This work attempts to understand Spanish colonial intercultural interactions in the early colonial period by compiling and analyzing data related to how these occurred at Concepción de la Vega,... Show moreThis work attempts to understand Spanish colonial intercultural interactions in the early colonial period by compiling and analyzing data related to how these occurred at Concepción de la Vega, one of the first settlements on the island of Hispaniola, in present-day Dominican Republic, using a Decolonial, Post-Processual, approach.The archaeological site associated to Concepción de la Vega, La Vega Vieja, was chosen as a study site because it was one of the earliest and most affluent Spanish settlements in the Americas. Research about the site offered the opportunity to assess some of the earliest Spanish, Amerindian and African entanglements and interactions in the Americas. Additionally, the site of La Vega Vieja has a tightly dated context (1495 to 1564) with no large, subsequent, occupation until the 20th century. The combination of both historical and archaeological data about Concepción de la Vega can help create a better understanding of the process through which the Spanish-American cultural tradition was created, and later disseminated, to the rest of Latin America.The research presented here focuses on the use of all artifacts (not just ceramics) as opposed to artifact manufacture chaine opératoire. It will focus particularly on use in nondomestic areas. This will be more in keeping with new trends in archaeological research, focusing more on problem solving, as opposed to a more chronological or typological approach. Show less
Ubisoft's Assassin's Creed series is one the entertainment industry's most popular titles set in the past. With a new game released on an annual basis-each full of distinct historical places,... Show moreUbisoft's Assassin's Creed series is one the entertainment industry's most popular titles set in the past. With a new game released on an annual basis-each full of distinct historical places, events, and people-the series has unfolded across post-classical history, from the Levant during the Third Crusade to Victorian-era London. The 2017 release of Assassin's Creed: Origins, which entailed a massive reconstruction of Hellenistic Egypt, pushed the series even further back in time. With it, Ubisoft also launched its Discovery Tour, allowing players to explore the game's setting at their leisure and without combat. These trends continued in 2018's Assassin's Creed: Odyssey, set in Greece during the Peloponnesian War. This review discusses the narrative, world, and gameplay of the latest Assassin's Creed within the series more broadly. We provide a critical appraisal of the experience that Odyssey offers and link it to this question: in the Assassin's Creed series, do we engage in meaningful play with the past, or are we simply assassinating our way through history? Show less
St. Eustatius, a small island in the Lesser Antilles, was one of the busiest ports in the eighteenth-century Atlantic World. Contested between the Dutch, French, and English, the island... Show moreSt. Eustatius, a small island in the Lesser Antilles, was one of the busiest ports in the eighteenth-century Atlantic World. Contested between the Dutch, French, and English, the island attracted thousands of ships a year and became one of the most cosmopolitan places in the New World. Moreover, the island played an important role in the American War of Independence (1775-1783), during which large quantities of arms, ammunition, and gunpowder were shipped to the fledgling United States through St. Eustatius. Relics of this turbulent past are found all over the island and in its surrounding waters. These include warehouses in the historic port district, fortifications all around the island, sugar plantations in the countryside, and a variety of underwater archaeological sites such as shipwrecks, anchorage areas, and docks. Through extensive archaeological and documentary research, this study aims to provide a detailed analysis of the maritime cultural landscape of St. Eustatius over the past four centuries. It focuses on bridging the gap between the marine and terrestrial worlds and demonstrates that in order to truly make sense of the complex interactions, events, and processes that shaped this maritime world, land and sea need to be studied in relation to each other. Show less
Saqqara, the prime necropolis site of Memphis in the New Kingdom, exists largely in museum collections around the world. The study of its dispersed blocks has enabled Nico Staring to unlock the... Show moreSaqqara, the prime necropolis site of Memphis in the New Kingdom, exists largely in museum collections around the world. The study of its dispersed blocks has enabled Nico Staring to unlock the identify of an anonymous tomb excavated in 2013. Show less
In 2015, the Museo Egizio in Turin joined the Leiden expedition to Saqqara, in the area south of the Unas causeway. This report presents the expedition’s new approach as well as some first results... Show moreIn 2015, the Museo Egizio in Turin joined the Leiden expedition to Saqqara, in the area south of the Unas causeway. This report presents the expedition’s new approach as well as some first results of this new cooperation. In the 2018 season, the Leiden-Turin expedition worked in the northern sector of its concession, covering an area of ca. 250 sqm just north of the tomb of Maya. Here Late Antique layers overlie a windblown deposit containing some simple burials and numerous “embalmers’ caches”, some of which yielded marl clay cups with hieratic labels. An overview of both the pottery and the human remains found during this season is provided in the present report. Below the wind-blown deposit is a level with Ramesside funerary chapels and shafts. One of them has a remarkable decoration including six small-format figures carved in high relief in the middle of its back wall. The shaft of another chapel was also excavated, revealing several plundered chambers which yielded only scanty finds. A large mud-brick wall exposed during the previous season turned out to belong to the outer wall and pylon entrance of a monumental tomb, whose owner’s name has not been found yet.A photogrammetric survey by a team of the Politecnico di Milano yielded a 3D model of the dig (included in the web version of this report), as well as several 3D models of the monumental tombs (completed or in the making). During the season, conservation work was carried out on several tombs and on the newly discovered Ramesside chapel. Show less
