Hong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art... Show moreHong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art that emerged during the 2019 anti-extradition protests. We explore how actors produced a sense of “Hong Kong-ness” and distributed political meanings through networked agitprop: a form of strategic communication that links people and ideas together in both physical and digital contexts, through emotional appeals in the service of a grassroots political programme. By analysing examples of such agitprop, we show how the movement organically constructed networks of meaning to promote its ideas of people, nation, and even independence. However, we also find that the commitment to nationalist frames of reference ultimately prevents such art from re-imaging Hong Kong outside the confines of nations and that it even inadvertently reproduces the systems of power it ostensibly sets out to challenge. Show less
This article investigates the interplay between art, commerce and democratization in the contemporary art market. It studies the roles of art merchandise, such as mugs decorated with images of high... Show moreThis article investigates the interplay between art, commerce and democratization in the contemporary art market. It studies the roles of art merchandise, such as mugs decorated with images of high art, in the contemporary art market in China. Relying on interviews, observations and other qualitative data, this article demonstrates that the merchandising of contemporary art is legitimate in China. The generation of income and promotion of artists and contemporary art generally emerged as important roles that China’s art world participants assign to art merchandise. Art merchandise is fitting for these roles in a consumer society. The prevalence of art merchandising in China stems from a lack of state support for contemporary art, and a specific cultural and historical context that makes people more attuned to accept multiples. This article contributes to the sociology of art, the literature on the democratization of art and arts marketing literature. Show less
This thesis examines how innovation is practiced, imagined, mobilized, and reinterpreted by China’s local developers and its subjects. The Chinese innovation movement is not the same as the ... Show moreThis thesis examines how innovation is practiced, imagined, mobilized, and reinterpreted by China’s local developers and its subjects. The Chinese innovation movement is not the same as the “disruptive innovation” of recent years mainly driven by digital technology in the European and North American contexts. The state plays a very salient role in innovation, investing in the social and economic system to provide a constant demand for innovation to unleash the dynamism of development.The aim of this thesis is to contribute to the understanding of the state’s role in socio-economic transformation and its governance model in innovation activities. This thesis discusses the state-market-society relationship not merely from an institutionalist perspective that focuses on the interplay between the state, the market, and society. I discovered that the state creates a range of government institutions to regulate and shape society. Further, in recent years the local state has been an important producer of the emergence of China’s new civil society that drives innovation and entrepreneurship as ways to enhance social mobility. Show less
The late 1990s saw the emergence on the Chinese poetry scene of a phenomenon called “Poetry of the Nineties” (九十年代诗歌). This happened before the decade in question had reached its end. Different... Show moreThe late 1990s saw the emergence on the Chinese poetry scene of a phenomenon called “Poetry of the Nineties” (九十年代诗歌). This happened before the decade in question had reached its end. Different from what one might expect, the expression does not denote a simple calendar chronology – as in poetry written in the 1990s – but instead points to a literary-critical category, and more specifically to a particular poetics and a network of associated authors and critics. This discrepancy of calendar chronology and literary criticism offers a point of entry into a pivotal moment in critical discourse on contemporary Chinese poetry. Pivotal as it may be, this moment has remained underresearched to date, especially as regards its history, which goes back to the 1980s, and as regards its consequences, which continue to affect scholarship today. The present study addresses this blind spot by asking: What does “Poetry of the Nineties” signify, to whom, and to what effect? It engages with this question by investigating how poetry written in the 1990s is represented in 21st-century Chinese scholarship, and how this representation can be explained. Show less
This dissertation studies the construction of Chinese nationalism by the Chinese government and media companies through mass communication of government-staged and abrupt events in the reform era... Show moreThis dissertation studies the construction of Chinese nationalism by the Chinese government and media companies through mass communication of government-staged and abrupt events in the reform era between 2008 and 2012. It examines how Chinese audiences express online nationalist sentiments, representing whether the communication of media events meets the social demands established by “dream discourses.” Using mixed qualitative and quantitative methods, it focuses on two case studies: the 2008 Beijing Olympics and the 2012 Diaoyu (Senkaku) Islands incident. The dissertation finds that these mass media events play a significant role in shaping Chinese state nationalism and popular nationalism. The related mass communication helps the Chinese government increase or, at least, maintain its legitimacy through various strategies. The findings of this dissertation also show that as Chinese audiences have increasingly voiced themselves in the information age, the government will keep treating the robust, uneasy entanglement of nationalism, globalization, and digital media more cautiously for its social development and stability. Show less
Nationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's... Show moreNationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's Republic of China (PRC) is a case in point: In the PRC, digital nationalism has become a central feature of political discourse and decision-making, at times powerfully shaping the state's policy efforts. This article explores a missing puzzle piece in how state-led and popular nationalism interact in Chinese politics: the role that advanced information and communication technologies play in such processes. This is a question that is not only relevant to scholars of China but also to anyone interested in the role that digital media and communication play in the formation and spread of contemporary nationalism. How do interactions in complex sociotechnical systems affect nationalism today? To answer this question, the article analyses and traces interaction and feedback loops in Chinese digital environments during Sino-Japanese disputes over the East China Sea. It shows how the interactions between humans, organisations and technologies create unexpected variations in outcome that resonate through China's internet and create the conditions from which digital nationalism can powerfully emerge to shape legitimation and policy-making processes. Show less
When the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations... Show moreWhen the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations about its ostensibly floundering legitimacy and instead turned the crisis into a national success story. This article explores the role that digital media played in cementing this success, specifically how various actors mobilized nationalist sentiments and discourses on the online video-sharing platform Bilibili. By focusing on visual discourses, online commentaries, and the affordances of the digital platform, the article analyses the role that ‘hip’ and youthful content played in the authorities’ attempts to guiding online audiences to rally around the flag. The results of these efforts were viral villages of community sentiment that created strong incentives for conformity, and in which the official party line was able to reverberate with pop-culture memes and popular nationalism. Show less
This introduction provides the context and theoretical background that informs the studies in this volume. It introduces the volume’s common theme: the question of how different actors give shape... Show moreThis introduction provides the context and theoretical background that informs the studies in this volume. It introduces the volume’s common theme: the question of how different actors give shape to BRI projects. It outlines how, rather than treating nation states as singular, monolithic actors, this volume teases apart the way different people and organizations insert themselves into BRI decision-making and implementation. The chapter discusses how we might conceptualize agency in such contexts, drawing together the volume’s findings to arrive at four conclusions: 1) that in understanding the BRI, geographical context matters; 2) that the BRI is a pluralist endeavour rather than a single, unified agenda; 3) that BRI efforts often extend rather than challenge existing politics; and 4) that outcomes depend on the activities of local actors. Show less
With societies around the world tackling the Coronavirus pandemic, the role of digital technology has come into focus as a means of augmenting efforts to manage disease and its impacts. What can... Show moreWith societies around the world tackling the Coronavirus pandemic, the role of digital technology has come into focus as a means of augmenting efforts to manage disease and its impacts. What can apps, big data, and digital analytics contribute to such efforts, and what risks do they pose? Asia provides important lessons. Not only have societies in the region long been at the forefront of technological development, but they have also proactively adopted digital solutions as they confront COVID-19. Importantly, Asia has a history of managing highly contagious diseases, and outbreaks like SARS in 2002 or H1N1 in 2009 have provided experiences in risk management and health provision that now powerfully inform both digital and non-digital responses to the current pandemic. The result is a diverse range of different approaches that can teach us much about the advantages and disadvantages of designing tech solutions to fight pandemics. Show less
During the Qing dynasty (1644-1912) philology dominated the scholarly discourse in China. Scholars worked extensively on received texts dating from around 500 to 200 BCE and employed their... Show moreDuring the Qing dynasty (1644-1912) philology dominated the scholarly discourse in China. Scholars worked extensively on received texts dating from around 500 to 200 BCE and employed their sophisticated methodology to them in order to distinguish the authentic from the spurious. This dissertation is a study of the discussions scholars had on the topic and argues that two factors decisively shaped Chinese textual scholarship of the 18th century. First, the conceptual framework on which it rested posited only one author for each text; second, scholars considered the sages of antiquity infallible paragons of virtue. However, received texts were at odds with both assumptions. As a result of this tension, scholars argued that the textual records could not be trusted and, based on their concept of authorship, pointed to insertions of unauthorized contributors. This dissertation shows that the narrow concept of authorship was the most determining factor in their philological work, forcing them to view received texts in a different light and giving rise to the wide-spread concern over forgeries. Show less
China’s digital nationalism has been on the rise during the last decade. This article examines the digital nationalistic expression of solidarity and unity on China’s 70th National Day celebration... Show moreChina’s digital nationalism has been on the rise during the last decade. This article examines the digital nationalistic expression of solidarity and unity on China’s 70th National Day celebration in 2019. It conducted a qualitative content analysis of 500 posts regarding China’s National Day, which were posted on October 1, 2019, on Sina Weibo. This study finds that Chinese internet users employ textual and visual posts to express their pride and loyalty, thereby reflecting their Chinese identity, a call for national unity, and their best wishes for China’s bright future. This study suggests that Weibo offers a virtual “imagined community” for netizens to interact with national symbols to spontaneously strengthen a sense of national identity by highlighting the Chinese Communist Party’s achievements. The findings concluded that national identity is socially constructed, rather than being permanent. Moreover, the Internet facilitates a more liberating Chinese media system; however, digital media is also somehow influenced by the Chinese government’ s media logic, which helps to further disseminate the government’ s interests. Show less
The medieval state of Koryŏ (918-1392) relied on a heavily sinicized military structure to protect the peninsula from its foes across the border.But with the collapse of civil rule and the ascent... Show moreThe medieval state of Koryŏ (918-1392) relied on a heavily sinicized military structure to protect the peninsula from its foes across the border.But with the collapse of civil rule and the ascent to the highest offices of the state by the military in 1170, this system also collapsed, giving way to highly personalized and often improvised army structures. Northeast Asian influences combined with the spreading popularity of the warriors from the north (such as the Mongol), coalescing into the import of the warband to the Korean peninsula. It quickly established itself as the preferred way of organizing it soldiers in the military administration. The adoption of the warband is historically important, because of the political power it came to possess in the 13thcentury. As important is the fact that an important element of a larger Northeast Asian cultural complex entered Koryŏ through the northern. The warband was a Northeast Asian inflection in terms of warfare, but also in terms of the exercise of political power. Evidence showing the popularity of Northeast Asian models and ideals of warriorship among Koryŏ warriors did not stop at the individual level of clothing, armor, and weaponry or at the purely tactical level of fighting techniques and strategies. Strategic and organizational changes were added to what had been a military organization in the Sinitic mold. As such, the warband became the most important and prevalent military organisational principle in 13th-century Korea, ultimately becoming the institute that would decide the fate of the country – and certainly the life and death of its rulers – until the Mongols took over the governing of Koryŏ in the second half of the 13thcentury. Show less
This study proposes a new explanation for institutional differences of organizations in China. It focuses on how two organizational forms dominant in contemporary art markets – commercial galleries... Show moreThis study proposes a new explanation for institutional differences of organizations in China. It focuses on how two organizational forms dominant in contemporary art markets – commercial galleries and auction houses – were first established in China in the 1990s. Based on archival and interview data, it argues that the organizational forms were introduced to China due to mimetic isomorphism, and that their divergences from the foreign models are the result of unintended consequences of institutional work. It highlights the role of individual agency, including the role of foreign nationals, in organization-building in China. The findings also have implications for institutional theory: the article shows how the political, cultural and institutional context in China shaped institutional work that needed to be conducted and led to unintended consequences of institutional work. Show less
Faust, M.; Schneider, F.A.; Herdin, T.; Ji, D.; Negro, G.; Zhou, T.; ... ; Oliveira Nascimento, A.K. de 2018
In this article, contributions from scholars working in the field of visual communication and/or online communication are gathered whose scholarly work falls into the BRICS countries realm. The... Show moreIn this article, contributions from scholars working in the field of visual communication and/or online communication are gathered whose scholarly work falls into the BRICS countries realm. The interviews are framed by a brief sketch of the relevance of BRICS countries research in communication and media studies and some prospective comments on this novel field. The contributing scholars in this issue focus on China and Brazil in particular and work across the globe in Germany, the Netherlands, Austria, Switzerland, PR China, the UK and Brazil. They shared their ideas on the subject even though their scholarly roots lie in fields as diverse as regional studies, political studies, communication and media studies and educational studies. Their thoughts were collected through email interviews and they are presented here in form of a cross-disciplinary dialogue on the issue of visual online communication in BRICS countries and the De-Westernization discourse. Gratefulness goes out to all the ones who have contributed and hopefully this project will have a say in many future dialogues between scholars from across the world. Show less
