In 2015, the Museo Egizio in Turin joined the Leiden expedition to Saqqara, in the area south of the Unas causeway. This report presents the expedition’s new approach as well as some first results... Show moreIn 2015, the Museo Egizio in Turin joined the Leiden expedition to Saqqara, in the area south of the Unas causeway. This report presents the expedition’s new approach as well as some first results of this new cooperation. In the 2018 season, the Leiden-Turin expedition worked in the northern sector of its concession, covering an area of ca. 250 sqm just north of the tomb of Maya. Here Late Antique layers overlie a windblown deposit containing some simple burials and numerous “embalmers’ caches”, some of which yielded marl clay cups with hieratic labels. An overview of both the pottery and the human remains found during this season is provided in the present report. Below the wind-blown deposit is a level with Ramesside funerary chapels and shafts. One of them has a remarkable decoration including six small-format figures carved in high relief in the middle of its back wall. The shaft of another chapel was also excavated, revealing several plundered chambers which yielded only scanty finds. A large mud-brick wall exposed during the previous season turned out to belong to the outer wall and pylon entrance of a monumental tomb, whose owner’s name has not been found yet.A photogrammetric survey by a team of the Politecnico di Milano yielded a 3D model of the dig (included in the web version of this report), as well as several 3D models of the monumental tombs (completed or in the making). During the season, conservation work was carried out on several tombs and on the newly discovered Ramesside chapel. Show less
As part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period... Show moreAs part of the VIDI 'Cultural innovation in a globalising society: Egypt in the Roman world', this research explores manifestations of Egypt in the material culture of Augustan Rome. This period was a crucial turning point for the urban landscape of Rome, which was characterised by cultural diversity. Previous studies focus primarily on Greek influences on the development of Augustan material culture, while Egypt remains neglected or simply categorised as exoticism or Egyptomania. This research, in contrast, set out to investigate whether or not __Egypt__ constituted an integral part of Augustan material culture during this period. By comprising for the first time a comprehensive and interpretative overview of manifestations of Egypt in Augustan Rome __including public monuments, paintings, and architectural elements as well as pottery, gems, and jewellery from private contexts__ a wide variety of case studies could be conducted, among which object reappraisals as well as new finds and contextual analyses were featured. By focusing on the archaeological data, this study demonstrates that Egypt was not an exotic Outsider in Rome, but constituted a remarkably diverse part of Roman material culture and the Augustan urban landscape, and was integrally part of the inherently flexible Augustan material culture repertoire. Show less
Nubia, located in what is now the northern part of the Republic of the Sudan and Upper Egypt, is among the most excavated corners of the world. Here, for over a century, there have been ongoing... Show moreNubia, located in what is now the northern part of the Republic of the Sudan and Upper Egypt, is among the most excavated corners of the world. Here, for over a century, there have been ongoing large-scale archeological rescue operations spurred on by an extensive program of damming the Nile, which is leading to the gradual disappearance of the territory under water. If this trend is not reversed, museums will become ‘the only and sole alternative’ venues where Nubian culture can still be admired and understood. The objective of this research is to analyze how, as a concept and archeological presence, ‘Nubia’ has been dealt with so far, and with what battles it has to contend now that museums are changing their identity and trying to adapt themselves to the political trend of this century which is all about conflict of identity. The ‘analytical tour’ of Nubian collections, presented in this research, includes museums within and beyond the boundaries of Nubia. It sheds light on how Nubia has been understood, created and silenced in the most important venues and smaller contexts and if and how modern Nubians are involved in this process Show less
Several sites in the desert between the Nile and the Red Sea, in Egypt and Sudan, as well as in the Nubian Nile Valley have produced the sherds of decorated hand-made cups and bowls, now identified... Show moreSeveral sites in the desert between the Nile and the Red Sea, in Egypt and Sudan, as well as in the Nubian Nile Valley have produced the sherds of decorated hand-made cups and bowls, now identified as Eastern Desert Ware (EDW). Because of their small number and enigmatic origin these sherds have been mostly ignored. For this study, 290 EDW sherds were collected and investigated macroscopically, microscopically and by mass-spectrometry of both the ceramic matrix (ICP/MS) and the preserved organic residues (GC/MS). The results strongly suggest that EDW was made and used by the pastoral nomads living in the desert in the 4th-6th centuries CE. The former identification of these nomads with the Blemmyes of the written sources, however, must now equally strongly be rejected. Show less
