In today's 'onlife' era, online and offline realities are intimately intertwined. This dissertation focuses on a specific expression of this interconnectedness: 'digital doppelgangers'. The focus... Show moreIn today's 'onlife' era, online and offline realities are intimately intertwined. This dissertation focuses on a specific expression of this interconnectedness: 'digital doppelgangers'. The focus is on visual digital doppelgangers, i.e. digital manufactured images of man. This dissertation aims to gain insight into the role that such doppelgangers play in the formation of human identity and self-understanding, using three disciplinary angles. The ‘image aspect’ of digital doppelgangers is explored through a visual culture studies/ media studies lens; the ‘human aspect’ through a philosophical anthropology/ philosophy of technology lens; and finally, the ‘identity aspect’ and unheimliche dimensions through a philosophical anthropology/ psychoanalysis lens. Three cases will elaborate on these themes: selfies, internet memes and deepfake videos. Drawing on the work of Helmuth Plessner, I show that man can be understood as a "doppelganger". The inevitable unheimlichkeit that results from this gets a more or less fixed character in visual digital doppelgangers. An important conclusion is that regulation of digital doppelgangers should not be so much focused on the (impossible) elimination of digital unheimlichkeit, but on preventing situations in which digital doppelgangers no longer can be adjusted. Living humanely in the onlife world requires being able to live the lives of our digital doppelgangers, too. Show less
This dissertation examines the efforts and motives of conservation actors on Bonaire, Saba, and Sint Eustatius, and situates these actors within the larger context of the Caribbean Netherlands. The... Show moreThis dissertation examines the efforts and motives of conservation actors on Bonaire, Saba, and Sint Eustatius, and situates these actors within the larger context of the Caribbean Netherlands. The main research question addressed is: How are the efforts of conservation actors to protect the environment of the Caribbean Netherlands affected by the recent social and political changes and their (post) colonial context? To get at these issues, this dissertation combines insights and approaches from environmental psychology, anthropology, and Caribbean studies to investigate how and why residents of the Caribbean Netherlands engage in conservation actions. Situated in social history, cultural and environmental anthropology, public administration, and environmental science, this research aims to create a broader, less compartmentalized, picture and also addresses societal concerns. Because of its multidisciplinary and multi-method character, this dissertation produces information that will be useful in engaging more people in environmental conservation In the (Dutch) Caribbean. Show less
In this dissertation I have explored contemporary modes of displacement and citizenship in India. Rather than large-scale spectacular dislocations which are a focus of ‘refugee’ studies or set... Show moreIn this dissertation I have explored contemporary modes of displacement and citizenship in India. Rather than large-scale spectacular dislocations which are a focus of ‘refugee’ studies or set patterns of ‘voluntary’ population movement which come under the rubric of ‘migration’ studies, I am interested in low-key everyday forms of displacements which fall through these categories of understanding, are invisible, and remain undiscussed. I have explored everyday forms of displacement through Oren Yiftachel’s (2020) concept of displaceability. I draw on two case studies of two different displaced groups in Calcutta and North 24 Parganas in West Bengal: i) East Bengali dalit refugees coming from East Bengal (present day Bangladesh) to West Bengal and ii) a group of peripatetic impoverished rural people coming from the villages of Bangladesh and West Bengal to the urban agglomeration around Calcutta. The time frame of the dissertation is from the beginning of the Second World War in 1939 till the present. I have utilised the concept of displaceability to show how these groups are kept in a condition of permanent temporariness through deliberate state policies and how this erodes their citizenship. Displaceability expands understanding of displacement from an act to a systemic condition of informal urban living. In displaceable conditions actual displacements or the potential threats of it are utilised as an administrative tool to extract services from the urban poor and coerce them into participating in unequal political exchanges. My study shows that while these refugees and migrants become displaceable through state mechanisms, they negotiate this condition through their own brands of politics from below. Show less
Why has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial... Show moreWhy has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial times; new ones are currently taking shape, based in part in African languages. The book uses cross-cultural psychology to show that such new cultural traditions are indeed forming in Africa. However, almost all African countries currently use a former colonial language in secondary and higher education. The book demonstrates that if more and more people get educated, this system will no longer scale. Over the next decade, more and more African countries will have to make a transition towards increased use of African languages. The book proposes a distinction between discerned and designed languages. All over the world, designed languages are made to serve speakers of several discerned languages. This could and should happen in Africa as well. The book contains a number of brief case studies, showing how in fact such a transition is practically possible. In future, African countries will be able to achieve success in their educational systems by using a small number of languages as medium of instruction. Such a transition will also help to form the new cultural traditions that are already taking shape on the continent. Show less
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth... Show moreBefore 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth century, Palestinian music evolved as a reflection of the social, cultural, and political evolution of Palestinians. Palestinian music-making evolved exponentially resulting in the expansion of various folk tunes into shaʿbī songs, the creation of the Palestinian qaṣīda song genre, new compositions of instrumental music for traditional and Western music formations, the establishment of choirs and children music programing, and active engagement in composing in the styles of the dominant Egyptian genres of the time as well as muwashshaḥāt.In 1948, the vast majority of Palestinians were displaced, and musicians found themselves at the frontier of implementing new political and cultural visions in the countries of Jordan, Lebanon and Iraq. Therefore, the continuation of the musical narrative in the West Bank did not seem attainable. By the early 1950s, Palestinian musicians and intellectuals developed a vocabulary that reflected the topography, scenery, culture, dialects, and history of al-Mashriq, one that is independent of Egypt’s. Their input, intuition, experience, and convictions of various Palestinian musicians helped to make the music scene in Lebanon, Iraq, and Jordan what they are today. Show less
Throughout northern Europe, thousands of burial mounds were erected in the third millennium BCE. Starting in the Corded Ware culture, individual people were being buried underneath these mounds,... Show moreThroughout northern Europe, thousands of burial mounds were erected in the third millennium BCE. Starting in the Corded Ware culture, individual people were being buried underneath these mounds, often equipped with an almost rigid set of grave goods. This practice continued in the second half of the third millennium BCE with the start of the Bell Beaker phenomenon. In large parts of Europe, a ‘typical’ set of objects was placed in graves, known as the ‘Bell Beaker package’. This book focusses on the significance and meaning of these Late Neolithic graves. Why were people buried in a seemingly standardized manner, what did this signify and what does this reveal about these individuals, their role in society, their cultural identity and the people that buried them? By performing in-depth analyses of all the individual grave goods from Dutch graves, which includes use-wear analysis and experiments, the biography of grave goods is explored. How were they made, used and discarded? Subsequently the nature of these graves themselves are explored as contexts of deposition, and how these are part of a much wider ‘sacrificial landscape’. A novel and comprehensive interpretation is presented that shows how the objects from graves were connected with travel, drinking ceremonies and maintaining long-distance relationships. Show less
This thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval... Show moreThis thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval contexts. It engages with the challenging topic of portable X-ray Florescence Spectrometry use in archaeology, especially as applied to corroded copper-alloy artefacts. The relevance is twofold. Firstly it helps us better understand the globalising effects of the Roman Empire on distant cultures and the emergence of the western economy after the end of antiquity. This is investigated by detecting changes in craft production, considered a proxy for understanding changes in past economies and societies. Secondly it advances a methodology for the study of copper-alloy objects. Subsequently the composition of Roman brooches from Germania Inferior, suggested a strong link between brass and Roman military production. This connection was also seen in other parts of the Roman world, suggesting a degree of centralisation or control. The earliest roman objects found in the Baltic States, far north of the Limes frontier, are also in this 'Roman' alloy. These objects had a lasting impact on the peoples of this region. They adopted and adapted them stylistically to suit their local preferences for centuries after they first appeared. Show less
***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related... Show more***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related to Arab nationalism there was a clear struggle between the progressive thinkers who wanted to secure a secular society and release public life from religion, and the conformists who wanted to maintain their traditional practices. This research proposes a critical understanding of letterist abstraction works of art by devising a tool that allows scholars to place a letterist work of art on a spectrum of abstraction in relationship to different elements in the painting. It is a way to understand the artworks and their artists in relationship to each other. Understanding letterists abstraction artists and the dynamics that dictated their work was essential for understanding the movement and its artistic production.The research places the life and work of letterist abstraction artists in a wider artistic, social and political context, thus helping the reader form an understanding of the movement from a broader perspective. By tracing all the threads for the assessment of letterist abstraction works of art and artists, I hope to encourage the emergence of more such scholarly and critical works, until we have a better critical understanding of the contemporary Arab art scene as a whole. Show less
In the past decades a growing body of literature has been dedicated to explain desistance from offending behaviour, or to answer the question why some offenders quit crime and others do not.... Show moreIn the past decades a growing body of literature has been dedicated to explain desistance from offending behaviour, or to answer the question why some offenders quit crime and others do not. Currently, more psychological explanations infuse a prominent line of research emphasizing the importance of subjective, individual factors coming from within the offender, such as developing a new sense of self-identity. The aim of this study was to gain more insight into different dimensions of desistance, focusing on two aspects of identity: future expectations and conventional aspirations, and investigated how these related to (non-)criminal behaviour over time. Furthermore, this study examined how the parole experience interacted with the different dimensions of desistance. This qualitative, longitudinal study followed 28 male prisoners serving a long-term sentence in the Netherlands during their transition from prison to society. Findings illustrated the importance of individual factors such as believing in one’s own abilities in the context of pre-release expectations, the lack of conventional scripts and role models, and the contribution of parole supervision to the desistance process. Yet, it also revealed the pain of failure for men attempting to refrain from crime, mostly relating to structural support such as employment or housing issues. Show less
International Commercial Surrogacy (ICS) has emerged over the past decade as a modern method of family formation. ICS is unregulated internationally and domestic laws are struggling to keep pace... Show moreInternational Commercial Surrogacy (ICS) has emerged over the past decade as a modern method of family formation. ICS is unregulated internationally and domestic laws are struggling to keep pace with ICS. However, a child is at the centre of every ICS arrangement, and children conceived and born through ICS are at a heightened risk of their rights being infringed.Written over the course of time when ICS has rapidly developed, this book explores why and how the child's rights are at risk in ICS, and seeks to apply the standards and norms of the United Nations Convention on the Rights of the Child to the ICS context. This book proposes approaches for balancing the competing rights and interests of the child and other parties in ICS. It presents a framework for protecting the rights of children born through ICS, illustrating that this is achievable in practice, in the absence of international consensus on ICS as a phenomenon.This book is relevant for child rights practitioners and academics, and useful for policy-makers, legislators and national and international decision-makers grappling with the children’s and human rights issues presented by this 21st century human rights challenge. Show less
The studies in this dissertation examined 1) how different identities that are relevant to smoking affect smoking behavior; 2) how identity changes over time in smokers and ex-smokers, both... Show moreThe studies in this dissertation examined 1) how different identities that are relevant to smoking affect smoking behavior; 2) how identity changes over time in smokers and ex-smokers, both spontaneously and in response to an intervention, and what factors affect identity change; and 3) whether associations between identity and smoking-related outcomes - as well as identity change processes - differ between people with lower and higher socio-economic status. A multi-method approach was employed, including cross-sectional and longitudinal studies; observational and experimental studies, and using quantitative and qualitative methods. First, results showed that nonsmoker and quitter identities are more important than smoker identities for intentions to quit, quit attempts, (long-term) quit success and responses to the Dutch smoking ban in hospitality venues. In addition, self-identities seemed more important than group-identities. Second, identity changes in response to smoking behavior and social norms, and identity change is facilitated by permeable identity boundaries, a continuous sense of self, and a sense of mastery of quitting. Third, lower SES smokers and ex-smokers identify more strongly with smoking - and lower SES smokers identify less strongly with nonsmoking - than their higher SES counterparts, and in lower SES groups identity is more resistant to change. Show less
A mere day after his first footfall in the Americas, Columbus notes the broad foreheads of its inhabitants. These cranial shapes are deliberately created by applying pressure to the infant’s head... Show moreA mere day after his first footfall in the Americas, Columbus notes the broad foreheads of its inhabitants. These cranial shapes are deliberately created by applying pressure to the infant’s head after birth. Facing Society studies indigenous identities through head shaping practices against the backdrop of broader social developments in Caribbean communities before and after 1492 through a multi-disciplinary approach combining archaeology, (ethno)history, anthropology, and sociology. The first evidence of intentional cranial modification comes from the Early Ceramic Age, however by the Late Ceramic Age it was found across the Caribbean. Different regional patterns emerge in conjunction with diverging social developments. For example, the relatively homogeneous pattern of cranial modification seen in the Greater Antilles indicates a collective identity fostering social cohesion in expanding communities and connecting distant villages within the interaction sphere. The Early Colonial Period was transformative for indigenous communities and identities, and consequently caused a decline in head shaping practices. An unexpected revival was seen among the Black Carib, a community of free African descendants on St. Vincent. Traces of head shaping practices can still be found to this day demonstrating the lasting importance of indigenous social practices in the cultural mosaic of the current Caribbean. Show less
Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre... Show more Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre as a mechanism or as part of a mechanism that has exerted on-going social influence within Trinidadian society. It chronicles the evolution of calypso music from its emergence in Trinidad, and highlights contingent institutions, peculiar traditions, and salient events that have shaped the socio-political and cultural landscape there during the Colonial and Post-Colonial periods. The study is descriptive and explorative, and follows an interdisciplinary route that integrates historical fact, socio-anthropological philosophy, psychological, musicological, and ethnomusicological thought, and notes from my own ethnographic research. It analyses a large corpus of written material, and audio/visual recordings of music performance and participation in calypso and carnival-related events by practitioners and audiences alike. Show less
In this study I explore literary structures of identity-formation in the works of assimilated/acculturated Jewish writers: Kafka__s novella __The Metamorphosis__ (__Die Verwandlung__, 1912) and... Show moreIn this study I explore literary structures of identity-formation in the works of assimilated/acculturated Jewish writers: Kafka__s novella __The Metamorphosis__ (__Die Verwandlung__, 1912) and David Vogel__s Hebrew novel Married Life. 1929) These authors wrote their works when the failure of Jewish assimilation began to dawn on assimilated/acculturated European Jewry, and an upsurge of hatred of Jews made it, as someone put it: __as impossible to be, as not to be a Jew (by assimilation/ acculturation)__ What I aim to show is that during that deadlock of Jewish identity, new structures of identity began to emerge in the literary works of Jews. Works demonstrating the power not to represent the world of located subjects but to imagine, create and vary affects, that were not already given: not already tied down to communication and signification in the social order. That is what Deleuze and Guattari call minor literature, namely literature that does not add a work to the great tradition but disrupts and dislocates that tradition. Minor literature represents nothing but the power to be different. All great literature, according to Deleuze and Guattari, is minor in this sense: it is the vehicle for the creation rather than the expression of identity Show less
Since the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration"... Show moreSince the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration". This dissertation is based on interviews with migrants of the first and second generation, conducted between 2003 and 2010 in Kandatsu and surroundings. This ethnographic field research shows that the concept of “return” does not properly describe the migration of Japanese Brazilians to Japan, because it is rather a circular movement between the two countries. Moreover, it appears that the identity of these people is an ambivalent dynamic and strategic entity. The study provides important information about the motivation of the migrants, their experiences in Japan, and the challenges they face within and outside the family. It is a very heterogeneous group. Differences in cultural background, appearance, affinity with Japanese culture and Japanese language skills are decisive for the integration process. Within this process migrants handle different strategies that ultimately lead either to a permanent establishment in Japan or a decision to return temporarily or permanently to Brazil. Crucial to the integration process is the success of the Japanese-Brazilian children in Japanese schools. Show less
Despite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his... Show moreDespite most pianists' claims of historical deference and creative agency, their performances of Brahms's piano works are nothing like the early-recorded performances of the composer and his students: gaps that are mediated by understandings of Brahms's Classical canonic identity, the performance norms that protect that identity, and those norms' underlying aesthetic ideology of control. This predication of Brahmsian identity on restraint leaves the composer and his students in a precarious situation, as their recordings evidence an approach that is governed by the inhibitions typically associated with Romanticism. This volume seeks to problematize understandings of Brahms's identity: by investigating the origins and vestiges of the aesthetic ideology of control; by analysing and copying the recordings of pianists in the composer's inner circle; and by applying these pianists' styles in ways that are just as disruptive to modern notions of Brahmsian identity as their early-recorded models. In so doing, a thoroughly Romantic performance style emerges that catalyses a fundamental shift in understanding as related to Brahms's identity; thereby opening up a new palette of expressive and technical resources, and both elucidating and narrowing persistent gaps between modern and early-recorded Brahms style, as well as between what performers believe, know, and ultimately do. Show less
The artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of... Show moreThe artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of the theatrical situations where musicians "perform", their profession is extended by additional tasks such as walking on stage or reciting text. As an alternative strategy to extension, this research introduces and focuses on reduction, which means the abstracting away of specific qualities or abilities of the musician's profession. The audience watches musicians not doing certain things that usually belong to their profession. Both the expansive and the reductive approaches are concepts of working theatrically with musicians. They are different, perhaps even contradictory strategies, but both bear the ability to enrich the musician's professional identity with a more theatrical appearance. In order to build an understanding of what is extended or reduced when the identity shifts from a musician to a theatrical (musician-)performer a dynamic model is developed which builds strongly on what musicians actually do, a model that categorises the musician's professional activities into internal, external and contextual elements. Show less
Combining extant literature with archival and archaeological evidence, photo albums and oral interviews, eponymous names and witty sayings, folksongs and participant observation; this study,... Show moreCombining extant literature with archival and archaeological evidence, photo albums and oral interviews, eponymous names and witty sayings, folksongs and participant observation; this study, covering from 1880 to 1980, wrote a history of Yorubaland as seen through dress. Also subsumed in this study was a history of Yorùbá dress, especially its place in the construction of Yorùbá ethno-national identity. Yorùbá people conceived dress as an assemblage of modifications and/or supplements to the human body. These included coiffed hair and coloured skin, pierced ears and scented breath, etc. Underlying this conceptualization was the requirement of being an Omoluabi, an ethical category defined as a conglomeration of moral principles such as being lofty in spoken words and respectful, having good mind towards others and being truthful, possessing lofty character and being brave, hardworking and being intelligent, including having a good dress sense. All these formed Yorùbá individual and group identity (Yorùbáness) as well as what Yorùbá dress was all about. To be a Yorùbá man or woman was therefore to dress well and to dress well was to be a Yorùbá man or woman. Understood in this way, Yorùbáness therefore was impossible without Yorùbá dress and Yorùbá dress was impossible without Yorùbáness. Show less
Popular music in Chinese languages both reflects and influences how its audiences perceive themselves and their position in the world around them. This book analyses the role of popular music in... Show morePopular music in Chinese languages both reflects and influences how its audiences perceive themselves and their position in the world around them. This book analyses the role of popular music in identity formation through detailed comparisons of the pop star Faye Wong, the rock band Second Hand Rose and the electrofolk artist Xiao He, in five thematic chapters. Chapter 1, Place, follows the history of popular music through Shanghai, Hong Kong, Taipei and Beijing, concluding that language is defining. Chapter 2, Genre and Classification, argues that genre distinctions, and by extension class identities, are secondary to affiliations along region, gender, generation and marketability. The psycho-analytical approach of chapter 3, Sex, Gender, and Desire, explores how popular music reiterate and challenge stereotypes surrounding the passive beauty, coolness and brotherhood. Chapter 4, Theatricality, argues that theatrical performances negotiate the boundary between stage world and ordinary reality through make-believe and reflectiveness. Finally, chapter 5, Organizing Music, submits that music happens through reproduction, variation and selection, and in constant interaction with ecologies and collectives. In the end, this book itself strives to make these sounds, images and texts available for the incessant, piecemeal work of worldmaking. Show less
Alexandria, the capital of Egypt during the Hellenistic and Roman periods is often hailed as the ancient cosmopolitan center of Mediterranean par excellence. Since the foundation of the city by... Show moreAlexandria, the capital of Egypt during the Hellenistic and Roman periods is often hailed as the ancient cosmopolitan center of Mediterranean par excellence. Since the foundation of the city by Alexander the Great in 331 BC, several traditions- along with their representatives, mainly Greek and Egyptian- coexisted and interacted with each other, resulting in a multiculturalism in Alexandrian society. However, in the past scholarship, the Greek cultural aspect of the city has been extensively discussed, while the Egyptian part has never been fully overviewed and interpreted. Such interpretations caused in a large extent, from the one side, a deformed picture of the Alexandria’s Greek-ness, almost equal to this of a Greek “colony” separated from Egypt –Alexandria ad Aegyptum- and from the other side a blur picture about the role of the Egyptian tradition in the Greco-Egyptian interaction and the life of Alexandrian society. However, over the last decade an alternative framework of understanding has been developed in several case studies, while discoveries from the underwater missions indicate that the city had much more Egyptian characteristics than hitherto believed. Therefore, the thesis aims to provide an overview and interpretation of the Egyptian elements and influences in Alexandria, focusing on issues of ideology, culture, identity and public life. In this way, it has been attempted to offer a better understanding of the multicultural life of Alexandria in the Hellenistic and Roman periods. Show less
