This dissertation examines the continued, yet hitherto overlooked, engagement of the Greek community in Egypt from the period after the en masse departure of most of its members (1962), until the... Show moreThis dissertation examines the continued, yet hitherto overlooked, engagement of the Greek community in Egypt from the period after the en masse departure of most of its members (1962), until the implementation of the infitāh policies in 1976 by Anwar Sadat. Beyond Departure: The Greeks in Egypt, 1962-1976 explores the Greeks’ multiple personal, local and institutional histories that make up the Greek presence in history after 1962. It reveales the diversity of Greek experiences based on geographical, socioeconomic and individual context. It analyzes the motivations and strategies they employed to respond to the economic and social changes in Egyptian society, such as the end of the Capitulations, WWI and WWII, the formation of the post-colonial state, and the 1961 Nationalization laws, among others, and the relations these events formed between Egyptian nationals and non nationals and the Egyptian state. It also explores how Greeks negotiated their presence, identity and feelings of belonging, in mind and practice, as a diaspora with a transnational agency. Show less
In this dissertation I have explored contemporary modes of displacement and citizenship in India. Rather than large-scale spectacular dislocations which are a focus of ‘refugee’ studies or set... Show moreIn this dissertation I have explored contemporary modes of displacement and citizenship in India. Rather than large-scale spectacular dislocations which are a focus of ‘refugee’ studies or set patterns of ‘voluntary’ population movement which come under the rubric of ‘migration’ studies, I am interested in low-key everyday forms of displacements which fall through these categories of understanding, are invisible, and remain undiscussed. I have explored everyday forms of displacement through Oren Yiftachel’s (2020) concept of displaceability. I draw on two case studies of two different displaced groups in Calcutta and North 24 Parganas in West Bengal: i) East Bengali dalit refugees coming from East Bengal (present day Bangladesh) to West Bengal and ii) a group of peripatetic impoverished rural people coming from the villages of Bangladesh and West Bengal to the urban agglomeration around Calcutta. The time frame of the dissertation is from the beginning of the Second World War in 1939 till the present. I have utilised the concept of displaceability to show how these groups are kept in a condition of permanent temporariness through deliberate state policies and how this erodes their citizenship. Displaceability expands understanding of displacement from an act to a systemic condition of informal urban living. In displaceable conditions actual displacements or the potential threats of it are utilised as an administrative tool to extract services from the urban poor and coerce them into participating in unequal political exchanges. My study shows that while these refugees and migrants become displaceable through state mechanisms, they negotiate this condition through their own brands of politics from below. Show less
Why has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial... Show moreWhy has Africa not been doing so well and what is the way forward? This book starts with the analysis of Vansina and Prah: the old cultural traditions in Africa have been destroyed in colonial times; new ones are currently taking shape, based in part in African languages. The book uses cross-cultural psychology to show that such new cultural traditions are indeed forming in Africa. However, almost all African countries currently use a former colonial language in secondary and higher education. The book demonstrates that if more and more people get educated, this system will no longer scale. Over the next decade, more and more African countries will have to make a transition towards increased use of African languages. The book proposes a distinction between discerned and designed languages. All over the world, designed languages are made to serve speakers of several discerned languages. This could and should happen in Africa as well. The book contains a number of brief case studies, showing how in fact such a transition is practically possible. In future, African countries will be able to achieve success in their educational systems by using a small number of languages as medium of instruction. Such a transition will also help to form the new cultural traditions that are already taking shape on the continent. Show less
This dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in... Show moreThis dissertation examines how the Serbs as a nation deal with the past through the prism of the 1915 Serbian Army retreat across Montenegro and Albania in the wake of the invasion of Serbia in October 1915. We investigate the remembrance of this iconic event as a symptom of Serbian mythologized self-perception. The Retreat today is a canonised memory symbolising Serbian heroism and sacrifice. The First World War and the Retreat are experienced as specific and personal. Any attempted introduction of alternative views of the Serbian role in the First World War are rejected as hostile revisionism. The Serbian government has used the centenary commemorations to distract the Serbian public from the more recent unexamined past — Serbia’s role in the wars of the Yugoslav succession of the 1990s. This commemorative opportunism has been termed in the thesis as historical frame switching —framing current political events within arguably irrelevant historical contexts mostly in order to present an image of biased and unjust treatment of Serbs by the West. Further, politically loaded commemorations are analysed alongside grassroot events and ceremonies that memorialise the War and the Retreat. The latter are recognised as fictive kinships of remembrance, as previously characterised by Jay Winter. Show less
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth... Show moreBefore 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. During the first half of the twentieth century, Palestinian music evolved as a reflection of the social, cultural, and political evolution of Palestinians. Palestinian music-making evolved exponentially resulting in the expansion of various folk tunes into shaʿbī songs, the creation of the Palestinian qaṣīda song genre, new compositions of instrumental music for traditional and Western music formations, the establishment of choirs and children music programing, and active engagement in composing in the styles of the dominant Egyptian genres of the time as well as muwashshaḥāt.In 1948, the vast majority of Palestinians were displaced, and musicians found themselves at the frontier of implementing new political and cultural visions in the countries of Jordan, Lebanon and Iraq. Therefore, the continuation of the musical narrative in the West Bank did not seem attainable. By the early 1950s, Palestinian musicians and intellectuals developed a vocabulary that reflected the topography, scenery, culture, dialects, and history of al-Mashriq, one that is independent of Egypt’s. Their input, intuition, experience, and convictions of various Palestinian musicians helped to make the music scene in Lebanon, Iraq, and Jordan what they are today. Show less
***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related... Show more***Please note that the print and digital version of this thesis are not identical as to the order of the various parts of the front and back matter.***Following the emergence of concepts related to Arab nationalism there was a clear struggle between the progressive thinkers who wanted to secure a secular society and release public life from religion, and the conformists who wanted to maintain their traditional practices. This research proposes a critical understanding of letterist abstraction works of art by devising a tool that allows scholars to place a letterist work of art on a spectrum of abstraction in relationship to different elements in the painting. It is a way to understand the artworks and their artists in relationship to each other. Understanding letterists abstraction artists and the dynamics that dictated their work was essential for understanding the movement and its artistic production.The research places the life and work of letterist abstraction artists in a wider artistic, social and political context, thus helping the reader form an understanding of the movement from a broader perspective. By tracing all the threads for the assessment of letterist abstraction works of art and artists, I hope to encourage the emergence of more such scholarly and critical works, until we have a better critical understanding of the contemporary Arab art scene as a whole. Show less
Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre... Show more Calypso, Identity and Social Influence, The Trinidadian Experience seeks to establish links between calypso music and the construction and maintenance of identities, and to locate the genre as a mechanism or as part of a mechanism that has exerted on-going social influence within Trinidadian society. It chronicles the evolution of calypso music from its emergence in Trinidad, and highlights contingent institutions, peculiar traditions, and salient events that have shaped the socio-political and cultural landscape there during the Colonial and Post-Colonial periods. The study is descriptive and explorative, and follows an interdisciplinary route that integrates historical fact, socio-anthropological philosophy, psychological, musicological, and ethnomusicological thought, and notes from my own ethnographic research. It analyses a large corpus of written material, and audio/visual recordings of music performance and participation in calypso and carnival-related events by practitioners and audiences alike. Show less
Since the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration"... Show moreSince the 1980s, a migration has started from the Japanese community in Brazil "back" to Japan. This movement has been studied in recent publications as an interesting example of "return migration". This dissertation is based on interviews with migrants of the first and second generation, conducted between 2003 and 2010 in Kandatsu and surroundings. This ethnographic field research shows that the concept of “return” does not properly describe the migration of Japanese Brazilians to Japan, because it is rather a circular movement between the two countries. Moreover, it appears that the identity of these people is an ambivalent dynamic and strategic entity. The study provides important information about the motivation of the migrants, their experiences in Japan, and the challenges they face within and outside the family. It is a very heterogeneous group. Differences in cultural background, appearance, affinity with Japanese culture and Japanese language skills are decisive for the integration process. Within this process migrants handle different strategies that ultimately lead either to a permanent establishment in Japan or a decision to return temporarily or permanently to Brazil. Crucial to the integration process is the success of the Japanese-Brazilian children in Japanese schools. Show less
The artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of... Show moreThe artistic PhD research "Shifting Identities" investigates the musicians' professional identity and how this identity might shift when musicians start acting as theatrical performers. In most of the theatrical situations where musicians "perform", their profession is extended by additional tasks such as walking on stage or reciting text. As an alternative strategy to extension, this research introduces and focuses on reduction, which means the abstracting away of specific qualities or abilities of the musician's profession. The audience watches musicians not doing certain things that usually belong to their profession. Both the expansive and the reductive approaches are concepts of working theatrically with musicians. They are different, perhaps even contradictory strategies, but both bear the ability to enrich the musician's professional identity with a more theatrical appearance. In order to build an understanding of what is extended or reduced when the identity shifts from a musician to a theatrical (musician-)performer a dynamic model is developed which builds strongly on what musicians actually do, a model that categorises the musician's professional activities into internal, external and contextual elements. Show less
In the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These... Show moreIn the late middle ages, the inhabitants of the duchy of Guelders had to deal with a number of negative stereotypes. They were reputed to be lumpish, barbaric, belligerent, and rebellious. These stereotypes had come into existence during the many wars with the Burgundian and Habsburg princes, who wanted to conquer the duchy. Some Guelders historians, however, used these negative stereotypes in order to create a positive image of their compatriots: they described the people of Guelders as natural, brave, and as lovers of freedom. According to them, these labels were the essence of the Guelders identity. In Gelre. Dynastie, land en identiteit Aart Noordzij describes the development of a political identity in Guelders between 1100 and 1600. He does this by analyzing the interaction between political processes, state-formation and the shaping of identities. Successively, the formation of the dynasty, the structure of the territory, and the imagination of the dynasty, the territory, and its inhabitants pass in review. By reconstructing the interaction between political processes, imagination, and the shaping of identities, we can understand how a political community like Guelders, notwithstanding its complexity and lack of unity, could exist, function, and get coherence. Show less
=========ABSTRACT=========It is tempting to think of precolonial India as a harmonious society, but was it? This study brings evidence from new and unexpected sources to take position in the... Show more=========ABSTRACT=========It is tempting to think of precolonial India as a harmonious society, but was it? This study brings evidence from new and unexpected sources to take position in the sensitive debate over that question. From the investigation of six conflicts in the Deccan region it draws conclusions about group behaviour that put modern clashes in context. Some of the conflicts under investigation appear odd today but were very real to the involved, as the antagonism between Left and Right Hand castes was for about a thousand years. Other conflicts continue to the present day: the seventeenth century saw lasting changes in the relationship between Hindus and Muslims as well as the rise of patriotism and early nationalism in both India and Europe. This book carefully brings to life the famous and obscure people who made the era, from the Dutch painter Heda to queen Khadija and from maharaja Shivaji to the English rebel Keigwin=========NOTES=========First Leiden University Press edition, 2009. Entirely revised from the author’s dissertation Xenophobia and Consciousness in Seventeenth-Century India: Six Cases from the Deccan, 12-Mar-2008. Show less
Prior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising... Show morePrior to the abolishing of Apartheid rule in 1994 several major South African white writers wrote a novel set on a South African farm. Likewise, in the decades that preceded the institutionalising of Apartheid, several farm novels were published, but with an entirely different message. In Unheimlich moederland insights from several disciplines are used to show how major changes in social-economic relations, land rights and the construction of cultural identity in and between these two periods were reflected on farms and in farm novels. Das Unheimliche (The Uncanny) – those things within ones own realm that are strange and therefore frightening – , a concept coming from Freud, but also used by structuralists and cultural critics, proofs to be capable to explain certain effects of (post-)colonalism and interculturality. Uncanny for instance, were the rising dead or venging powers of nature that in late 20th century farm novels undermined white hegemony. Death is a plural metaphor: in a literary as well as in a social context, it refers to transgressing boundaries, change and chaos but also to land rights and patrimonie and from there to the establishing of spatial and identifying boundaries. In text as in real life, the structure of a rite de passage (separation, liminality, reintegration) is being used to link death to life, and thus to control it. Show less
