This conversation takes Katrine Dirckinck-Holmfeld’s installation and perfor- mative presentation The Christmas Report & Other Fragments (2017) as a start- ing point to discuss legibility in... Show moreThis conversation takes Katrine Dirckinck-Holmfeld’s installation and perfor- mative presentation The Christmas Report & Other Fragments (2017) as a start- ing point to discuss legibility in relation to the mass digitization of the colonial archives in Denmark. To gain access to the archive, Dirckinck-Holmfeld draws on the figure of the Data Thief, inspired by The Black Audio Film Collective, in an attempt to unearth and excel the vulnerabilities and ethical dilemmas at the heart of today’s data desire. The Data Thief, Dirckinck-Holmfeld claims in conversation with Pepita Hesselberth, teaches us to attune to the noise, to the sonorous, affective and textural dimensions of the archive. It compels us to create assemblages of enunciation that cut across semiotic and machinic flows, and invites us to nourish a relationship to time where the past keeps enfolding on itself in the present. This way, she concludes, it demands us to stay in and with the discomfort, and to stay in the cybernetic fold of radical, creative, decolonial and technological reimagination. Show less