Archaeology has gone digital for some time now! Topics such as GIS databases, 3D models, drone photography, meta- and para-data, semantic mapping, text mining, simulation, and social network... Show moreArchaeology has gone digital for some time now! Topics such as GIS databases, 3D models, drone photography, meta- and para-data, semantic mapping, text mining, simulation, and social network analysis have become commonplace in archaeological discourse and practice. Digital and technological advancements seemingly offer limitless promises for data recording, analysis and dissemination. Yet, after several decades of innovation, we must ask ourselves which of these promises are actually fulfilled, and which persistent impasses are present. Today, some reflexive questions are more important than ever. In particular, when, how and why do our innovative archaeology tools fail? Do we approach our archaeological projects with a digital wand and (implicitly or explicitly) expect a magical solution? And when there is indeed a digital solution, at what expense does it come?In this volume, scholars and practitioners in the field discuss the state of the art, as well as the promises and impasses that digital approaches to archaeology entail. The authors discuss the current state of teaching digital archaeology, the societal impact of digital innovations, current issues in archaeological data management, promises and limitations of isotopic research and remote sensing techniques, and why subfields such as agent-based modelling and serious gaming struggle to keep momentum. Show less
Ecologically and politically peripheral areas, such as mountains, deserts and marshes have often been seen as zones of resistance against the encroaching state. At first sight, the mountainous... Show moreEcologically and politically peripheral areas, such as mountains, deserts and marshes have often been seen as zones of resistance against the encroaching state. At first sight, the mountainous uplands and the desert fringe of North Africa seem to be such an area of resistance: in the Late Roman and Byzantine period, the Atlas Mountains and the Tripolitanian Sahara were epicentres of indigenous revolt against the Roman state, particularly during the Moorish Wars c. 533-548 AD. The question is whether the physical geography truly determined a cultural antagonism between inland zones and the Mediterranean coast. Using evidence from survey archaeology, epigraphy and literary sources, this paper tests models on connectivity and resistance, disputing the simple opposition between an inland, indigenous world on the one hand, and a cosmopolitan , Mediterranean and Roman world on the other. Instead, evidence shows that the relationship between "Roman" and "native" was much more complex, entangled and ambivalent, despite the peripheral nature of the inland landscapes. The cultural landscape was determined as much by historical factors as environmental. Show less
Neolithic societies in the Dutch wetlands are characterised as “extended broad-spectrum hunter-gatherers”. They adopted agricultural elements only gradually and wild resources continue to play an... Show moreNeolithic societies in the Dutch wetlands are characterised as “extended broad-spectrum hunter-gatherers”. They adopted agricultural elements only gradually and wild resources continue to play an important role in subsistence. However, the exact duration of the process of neolithisation in the Dutch wetlands is debated. We analyse the taxonomic diversity of faunal assemblages from the late Mesolithic and Neolithic in the Netherlands. We demonstrate that the diversity of exploited faunal resources remains remarkably constant throughout the Neolithic. We interpret this to show that the reliance on an extended broad-spectrum economy was not a transitional phase, but was a viable economic system in its own right. Show less
The collection of the black minerals comprised primarily of manganese dioxide (MnO2 ) by Neandertals in France is a known archaeological phenomenon, with some of these blocks exhibiting evidence of... Show moreThe collection of the black minerals comprised primarily of manganese dioxide (MnO2 ) by Neandertals in France is a known archaeological phenomenon, with some of these blocks exhibiting evidence of having been abraded to produce powder. This has generally been interpreted as the production of black pigment that may have been applied to the body as a form of symbolic expression. However, Heyes and colleagues (2016) demonstrate that MnO2 can reduce the auto-ignition temperature of wood by upwards of 100°C and suggest that this special pyrotechnic property of powdered MnO2 may have been appreciated by Neandertals. Specifically, they suggest that the addition of MnO2 to tinder materials may have aided in fire-making. The purpose of the pilot study described here is to test the utility of MnO2 as a tinder enhancer during actualistic fire-making experiments. The flint-and-pyrite fire-making method was employed to produce sparks that were directed onto fluffed tinder fungus (Fomes fomentarius) with and without added MnO2 to determine if and the degree to which this material improves the ability of the tinder to capture and propagate sparks into a glowing ember. The results of this pilot study lend support to the hypothesis of Heyes and colleagues by demonstrating that MnO2 improves the spark capturing efficiency of tinder material over untreated tinder, thereby reducing the time and energy required to produce fire using the percussive fire-making method. However, it was also observed that the incorporation of pyrite (FeS2 ) dust into the untreated tinder over the course of the experiments appeared to improve its ability to capture sparks, lending to the idea that pyrite powder added to tinder prior to making fire could also expedite the process and largely negates the need for collecting MnO2 for this purpose. Show less
In 1956 and 1957 prof. A.E. van Giffen, the nestor of Dutch Archaeology, excavated two burial mounds near Oostwoud, on a parcel named ‘Tuithoorn’ in de province of Noord-Holland. These mounds... Show moreIn 1956 and 1957 prof. A.E. van Giffen, the nestor of Dutch Archaeology, excavated two burial mounds near Oostwoud, on a parcel named ‘Tuithoorn’ in de province of Noord-Holland. These mounds appeared to have been erected in the Late Neolithic between 2500 and 1900 cal BC. They contained at least 12 well preserved skeletons dating to the Late Neolithic and the Early Bronze Age. Until today these are the only burial mounds from that period in West-Frisia, moreover, they contained the only skeletons from that period in the area. Yet, apart from a few brief overviews the data have not been published. The present article is an attempt to re-analyse the data of the investigations by Van Giffen, but also of later research by M. de Weerd in 1963 and 1966, and by J.D. Van der Waals in 1977 and J.N. Lanting in 1978 in the same mounds. In the framework of the NWO-project Farmers of the Coast, the first author undertook the task to collect the dispersed data and to try to unravel the sequences of burial. Aided by the Leiden University Bakels fund, and a fund of the Province of Noord-Halland, we also had the opportunity to sample the bones for DNA and isotopes, and to study the pathology of the skeletons. Some of the analyses are not yet finished, but here we publish the excavation data using the original field drawings and day notes, and much of the original photography. We have done this in some detail because the site is one of the most important in its kind in the Netherlands and because it will play an important role in the discussion about Bell Beaker mobility and genetics in the near future. We used already some of the skeletal and DNA data in this article, but more detailed studies are following. Show less
Rooijen, G.K. van; Jacobs, L.; Braekmans, D.; Sojc, N. 2017
Figurines – or terracotta made figurative objects – are a frequently encountered material category in Antiquity. Their importance can be directly linked to an expression of socio-cultural phenomena... Show moreFigurines – or terracotta made figurative objects – are a frequently encountered material category in Antiquity. Their importance can be directly linked to an expression of socio-cultural phenomena. To understand the practices and techniques applied in the production of terracotta figurines from Akragas (Agrigento, Sicily), an archaeological experiment was carried out with the aim to reconstruct the full chaîne opératoire. This so-called coroplastic experiment focused on the large variety of female figurines from Akragas dated from the 6th-5th century BC. These form the majority of mould-made objects, which were placed as votives in high numbers at sanctuaries and were also applied as a grave gift. The demand for figurines to be dedicated and the flourishing business of terracotta production in Akragas can be explained by the presence of several nearby high-quality mineral resources, in combination with the craftsmanship of the local workshops. This availability sets the conditions for a strong tradition, resulting in a variety of moulded figurines. In this study, several clays and techniques are selected to re-create the production process with the aim of elucidating the technological capacity and choices made by potters and artisans. The outcome of tests with local clays showed that the materials nearby found fit the workability requirements, but also that by mixing several clays the colour of the figurines could be manipulated. Several generations of a figurine’s genealogy re-created in the experiment show how details fade and explain the common solution to replace the head. The use of different tools, such as round sticks as well as metal blades could be distinguished by an interpretative approach to the traces on reworked figurines. The development of characteristics in both design and technique shows a local style, while moulds and figurines were exchanged with other Sicilian towns, such as Selinous (Selinunte, Sicily). However, the appearance, as well as specific production techniques, shows an influence of a different craft tradition, one which points to an eastern Greek origin. In order to distinguish the technological choices and their effect on stylistic developments, a technical approach was chosen to research the production technique and the use of materials by the workshops in Akragas. Show less
In recent years, the creation of computer-based archaeological reconstructions has become increasingly widespread. The attempt to visually “reconstruct” relics of ancient architecture, however, is... Show moreIn recent years, the creation of computer-based archaeological reconstructions has become increasingly widespread. The attempt to visually “reconstruct” relics of ancient architecture, however, is not a novelty of the digital age. Although little research has been done so far in this direction, taking an historical perspective on reconstructions of archaeological evidence over the centuries offers some reflections on the use and legacy of modern 3D visualizations in archaeology. This contribution discusses a selection of archaeological reconstructions (both drawings and 3D physical models) of Roman and Greek cities in the early and late modern period, focussing especially on the motivations, the aims and the methods that guided such endeavours. By doing so, it will shed light on how much the reconstructed past was in fact the result of a re-elaboration of present needs, thoughts and beliefs. Moreover, it will trace the path towards the formation of a scientific method of archaeological inquiry, which includes the elaboration of ways to assess the reliability of the reconstruction. Show less