Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth... Show moreBefore 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth century, Palestinian music evolved as a reflection of the social, cultural, and political evolution of Palestinians. Palestinian music-making evolved exponentially resulting in the expansion of various folk tunes into shaʿbī songs, the creation of the Palestinian qaṣīda song genre, new compositions of instrumental music for traditional and Western music formations, the establishment of choirs and children music programing, and active engagement in composing in the styles of the dominant Egyptian genres of the time as well as muwashshaḥāt.In 1948, the vast majority of Palestinians were displaced, and musicians found themselves at the frontier of implementing new political and cultural visions in the countries of Jordan, Lebanon and Iraq. Therefore, the continuation of the musical narrative in the West Bank did not seem attainable. By the early 1950s, Palestinian musicians and intellectuals developed a vocabulary that reflected the topography, scenery, culture, dialects, and history of al-Mashriq, one that is independent of Egypt’s. Their input, intuition, experience, and convictions of various Palestinian musicians helped to make the music scene in Lebanon, Iraq, and Jordan what they are today. Show less
Throughout northern Europe, thousands of burial mounds were erected in the third millennium BCE. Starting in the Corded Ware culture, individual people were being buried underneath these mounds,... Show moreThroughout northern Europe, thousands of burial mounds were erected in the third millennium BCE. Starting in the Corded Ware culture, individual people were being buried underneath these mounds, often equipped with an almost rigid set of grave goods. This practice continued in the second half of the third millennium BCE with the start of the Bell Beaker phenomenon. In large parts of Europe, a ‘typical’ set of objects was placed in graves, known as the ‘Bell Beaker package’. This book focusses on the significance and meaning of these Late Neolithic graves. Why were people buried in a seemingly standardized manner, what did this signify and what does this reveal about these individuals, their role in society, their cultural identity and the people that buried them? By performing in-depth analyses of all the individual grave goods from Dutch graves, which includes use-wear analysis and experiments, the biography of grave goods is explored. How were they made, used and discarded? Subsequently the nature of these graves themselves are explored as contexts of deposition, and how these are part of a much wider ‘sacrificial landscape’. A novel and comprehensive interpretation is presented that shows how the objects from graves were connected with travel, drinking ceremonies and maintaining long-distance relationships. Show less
This thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval... Show moreThis thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval contexts. It engages with the challenging topic of portable X-ray Florescence Spectrometry use in archaeology, especially as applied to corroded copper-alloy artefacts. The relevance is twofold. Firstly it helps us better understand the globalising effects of the Roman Empire on distant cultures and the emergence of the western economy after the end of antiquity. This is investigated by detecting changes in craft production, considered a proxy for understanding changes in past economies and societies. Secondly it advances a methodology for the study of copper-alloy objects. Subsequently the composition of Roman brooches from Germania Inferior, suggested a strong link between brass and Roman military production. This connection was also seen in other parts of the Roman world, suggesting a degree of centralisation or control. The earliest roman objects found in the Baltic States, far north of the Limes frontier, are also in this 'Roman' alloy. These objects had a lasting impact on the peoples of this region. They adopted and adapted them stylistically to suit their local preferences for centuries after they first appeared. Show less
***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related... Show more***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related to Arab nationalism there was a clear struggle between the progressive thinkers who wanted to secure a secular society and release public life from religion, and the conformists who wanted to maintain their traditional practices. This research proposes a critical understanding of letterist abstraction works of art by devising a tool that allows scholars to place a letterist work of art on a spectrum of abstraction in relationship to different elements in the painting. It is a way to understand the artworks and their artists in relationship to each other. Understanding letterists abstraction artists and the dynamics that dictated their work was essential for understanding the movement and its artistic production.The research places the life and work of letterist abstraction artists in a wider artistic, social and political context, thus helping the reader form an understanding of the movement from a broader perspective. By tracing all the threads for the assessment of letterist abstraction works of art and artists, I hope to encourage the emergence of more such scholarly and critical works, until we have a better critical understanding of the contemporary Arab art scene as a whole. Show less
Many European countries have been the target of jihadist terrorist attacks between 2015 and 2017. While the chance of becoming a victim of a terrorist attack is low, terrorism scholars have... Show moreMany European countries have been the target of jihadist terrorist attacks between 2015 and 2017. While the chance of becoming a victim of a terrorist attack is low, terrorism scholars have emphasized that terrorism does not revolve around statistics and casualty numbers. Terrorists use attacks to reach an audience and affect groups beyond the direct victims. To this date, little is known about how terrorist attacks might affect the salience of terrorism beyond national borders. This paper investigates possible convergence of issue salience of terrorism among citizens within the European Union for ten jihadist attacks in the period 2015–2017 using Eurobarometer survey data. The results indicate that it is not simply a question of convergence or divergence of salience of terrorism after a terrorist attack. The connection is multidirectional and depending upon a variety of factors. Most importantly, we observed convergence on the EU-level, but divergence on the national level. This raises important questions about the transnationality of the effects of terrorism. As this research does not test nor find a causal mechanism and is solely dependent on existing data, further research is necessary to test some of its findings. Show less
In the past decades a growing body of literature has been dedicated to explain desistance from offending behaviour, or to answer the question why some offenders quit crime and others do not.... Show moreIn the past decades a growing body of literature has been dedicated to explain desistance from offending behaviour, or to answer the question why some offenders quit crime and others do not. Currently, more psychological explanations infuse a prominent line of research emphasizing the importance of subjective, individual factors coming from within the offender, such as developing a new sense of self-identity. The aim of this study was to gain more insight into different dimensions of desistance, focusing on two aspects of identity: future expectations and conventional aspirations, and investigated how these related to (non-)criminal behaviour over time. Furthermore, this study examined how the parole experience interacted with the different dimensions of desistance. This qualitative, longitudinal study followed 28 male prisoners serving a long-term sentence in the Netherlands during their transition from prison to society. Findings illustrated the importance of individual factors such as believing in one’s own abilities in the context of pre-release expectations, the lack of conventional scripts and role models, and the contribution of parole supervision to the desistance process. Yet, it also revealed the pain of failure for men attempting to refrain from crime, mostly relating to structural support such as employment or housing issues. Show less
Within studies of World Christianity, an approach to identity construction and negotiation that foregrounds multiple identities has been gaining momentum in recent years. Some of this research has... Show moreWithin studies of World Christianity, an approach to identity construction and negotiation that foregrounds multiple identities has been gaining momentum in recent years. Some of this research has focused primarily on Christians with multiple religious identities. The most insightful work in this regard has combined a social-scientific approach with theological reflection, as seen in work from Catherine Cornille (2002), Peter C. Phan (2004), Peniel Jesudason Rufus Rajkumar and Joseph Prabhakar Dayam (2016), and André van der Braak and Manuela Kalsky (2017). In other research, the attention has been on how Christians construct and negotiate non-religious identities. For instance, in work on the Middle East, scholars such as Andrea Pacini (1998), Sidney H. Griffith (2008) and Kail C. Ellis (2018) vividly illustrate how Christians in the Middle East have negotiated a range of competing ethnic, national and cultural identities. Similarly, research on religion in Africa from J. D. Y. Peel (2015), Marloes Janson and Birgit Meyer (2016) and Agbonkhianmeghe E. Orobator (2018), among others, has advanced our understanding of the interdependence and fluidity of various cultural and social identities in multireligious settings. In line with this forward momentum, this special issue of Studies in World Christianity examines the topic of Christianity and multiple identities from diverse methodological approaches, conceptual lenses and geographic locations. Show less
International Commercial Surrogacy (ICS) has emerged over the past decade as a modern method of family formation. ICS is unregulated internationally and domestic laws are struggling to keep pace... Show moreInternational Commercial Surrogacy (ICS) has emerged over the past decade as a modern method of family formation. ICS is unregulated internationally and domestic laws are struggling to keep pace with ICS. However, a child is at the centre of every ICS arrangement, and children conceived and born through ICS are at a heightened risk of their rights being infringed.Written over the course of time when ICS has rapidly developed, this book explores why and how the child's rights are at risk in ICS, and seeks to apply the standards and norms of the United Nations Convention on the Rights of the Child to the ICS context. This book proposes approaches for balancing the competing rights and interests of the child and other parties in ICS. It presents a framework for protecting the rights of children born through ICS, illustrating that this is achievable in practice, in the absence of international consensus on ICS as a phenomenon.This book is relevant for child rights practitioners and academics, and useful for policy-makers, legislators and national and international decision-makers grappling with the children’s and human rights issues presented by this 21st century human rights challenge. Show less
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px 'Times New Roman'; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}James Purdy’s novel Eustace Chisholm and the... Show morep.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px 'Times New Roman'; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}James Purdy’s novel Eustace Chisholm and the Works (1967) challenges the notion that sexuality is part of an identity that is interior to one’s self. Central to this argument is a brief scene from the novel in which the sexual identity of one of the characters, Amos Ratcliffe, is narrated as an Oedipal fantasy of patricide and incest. Read through the lens of melodrama this article suggests that the novel, and this scene in particular, exposes sexual identity as an exteriority that is projected onto a person by his or her environment. This constitution of sexual identity is enforced through the confession, which is central to both the psychoanalytic Oedipal scenario and melodrama. Melodrama, however, problematizes the psychoanalytic confession to an interior truth that is subsequently assumed as sexual identity, for it foregrounds the exteriority onto which the truth-claim of the confession is based. As such, reading Eustace Chisholm through the lens of melodrama opens up a way to think about sexuality without taking recourse to identity. Show less
Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre... Show more Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre as a mechanism or as part of a mechanism that has exerted on-going social influence within Trinidadian society. It chronicles the evolution of calypso music from its emergence in Trinidad, and highlights contingent institutions, peculiar traditions, and salient events that have shaped the socio-political and cultural landscape there during the Colonial and Post-Colonial periods. The study is descriptive and explorative, and follows an interdisciplinary route that integrates historical fact, socio-anthropological philosophy, psychological, musicological, and ethnomusicological thought, and notes from my own ethnographic research. It analyses a large corpus of written material, and audio/visual recordings of music performance and participation in calypso and carnival-related events by practitioners and audiences alike. Show less
This book presents a mode by which to discuss and assess Jewish religious participation and religious group membership as a social phenomenon through the lens of social identity theory. It... Show moreThis book presents a mode by which to discuss and assess Jewish religious participation and religious group membership as a social phenomenon through the lens of social identity theory. It includes analyses and discussion of minority groups’ self-perception within broader national contexts, self-esteem as a result of religious group membership, and the dichotomy between religious in-group identity and active belief. If we are able to distinguish ‘belief’ from ‘belonging’ relative to institutional religions, we might better accommodate the needs and values of these groups. This book focuses on a Canadian group of secular Jews, combining quantitative and qualitative methods to illuminate how religious identity, connection and membership affect daily modern life. Show less
In this study I explore literary structures of identity-formation in the works of assimilated/acculturated Jewish writers: Kafka__s novella __The Metamorphosis__ (__Die Verwandlung__, 1912) and... Show moreIn this study I explore literary structures of identity-formation in the works of assimilated/acculturated Jewish writers: Kafka__s novella __The Metamorphosis__ (__Die Verwandlung__, 1912) and David Vogel__s Hebrew novel Married Life. 1929) These authors wrote their works when the failure of Jewish assimilation began to dawn on assimilated/acculturated European Jewry, and an upsurge of hatred of Jews made it, as someone put it: __as impossible to be, as not to be a Jew (by assimilation/ acculturation)__ What I aim to show is that during that deadlock of Jewish identity, new structures of identity began to emerge in the literary works of Jews. Works demonstrating the power not to represent the world of located subjects but to imagine, create and vary affects, that were not already given: not already tied down to communication and signification in the social order. That is what Deleuze and Guattari call minor literature, namely literature that does not add a work to the great tradition but disrupts and dislocates that tradition. Minor literature represents nothing but the power to be different. All great literature, according to Deleuze and Guattari, is minor in this sense: it is the vehicle for the creation rather than the expression of identity Show less
Since the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration"... Show moreSince the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration". This dissertation is based on interviews with migrants of the first and second generation, conducted between 2003 and 2010 in Kandatsu and surroundings. This ethnographic field research shows that the concept of “return” does not properly describe the migration of Japanese Brazilians to Japan, because it is rather a circular movement between the two countries. Moreover, it appears that the identity of these people is an ambivalent dynamic and strategic entity. The study provides important information about the motivation of the migrants, their experiences in Japan, and the challenges they face within and outside the family. It is a very heterogeneous group. Differences in cultural background, appearance, affinity with Japanese culture and Japanese language skills are decisive for the integration process. Within this process migrants handle different strategies that ultimately lead either to a permanent establishment in Japan or a decision to return temporarily or permanently to Brazil. Crucial to the integration process is the success of the Japanese-Brazilian children in Japanese schools. Show less
Despite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his... Show moreDespite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his students: gaps that are mediated by understandings of Brahms's Classical canonic identity, the performance norms that protect that identity, and those norms' underlying aesthetic ideology of control. This predication of Brahmsian identity on restraint leaves the composer and his students in a precarious situation, as their recordings evidence an approach that is governed by the inhibitions typically associated with Romanticism. This volume seeks to problematize understandings of Brahms's identity: by investigating the origins and vestiges of the aesthetic ideology of control; by analysing and copying the recordings of pianists in the composer's inner circle; and by applying these pianists' styles in ways that are just as disruptive to modern notions of Brahmsian identity as their early-recorded models. In so doing, a thoroughly Romantic performance style emerges that catalyses a fundamental shift in understanding as related to Brahms's identity; thereby opening up a new palette of expressive and technical resources, and both elucidating and narrowing persistent gaps between modern and early-recorded Brahms style, as well as between what performers believe, know, and ultimately do. Show less
The study addresses and explains the issue of negative descriptions of the Arab Other in modern Iranian thought. It attempts to understand and illustrate what the notion of the Arab means for... Show moreThe study addresses and explains the issue of negative descriptions of the Arab Other in modern Iranian thought. It attempts to understand and illustrate what the notion of the Arab means for Iranians and how Arabs are portrayed and by examining how they depicted, It describes why they depicted in modern time in such a way, linking this portrayal to a range of ideologies in modern Iran. In doing this research, the researcher has limited his analysis to a certain body of fiction and non-fiction texts. he has selected writings produced by prominent Iranian authors of a variety of ideological affiliations, including literary works such as short stories, novels, historical stories and works published in academic or semi-academic journals, as well as some works in the field of historiography, all of which were written in Persian by Iranian writers between the 1850s and the 1950s. In a broader sense, the study offers an analytical model for the understanding of the Iranian notions of Self and Other in the nineteenth and twentieth centuries. It investigates the ethnic and racial attitudes of a number of Iranian writers and thinkers toward Arabs, contributing to an understanding of the way in which the Iranian identity has been shaped in modern times. Show less
The artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of... Show moreThe artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of the theatrical situations where musicians "perform", their profession is extended by additional tasks such as walking on stage or reciting text. As an alternative strategy to extension, this research introduces and focuses on reduction, which means the abstracting away of specific qualities or abilities of the musician's profession. The audience watches musicians not doing certain things that usually belong to their profession. Both the expansive and the reductive approaches are concepts of working theatrically with musicians. They are different, perhaps even contradictory strategies, but both bear the ability to enrich the musician's professional identity with a more theatrical appearance. In order to build an understanding of what is extended or reduced when the identity shifts from a musician to a theatrical (musician-)performer a dynamic model is developed which builds strongly on what musicians actually do, a model that categorises the musician's professional activities into internal, external and contextual elements. Show less
The [UK] Government plans to digitise more public services by 2015 to improve efficiency and reduce costs. As more daily activities, services and transactions are conducted online, increasing... Show moreThe [UK] Government plans to digitise more public services by 2015 to improve efficiency and reduce costs. As more daily activities, services and transactions are conducted online, increasing amounts of personal data are used on the internet. This POSTnote describes online identity, government projects to secure online access to public services and the issues arising from a more online society. Show less
Combining extant literature with archival and archaeological evidence, photo albums and oral interviews, eponymous names and witty sayings, folksongs and participant observation; this study,... Show moreCombining extant literature with archival and archaeological evidence, photo albums and oral interviews, eponymous names and witty sayings, folksongs and participant observation; this study, covering from 1880 to 1980, wrote a history of Yorubaland as seen through dress. Also subsumed in this study was a history of Yorùbá dress, especially its place in the construction of Yorùbá ethno-national identity. Yorùbá people conceived dress as an assemblage of modifications and/or supplements to the human body. These included coiffed hair and coloured skin, pierced ears and scented breath, etc. Underlying this conceptualization was the requirement of being an Omoluabi, an ethical category defined as a conglomeration of moral principles such as being lofty in spoken words and respectful, having good mind towards others and being truthful, possessing lofty character and being brave, hardworking and being intelligent, including having a good dress sense. All these formed Yorùbá individual and group identity (Yorùbáness) as well as what Yorùbá dress was all about. To be a Yorùbá man or woman was therefore to dress well and to dress well was to be a Yorùbá man or woman. Understood in this way, Yorùbáness therefore was impossible without Yorùbá dress and Yorùbá dress was impossible without Yorùbáness. Show less
