This dissertation discusses the concept of the inverted world as a philosophical commonplace and as a belated baroque aesthetic principle in modernity. The inverted world is at once a response to... Show moreThis dissertation discusses the concept of the inverted world as a philosophical commonplace and as a belated baroque aesthetic principle in modernity. The inverted world is at once a response to the critique of capitalist modernity as well as a consequence of its essential social relations. Show less
This dissertation deals with Hegel’s theory of the sublime (das Erhabene). I focus specifically on die heilige Poesie (sacred poetry), a form of art that he identifies with the Judaic Psalms and... Show moreThis dissertation deals with Hegel’s theory of the sublime (das Erhabene). I focus specifically on die heilige Poesie (sacred poetry), a form of art that he identifies with the Judaic Psalms and which I claim to be the core of Hegel’s approach to sublimity. I claim that Hegel’s apparent lack of interest in the sublime must be clarified and interpreted in the light of his comments on the heilige Poesie. But to fully elucidate this, it is necessary to move beyond the domain of Hegel’s aesthetics: we should turn to his early practical dispute, before 1800, with Kantian morality in order to reconstruct and fully elucidate Hegel’s attitude toward sublimity. Show less
