This thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval... Show moreThis thesis presents an investigation into how geopolitical change and religious control are reflected in the composition of copper-alloy costume artefacts, recovered from Roman and early medieval contexts. It engages with the challenging topic of portable X-ray Florescence Spectrometry use in archaeology, especially as applied to corroded copper-alloy artefacts. The relevance is twofold. Firstly it helps us better understand the globalising effects of the Roman Empire on distant cultures and the emergence of the western economy after the end of antiquity. This is investigated by detecting changes in craft production, considered a proxy for understanding changes in past economies and societies. Secondly it advances a methodology for the study of copper-alloy objects. Subsequently the composition of Roman brooches from Germania Inferior, suggested a strong link between brass and Roman military production. This connection was also seen in other parts of the Roman world, suggesting a degree of centralisation or control. The earliest roman objects found in the Baltic States, far north of the Limes frontier, are also in this 'Roman' alloy. These objects had a lasting impact on the peoples of this region. They adopted and adapted them stylistically to suit their local preferences for centuries after they first appeared. Show less
As part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period... Show moreAs part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period was a crucial turning point for the urban landscape of Rome, which was characterised by cultural diversity. Previous studies focus primarily on Greek influences on the development of Augustan material culture, while Egypt remains neglected or simply categorised as exoticism or Egyptomania. This research, in contrast, set out to investigate whether or not __Egypt__ constituted an integral part of Augustan material culture during this period. By comprising for the first time a comprehensive and interpretative overview of manifestations of Egypt in Augustan Rome __including public monuments, paintings, and architectural elements as well as pottery, gems, and jewellery from private contexts__ a wide variety of case studies could be conducted, among which object reappraisals as well as new finds and contextual analyses were featured. By focusing on the archaeological data, this study demonstrates that Egypt was not an exotic Outsider in Rome, but constituted a remarkably diverse part of Roman material culture and the Augustan urban landscape, and was integrally part of the inherently flexible Augustan material culture repertoire. Show less
