The terracotta figurines from Akragas (Agrigento, Sicily) refer in their appearance to a prosperous life. The extensive jewellery on the figurines contains large fibulae appliques fastening... Show moreThe terracotta figurines from Akragas (Agrigento, Sicily) refer in their appearance to a prosperous life. The extensive jewellery on the figurines contains large fibulae appliques fastening pectoral chains with several sorts of pendants. The body of the figurines remained armless and abstract for some time. The block shaped, sloping upper body might have originated with aniconic objects, but suggests here a seated person. An archaeological experiment on figurine production and a detailed material analysis proved most of the figurines studied to have been designed and produced locally. Moulds of wooden figurines were used in the production of the moulds. Exchange with Selinous resulted in variations of the standard and figurines with finely detailed faces. Designing and dedicating these votive figurines, and possibly also jewellery, to a cult statue might have acted as a unifying element for the multi-ethnic society of Akragas. By means of these anthropomorphic female figurines, portrayed after women, people could express their traditions and wishes using old and new symbols such as the Phoenician crescent and the Greek satyr. Their cultural influences formed a new religious setting and were placed in the newly prosperous context, helping to forge a new identity unique to Akragas. Show less
Archaic and Classical architectural terracottas constituted an integral part of the architecture of monumental buildings at Akragas. These objects therefore provide unique insights into the... Show moreArchaic and Classical architectural terracottas constituted an integral part of the architecture of monumental buildings at Akragas. These objects therefore provide unique insights into the built environment of sanctuaries at this important Greek colony in Sicily. This research's multi-disciplinary approach to the material allows for the creation of a revised typology, which takes into account stylistic characteristics, fabric, production techniques, material composition, and architectural context. The investigation is based on original analyses and documentation of over 250 fragments, of which a significant number was previously unpublished. By approaching these objects as complex architectural elements, and not just as decorative roof edges, a more nuanced image of local production is revealed. While the terracotta roofs from Akragas demonstrate a proficiency in regional stylistic and technical conventions, a number of adaptations is used in the decoration, profile and production techniques, which changes throughout different time periods. By investigating the required technical knowledge and the use of a local technical style, this research has gained new insights into the organization of local production and the distribution of architectural innovations. Show less
