German-speaking emigrants from the interwar period - both Jewish and non-Jewish - were among the most fundamental figures in the cultural field of the 20th century. Despite their low degree of... Show moreGerman-speaking emigrants from the interwar period - both Jewish and non-Jewish - were among the most fundamental figures in the cultural field of the 20th century. Despite their low degree of permanent settlement in Brazil, the country played an important role in the diaspora of these immigrants to the Americas. If on the one hand, their migratory flow to Brazil was limited, on the other this immigration was large enough to significantly change the communities that were already established in the country. Such a change imposed internal tensions that were aggravated by the German national-socialist cultural policies in Brazil and by the increasing upsurge of xenophobic and authoritarian policies under the presidency of Getúlio Vargas (1930-1945). The effects of these policies reverberated across the Brazilian artistic field as frictions between the national and the foreign artistic modernist movements. Show less
Dit promotieonderzoek heeft tot hoofddoel de mogelijke cognaten te analyseren voor bepaalde antiloopsoorten in de Bantoe gemeenschappen. Door enerzijds de fundamentele principes van de Historisch... Show moreDit promotieonderzoek heeft tot hoofddoel de mogelijke cognaten te analyseren voor bepaalde antiloopsoorten in de Bantoe gemeenschappen. Door enerzijds de fundamentele principes van de Historisch-Vergelijkende Taalkunde (vergelijkende methodologie) en anderzijds een maximum aantal bibliografische bronnen te gebruiken, zijn een groot aantal woorden uit een aanzienlijk aantal Bantoetalen verzameld. 174 protovormen betreffende de woordenschat specifiek voor de antilopen in Bantoe zijn uitgelicht. Van deze vormen waren 62 stammen al voorgesteld in de database Bantu Lexical Reconstructions (BLR) (2003) en 14 via andere bronnen. Sommige veelvoorkomende lexicale creatieprocessen in de Bantoetalen zijn semantische uitbreiding, reduplicatie, metathese en de metafoor. Bovendien heeft dit onderzoek het mogelijk gemaakt de betekenis te verfijnen van meerdere reeds voorgestelde reconstructies in de BLR. De semantische velden van de nomenclatuur van dieren zijn onderhevig aan heel wat verschuivingen, wat voornamelijk wordt verklaard door de veranderingen van de nominale klassen, maar ook door problemen met de betrouwbaarheid van bepaalde bronnen. In sommige gevallen is men erin geslaagd de oorsprong van de betekenis van gereconstrueerde stammen te achterhalen en hun semantische motivaties te begrijpen. Show less
In this research I seek to establish a dialogue between ethnomusicology (more specifically indigenous organology), the anthropology of art and the culture of the Apinayé peoples, in order to... Show moreIn this research I seek to establish a dialogue between ethnomusicology (more specifically indigenous organology), the anthropology of art and the culture of the Apinayé peoples, in order to understand how the musical objects of these peoples are learned and taught, and thus to understand its musical system. The methodological support is a practice of ethnographic and bibliographical nature, establishing the possibility of understanding the processes of transmission of Apinayé traditional knowledge and practices as a web that weaves their social, supernatural, mythological and cultural traditions. I present the Apinayé musical instruments as markedly cultural objects, feed on their elders' ancestral knowledge and practices to continue alive. But I also understand the Apinayé musical objects as representatives of a way of being and living in society that is unique to this group. Thus, I interpret the Apinayé musical instruments through its cultural practices, social use, supernatural importance and the worries linked to their perpetuation. The manufacture of these musical objects involves a unique cultural ancestry and allows this specific group to express themselves in a particular way of being in the world through their own musical system. Show less
