In her dissertation Revealing Śiva’s Superiority by Retelling Viṣṇu’s Deeds – Viṣnu’s Manifestation Myths in the Skandapurāṇa, Sanne Dokter-Mersch examines three myths in the Skandapurāṇa, a... Show moreIn her dissertation Revealing Śiva’s Superiority by Retelling Viṣṇu’s Deeds – Viṣnu’s Manifestation Myths in the Skandapurāṇa, Sanne Dokter-Mersch examines three myths in the Skandapurāṇa, a Sanskrit Purāṇa composed in the sixth to seventh century. Although myths about god Śiva and devotion to him are central in the text, it also contains narratives about other gods. This dissertation focusses on those myths in which god Viṣṇu manifests himself as Man-Lion (Narasiṃha), Boar (Varāha) and Dwarf (Vāmana) in order to conquer the enemies of the gods. At the time of composition of the Skandapurāṇa, Śiva and Viṣṇu each had their own religious ideology and devotees, which raises the questions why the composers of this Śaiva Purāṇa dedicated so much attention to Viṣṇu and how these manifestation myths are retold. With the help of different (narratological) methods, Dokter-Mersch addresses these questions by looking at the manifestation myths as part of a literary genre, the Purāṇas. Show less
‘Let us Live as Hindus’: Narrating Hindu Identity Through Temple Building Processes in Amsterdam Zuidoost (1988-2015) asks how Hindu identity has been narrated through turbulent processes of... Show more‘Let us Live as Hindus’: Narrating Hindu Identity Through Temple Building Processes in Amsterdam Zuidoost (1988-2015) asks how Hindu identity has been narrated through turbulent processes of temple building in Amsterdam Zuidoost. It focuses on a critical event in 2010, when a community of Hindus was ordered to evacuate a temporary space that the local district government had provided them. The author argues that struggles to establish a purpose built temple in the neighbourhood are articulated as forms of 'Hindu hurt' that are strategically narrated through the experiences of being ex-colonised indentured workers. However, the ways in which Hindu hurt are articulated shift dramatically after 2010, revealing the ways in which the trauma of losing their temporary space has constructed a moral economy in which transparency, democracy and Hindu solidarity become central tenets of ideal Hindu practice. This dissertation analyses a body of correspondence from 1988-1996 and uses extensive ethnographic interviews with various Hindu and non-Hindu actors in Amsterdam Zuidoost. It also attempts to link current discussions of citizenship in the Netherlands to scholarship on Hindu hurt in the diaspora. Show less
