Hong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art... Show moreHong Kong's protest movements have created a repertoire of symbolism in artworks and artefacts that make statements about the political status of the city. This article analyses the protest art that emerged during the 2019 anti-extradition protests. We explore how actors produced a sense of “Hong Kong-ness” and distributed political meanings through networked agitprop: a form of strategic communication that links people and ideas together in both physical and digital contexts, through emotional appeals in the service of a grassroots political programme. By analysing examples of such agitprop, we show how the movement organically constructed networks of meaning to promote its ideas of people, nation, and even independence. However, we also find that the commitment to nationalist frames of reference ultimately prevents such art from re-imaging Hong Kong outside the confines of nations and that it even inadvertently reproduces the systems of power it ostensibly sets out to challenge. Show less
Nationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's... Show moreNationalism today interacts in complicated ways with advanced information and communication systems, regularly leading to unanticipated consequences. Popular online nationalism in the People's Republic of China (PRC) is a case in point: In the PRC, digital nationalism has become a central feature of political discourse and decision-making, at times powerfully shaping the state's policy efforts. This article explores a missing puzzle piece in how state-led and popular nationalism interact in Chinese politics: the role that advanced information and communication technologies play in such processes. This is a question that is not only relevant to scholars of China but also to anyone interested in the role that digital media and communication play in the formation and spread of contemporary nationalism. How do interactions in complex sociotechnical systems affect nationalism today? To answer this question, the article analyses and traces interaction and feedback loops in Chinese digital environments during Sino-Japanese disputes over the East China Sea. It shows how the interactions between humans, organisations and technologies create unexpected variations in outcome that resonate through China's internet and create the conditions from which digital nationalism can powerfully emerge to shape legitimation and policy-making processes. Show less
When the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations... Show moreWhen the COVID-19 virus broke out in China, foreign observers speculated whether the Chinese leadership was facing its ‘Chernobyl Moment’. China’s leadership, however, defied foreign expectations about its ostensibly floundering legitimacy and instead turned the crisis into a national success story. This article explores the role that digital media played in cementing this success, specifically how various actors mobilized nationalist sentiments and discourses on the online video-sharing platform Bilibili. By focusing on visual discourses, online commentaries, and the affordances of the digital platform, the article analyses the role that ‘hip’ and youthful content played in the authorities’ attempts to guiding online audiences to rally around the flag. The results of these efforts were viral villages of community sentiment that created strong incentives for conformity, and in which the official party line was able to reverberate with pop-culture memes and popular nationalism. Show less
This introduction provides the context and theoretical background that informs the studies in this volume. It introduces the volume’s common theme: the question of how different actors give shape... Show moreThis introduction provides the context and theoretical background that informs the studies in this volume. It introduces the volume’s common theme: the question of how different actors give shape to BRI projects. It outlines how, rather than treating nation states as singular, monolithic actors, this volume teases apart the way different people and organizations insert themselves into BRI decision-making and implementation. The chapter discusses how we might conceptualize agency in such contexts, drawing together the volume’s findings to arrive at four conclusions: 1) that in understanding the BRI, geographical context matters; 2) that the BRI is a pluralist endeavour rather than a single, unified agenda; 3) that BRI efforts often extend rather than challenge existing politics; and 4) that outcomes depend on the activities of local actors. Show less
Schneider, F.A.; Veere, A.P. van der; Lammertink, J.P.; Burgers, E.M.; Sicinski, R.G.; Zhang, S. 2020
With societies around the world tackling the Coronavirus pandemic, the role of digital technology has come into focus as a means of augmenting efforts to manage disease and its impacts. What can... Show moreWith societies around the world tackling the Coronavirus pandemic, the role of digital technology has come into focus as a means of augmenting efforts to manage disease and its impacts. What can apps, big data, and digital analytics contribute to such efforts, and what risks do they pose? Asia provides important lessons. Not only have societies in the region long been at the forefront of technological development, but they have also proactively adopted digital solutions as they confront COVID-19. Importantly, Asia has a history of managing highly contagious diseases, and outbreaks like SARS in 2002 or H1N1 in 2009 have provided experiences in risk management and health provision that now powerfully inform both digital and non-digital responses to the current pandemic. The result is a diverse range of different approaches that can teach us much about the advantages and disadvantages of designing tech solutions to fight pandemics. Show less
In this article, contributions from scholars working in the field of visual communication and/or online communication are gathered whose scholarly work falls into the BRICS countries realm. The... Show moreIn this article, contributions from scholars working in the field of visual communication and/or online communication are gathered whose scholarly work falls into the BRICS countries realm. The interviews are framed by a brief sketch of the relevance of BRICS countries research in communication and media studies and some prospective comments on this novel field. The contributing scholars in this issue focus on China and Brazil in particular and work across the globe in Germany, the Netherlands, Austria, Switzerland, PR China, the UK and Brazil. They shared their ideas on the subject even though their scholarly roots lie in fields as diverse as regional studies, political studies, communication and media studies and educational studies. Their thoughts were collected through email interviews and they are presented here in form of a cross-disciplinary dialogue on the issue of visual online communication in BRICS countries and the De-Westernization discourse. Gratefulness goes out to all the ones who have contributed and hopefully this project will have a say in many future dialogues between scholars from across the world. Show less
On China's web, networked actors ranging from state agencies to private Internet users engage in highly active online discourse. Yet as diverse as this discourse may be, political content remains... Show moreOn China's web, networked actors ranging from state agencies to private Internet users engage in highly active online discourse. Yet as diverse as this discourse may be, political content remains highly regulated, particularly on issues that affect the legitimacy of the ruling party. A prominent issue in this regard has been modern Chinese history, particularly the “national humiliation” that Japan inflicted on China's populace during events like the 1937 Nanjing Massacre. This article asks how the discourse on this particular event is structured on China's web, and what such practices of digital “remembering” can tell us about nationalism in the information age. Combining content analysis and digital tools, the article shows how the mass-media model that the Chinese authorities and various commercial actors apply to the web ultimately reproduces the very logic of “imagined communities” that makes reconciliation of historical disputes in East Asia so protracted. Show less
In digital China, networked actors ranging from state agencies to private Internet users engage in highly active online discourse. Yet as diverse as this discourse may be, political content on... Show moreIn digital China, networked actors ranging from state agencies to private Internet users engage in highly active online discourse. Yet as diverse as this discourse may be, political content on China’s web remains highly regulated, particularly on issues affecting the legitimacy of the ruling party. A prominent issue in this regard has been the conflict-laden relationship with Japan. This article asks how Chinese websites shape online discourse on two Japan issues (the Nanjing Massacre and the East China Sea conflict), and what these sites can tell us about the leadership’s strategy for managing digital communication. Combining content analysis and digital tools, the article shows how the authorities apply a Leninist mass-communication logic to the web, treating websites not as spaces for networked social interaction but as authoritative information sources that broadcast approved content to a mass audience, which effectively brings digital media into the fold of China’s ‘traditional’ mass-media system. Show less
