This dissertation discusses “waste” and related concepts such as sanitation, hygiene, and recycling as a lens through which to analyze the incorporation of women into the nation-state (josei no... Show moreThis dissertation discusses “waste” and related concepts such as sanitation, hygiene, and recycling as a lens through which to analyze the incorporation of women into the nation-state (josei no kokuminka) in modern Japan (from 1868 to the present). During the state-led “modernization” of the Meiji period (1868-1912), a new ideology of the home (katei) began to emerge which placed women at the center of family life, as a housewife who supported her husband and raised her children. This “feminization and privatization of the home” excluded domestic activities, and the women who engaged in them, from the public sphere, though the home as a private and intimate space was celebrated as such in national discourse. The connection between women and the state, which had previously been only through their husbands and children, became a direct relationship after the First World War once the state realized the importance of the household to national policies. This creation of a direct relationship between women and the state through women’s domestic duties signified the incorporation of women into the nation-state. Waste represents an ideal site to examine the relationship between women and the nation-state because of its connection to both the home and the state. Show less
This is a study of the mandalas that depict the teachings of the Liqujing (Guiding Principle Scripture), which was translated from Sanskrit to Chinese by the Esoteric Buddhist master Amoghavajra ... Show moreThis is a study of the mandalas that depict the teachings of the Liqujing (Guiding Principle Scripture), which was translated from Sanskrit to Chinese by the Esoteric Buddhist master Amoghavajra (705–774). These mandalas were prescribed in his Liqushi (Explanation on the Guiding Principle Scripture). Amoghavajra considered this scripture, its commentaries, and mandalas to be crucial works in a new Esoteric Buddhist system he called the Yoga of the Adamantine Crown. I examine the set called the Liqujing shibahui mantuluo (Mandalas of the Eighteen Assemblies of the Guiding Principle Scripture) in Kyoto’s Daigo Temple. The Shingon school claims that the iconography is based upon Amoghavajra’s Liqushi. A systematic investigation of the Liqushi, the mandalas it prescribes and the iconography of the Daigoji set has not been done by Asian or Western scholars. I assign responsibility for the iconographical and iconological changes seen in the Daigoji set to the transmission of the Chinese master Faquan (c. 800–870), whose transmission has not yet been studied. I investigate the transmissions of Amoghavajra and the Chinese Esoteric Buddhist masters who followed him, especially Faquan. Such an investigation reveals the concerns of these masters and the Chinese assimilation and transformation of Indian Esoteric Buddhism. Show less
This study focuses on the life, exploits and ideology of Guru Wuguang (1818-2000), an eclectic and influential Taiwanese Buddhist figure who studied Daoist alchemy, multiple forms of Chinese,... Show moreThis study focuses on the life, exploits and ideology of Guru Wuguang (1818-2000), an eclectic and influential Taiwanese Buddhist figure who studied Daoist alchemy, multiple forms of Chinese, Japanese and Tibetan Buddhism, as well as biology, thermodynamics, philosophy, theology, and occulture. This is done in order to understand what happens when a tradition ‘purified’ from its ‘mythical’ elements reincorporates itself in the tension between its ‘enchanted’ past and ‘scientific’ present. Wuguang is famous throughout the Chinese-speaking Buddhist world for resurrecting Zhenyan, a school of esoteric Buddhism said to have flourished in China during the Tang Dynasty. The academic community has largely ignored Wuguang, making this the first in-depth exploration of this figure, whose influence is truly global. Building upon David McMahan’s work on Buddhist modernism, Jason Josephson’s secular-religious-superstitious trinary, scholarly discourse concerning Weberian disenchantment, and employing the Religious Economy Model, I argue that Wuguang’s teachings represent an intentionally reenchanted form of Buddhist modernism aimed at harmonizing magic with modern science and philosophy. While scholarly discourse on Asian magic in the modern world has been confined to popular religion, this study additionally focuses on ‘High-Church Buddhism’ by analyzing Wuguang’s magico-scientific interpretation of complex Buddhist doctrine. Show less
