This study focuses on the life, exploits and ideology of Guru Wuguang (1818-2000), an eclectic and influential Taiwanese Buddhist figure who studied Daoist alchemy, multiple forms of Chinese,... Show moreThis study focuses on the life, exploits and ideology of Guru Wuguang (1818-2000), an eclectic and influential Taiwanese Buddhist figure who studied Daoist alchemy, multiple forms of Chinese, Japanese and Tibetan Buddhism, as well as biology, thermodynamics, philosophy, theology, and occulture. This is done in order to understand what happens when a tradition ‘purified’ from its ‘mythical’ elements reincorporates itself in the tension between its ‘enchanted’ past and ‘scientific’ present. Wuguang is famous throughout the Chinese-speaking Buddhist world for resurrecting Zhenyan, a school of esoteric Buddhism said to have flourished in China during the Tang Dynasty. The academic community has largely ignored Wuguang, making this the first in-depth exploration of this figure, whose influence is truly global. Building upon David McMahan’s work on Buddhist modernism, Jason Josephson’s secular-religious-superstitious trinary, scholarly discourse concerning Weberian disenchantment, and employing the Religious Economy Model, I argue that Wuguang’s teachings represent an intentionally reenchanted form of Buddhist modernism aimed at harmonizing magic with modern science and philosophy. While scholarly discourse on Asian magic in the modern world has been confined to popular religion, this study additionally focuses on ‘High-Church Buddhism’ by analyzing Wuguang’s magico-scientific interpretation of complex Buddhist doctrine. Show less
The Wenzi is a Chinese philosophical text that is traditionally ascribed to a disciple of Laozi, the alleged founder of Daoism. The text was read, discussed, quoted and admired by the lettered... Show moreThe Wenzi is a Chinese philosophical text that is traditionally ascribed to a disciple of Laozi, the alleged founder of Daoism. The text was read, discussed, quoted and admired by the lettered class in imperial China for centuries, until the Northern Song dynasty. From the Southern Song dynasty, however, the Wenzi was branded a forgery and consigned to near oblivion. The recent discovery of an age-old Wenzi manuscript, inked on bamboo strips, refueled interest in the text. In this combined study of the bamboo manuscript and received text, Van Els argues that the Wenzi was written in the early Former Han dynasty and thoroughly revised after the Latter Han dynasty. He also maintains that, given the drastic revision, the two Wenzi’s should be seen as distinct texts, not as different versions of one text, and he subsequently studies the date, authorship and philosophy of each Wenzi. The study is concluded with an analysis of the reception history of the revised text, with an emphasis on the dramatic change in its evaluation: from an admired authentic work to a worthless forgery. This analysis sheds light on changing views on authorship, originality, authenticity and forgery in Chinese history, both past and present. Show less
