music-making evolved exponentially resulting in the expansion of various folk tunes into shaʿbī songs, the creation of the Palestinian qaṣīda song genre, new compositions of instrumental music for traditional and Western music formations, the establishment of choirs and children music programing, and active engagement in composing in the styles of the dominant Egyptian genres of the time as well as muwashshaḥāt.In 1948, the vast majority of Palestinians were displaced, and musicians found themselves at the frontier of implementing new political and cultural visions in the countries of Jordan, Lebanon and Iraq. Therefore, the continuation of the musical narrative in the West Bank did not seem attainable. By the early 1950s, Palestinian musicians and intellectuals developed a vocabulary that reflected the topography, scenery, culture, dialects, and history of al-Mashriq, one that is independent of Egypt’s. Their input, intuition, experience, and convictions of various Palestinian musicians helped to make the music scene in Lebanon, Iraq, and Jordan what they are today. Show less
***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related... Show more***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related to Arab nationalism there was a clear struggle between the progressive thinkers who wanted to secure a secular society and release public life from religion, and the conformists who wanted to maintain their traditional practices. This research proposes a critical understanding of letterist abstraction works of art by devising a tool that allows scholars to place a letterist work of art on a spectrum of abstraction in relationship to different elements in the painting. It is a way to understand the artworks and their artists in relationship to each other. Understanding letterists abstraction artists and the dynamics that dictated their work was essential for understanding the movement and its artistic production.The research places the life and work of letterist abstraction artists in a wider artistic, social and political context, thus helping the reader form an understanding of the movement from a broader perspective. By tracing all the threads for the assessment of letterist abstraction works of art and artists, I hope to encourage the emergence of more such scholarly and critical works, until we have a better critical understanding of the contemporary Arab art scene as a whole. Show less
Within studies of World Christianity, an approach to identity construction and negotiation that foregrounds multiple identities has been gaining momentum in recent years. Some of this research has... Show moreWithin studies of World Christianity, an approach to identity construction and negotiation that foregrounds multiple identities has been gaining momentum in recent years. Some of this research has focused primarily on Christians with multiple religious identities. The most insightful work in this regard has combined a social-scientific approach with theological reflection, as seen in work from Catherine Cornille (2002), Peter C. Phan (2004), Peniel Jesudason Rufus Rajkumar and Joseph Prabhakar Dayam (2016), and André van der Braak and Manuela Kalsky (2017). In other research, the attention has been on how Christians construct and negotiate non-religious identities. For instance, in work on the Middle East, scholars such as Andrea Pacini (1998), Sidney H. Griffith (2008) and Kail C. Ellis (2018) vividly illustrate how Christians in the Middle East have negotiated a range of competing ethnic, national and cultural identities. Similarly, research on religion in Africa from J. D. Y. Peel (2015), Marloes Janson and Birgit Meyer (2016) and Agbonkhianmeghe E. Orobator (2018), among others, has advanced our understanding of the interdependence and fluidity of various cultural and social identities in multireligious settings. In line with this forward momentum, this special issue of Studies in World Christianity examines the topic of Christianity and multiple identities from diverse methodological approaches, conceptual lenses and geographic locations. Show less
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px 'Times New Roman'; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}James Purdy’s novel Eustace Chisholm and the... Show morep.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px 'Times New Roman'; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}James Purdy’s novel Eustace Chisholm and the Works (1967) challenges the notion that sexuality is part of an identity that is interior to one’s self. Central to this argument is a brief scene from the novel in which the sexual identity of one of the characters, Amos Ratcliffe, is narrated as an Oedipal fantasy of patricide and incest. Read through the lens of melodrama this article suggests that the novel, and this scene in particular, exposes sexual identity as an exteriority that is projected onto a person by his or her environment. This constitution of sexual identity is enforced through the confession, which is central to both the psychoanalytic Oedipal scenario and melodrama. Melodrama, however, problematizes the psychoanalytic confession to an interior truth that is subsequently assumed as sexual identity, for it foregrounds the exteriority onto which the truth-claim of the confession is based. As such, reading Eustace Chisholm through the lens of melodrama opens up a way to think about sexuality without taking recourse to identity. Show less
Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre... Show more Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre as a mechanism or as part of a mechanism that has exerted on-going social influence within Trinidadian society. It chronicles the evolution of calypso music from its emergence in Trinidad, and highlights contingent institutions, peculiar traditions, and salient events that have shaped the socio-political and cultural landscape there during the Colonial and Post-Colonial periods. The study is descriptive and explorative, and follows an interdisciplinary route that integrates historical fact, socio-anthropological philosophy, psychological, musicological, and ethnomusicological thought, and notes from my own ethnographic research. It analyses a large corpus of written material, and audio/visual recordings of music performance and participation in calypso and carnival-related events by practitioners and audiences alike. Show less
Since the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration"... Show moreSince the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration". This dissertation is based on interviews with migrants of the first and second generation, conducted between 2003 and 2010 in Kandatsu and surroundings. This ethnographic field research shows that the concept of “return” does not properly describe the migration of Japanese Brazilians to Japan, because it is rather a circular movement between the two countries. Moreover, it appears that the identity of these people is an ambivalent dynamic and strategic entity. The study provides important information about the motivation of the migrants, their experiences in Japan, and the challenges they face within and outside the family. It is a very heterogeneous group. Differences in cultural background, appearance, affinity with Japanese culture and Japanese language skills are decisive for the integration process. Within this process migrants handle different strategies that ultimately lead either to a permanent establishment in Japan or a decision to return temporarily or permanently to Brazil. Crucial to the integration process is the success of the Japanese-Brazilian children in Japanese schools. Show less
Despite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his... Show moreDespite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his students: gaps that are mediated by understandings of Brahms's Classical canonic identity, the performance norms that protect that identity, and those norms' underlying aesthetic ideology of control. This predication of Brahmsian identity on restraint leaves the composer and his students in a precarious situation, as their recordings evidence an approach that is governed by the inhibitions typically associated with Romanticism. This volume seeks to problematize understandings of Brahms's identity: by investigating the origins and vestiges of the aesthetic ideology of control; by analysing and copying the recordings of pianists in the composer's inner circle; and by applying these pianists' styles in ways that are just as disruptive to modern notions of Brahmsian identity as their early-recorded models. In so doing, a thoroughly Romantic performance style emerges that catalyses a fundamental shift in understanding as related to Brahms's identity; thereby opening up a new palette of expressive and technical resources, and both elucidating and narrowing persistent gaps between modern and early-recorded Brahms style, as well as between what performers believe, know, and ultimately do. Show less
The study addresses and explains the issue of negative descriptions of the Arab Other in modern Iranian thought. It attempts to understand and illustrate what the notion of the Arab means for... Show moreThe study addresses and explains the issue of negative descriptions of the Arab Other in modern Iranian thought. It attempts to understand and illustrate what the notion of the Arab means for Iranians and how Arabs are portrayed and by examining how they depicted, It describes why they depicted in modern time in such a way, linking this portrayal to a range of ideologies in modern Iran. In doing this research, the researcher has limited his analysis to a certain body of fiction and non-fiction texts. he has selected writings produced by prominent Iranian authors of a variety of ideological affiliations, including literary works such as short stories, novels, historical stories and works published in academic or semi-academic journals, as well as some works in the field of historiography, all of which were written in Persian by Iranian writers between the 1850s and the 1950s. In a broader sense, the study offers an analytical model for the understanding of the Iranian notions of Self and Other in the nineteenth and twentieth centuries. It investigates the ethnic and racial attitudes of a number of Iranian writers and thinkers toward Arabs, contributing to an understanding of the way in which the Iranian identity has been shaped in modern times. Show less
The artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of... Show moreThe artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of the theatrical situations where musicians "perform", their profession is extended by additional tasks such as walking on stage or reciting text. As an alternative strategy to extension, this research introduces and focuses on reduction, which means the abstracting away of specific qualities or abilities of the musician's profession. The audience watches musicians not doing certain things that usually belong to their profession. Both the expansive and the reductive approaches are concepts of working theatrically with musicians. They are different, perhaps even contradictory strategies, but both bear the ability to enrich the musician's professional identity with a more theatrical appearance. In order to build an understanding of what is extended or reduced when the identity shifts from a musician to a theatrical (musician-)performer a dynamic model is developed which builds strongly on what musicians actually do, a model that categorises the musician's professional activities into internal, external and contextual elements. Show less
In the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These... Show moreIn the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These stereotypes had come into existence during the many wars with the Burgundian and Habsburg princes, who wanted to conquer the duchy. Some Guelders historians, however, used these negative stereotypes in order to create a positive image of their compatriots: they described the people of Guelders as natural, brave, and as lovers of freedom. According to them, these labels were the essence of the Guelders identity. In Gelre. Dynastie, land en identiteit Aart Noordzij describes the development of a political identity in Guelders between 1100 and 1600. He does this by analyzing the interaction between political processes, state-formation and the shaping of identities. Successively, the formation of the dynasty, the structure of the territory, and the imagination of the dynasty, the territory, and its inhabitants pass in review. By reconstructing the interaction between political processes, imagination, and the shaping of identities, we can understand how a political community like Guelders, notwithstanding its complexity and lack of unity, could exist, function, and get coherence. Show less
Prior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising... Show morePrior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising of Apartheid, several farm novels were published, but with an entirely different message. In Unheimlich moederland insights from several disciplines are used to show how major changes in social-economic relations, land rights and the construction of cultural identity in and between these two periods were reflected on farms and in farm novels. Das Unheimliche (The Uncanny) – those things within ones own realm that are strange and therefore frightening – , a concept coming from Freud, but also used by structuralists and cultural critics, proofs to be capable to explain certain effects of (post-)colonalism and interculturality. Uncanny for instance, were the rising dead or venging powers of nature that in late 20th century farm novels undermined white hegemony. Death is a plural metaphor: in a literary as well as in a social context, it refers to transgressing boundaries, change and chaos but also to land rights and patrimonie and from there to the establishing of spatial and identifying boundaries. In text as in real life, the structure of a rite de passage (separation, liminality, reintegration) is being used to link death to life, and thus to control it. Show less
