Wat is de oorsprong van de vaak zo klassiek ogende Gandharakunst uit het oude India? Dit artikel biedt een historisch overzicht, benoemt recente archeologische onderzoeksresultaten, en beschouwt... Show moreWat is de oorsprong van de vaak zo klassiek ogende Gandharakunst uit het oude India? Dit artikel biedt een historisch overzicht, benoemt recente archeologische onderzoeksresultaten, en beschouwt tot slot de implicaties voor het erfgoed- en museumbeleid aangaande deze sculpturen. Show less
Amarasinghe, Kalaycı, and van Aerde study the Silk Road network as an object of political infrastructure. Their aim is to shed light on the modern “Belt and Road Initiative” (BRI) project led by... Show moreAmarasinghe, Kalaycı, and van Aerde study the Silk Road network as an object of political infrastructure. Their aim is to shed light on the modern “Belt and Road Initiative” (BRI) project led by China. The authors begin their investigation by highlighting the Silk Road’s intricate history, composed of multiple agents ranging from individuals to empires. They scrutinize the normative historiography of the Silk Road and pinpoint the problematic areas in the narrative. Their focus is mainly to identify the Chinese contributions to this Eurasian project, as well as how the current narrative is selectively exploited by the BRI project as a proxy for China’s ambition to achieve global governance. Show less
The dissertation is focused on three interrelated aspects: 1) the development of a decolonial theoretical framework and collaborative research methodology with the Kamëntšá people centred on the... Show moreThe dissertation is focused on three interrelated aspects: 1) the development of a decolonial theoretical framework and collaborative research methodology with the Kamëntšá people centred on the respect for Kamëntšá ethics, principles and social norms, and the consequent reconstruction, revitalization and dignification of Kamëntšá knowledge, arts, spirituality and notions of time and space; 2) the history and colonization processes of the Kamëntšá people and Uaman Tabanok, its ancestral lands, with a specific emphasis on the work of the Capuchin missionaries, particularly their concept of enculturation and how it transformed and resignified Kamëntšá culture and religion using its own arts, narratives and rituals which were in harmony with Christianity; and 3) the concept of “cultural heritage” and the role of academic disciplines, research practices, government institutions and cultural policies in the perpetuation of colonialism through the appropriation, interpretation, control and resignification of the objects, monuments and cultures of Indigenous peoples, and their consequent contribution to maintaining inequality, racism and historical social injustices. Show less
Games and other forms of play are core human activities, as vitally constitutive of cultural and social practices in the past as they are today. Consequently, play, games and fun should be central... Show moreGames and other forms of play are core human activities, as vitally constitutive of cultural and social practices in the past as they are today. Consequently, play, games and fun should be central in archaeological theory, but our review shows they are anything but. Instead, very few studies deal with these concepts at all, and most of those that do focus on how the affordances play offers link it to ritual, power or other ‘more serious’ phenomena. Here, we offer an explanation as to why play has taken such a backseat in archaeological thought and practice, relating it to the ambivalent aesthetics of having fun with the past in our own discipline. Building on our own playful practices and those of other scholars in the ancient board gaming and archaeogaming communities, we propose a move towards a more playful archaeology, which can provide us with a new window into the past as well as into our own professional practices. Show less
This book is the first comprehensive monographic treatment of the New Kingdom (1539–1078 BCE) necropolis at Saqqara, the burial ground of the ancient Egyptian city of Memphis, and addresses... Show moreThis book is the first comprehensive monographic treatment of the New Kingdom (1539–1078 BCE) necropolis at Saqqara, the burial ground of the ancient Egyptian city of Memphis, and addresses questions fundamental to understanding the site’s development through time. For example, why were certain areas of the necropolis selected for burial in certain time periods; what were the tombs’ spatial relations to contemporaneous and older monuments; and what effect did earlier structures have on the positioning of tombs and structuring of the necropolis in later times? This study adopts landscape biography as a conceptual tool to study the long-time interaction between people and landscapes. Show less
