This thesis argues that the age of steam and print—more specifically, increased access to the steamship, railway, printing press, and telegraph—played a crucial role in the extended dynamic... Show moreThis thesis argues that the age of steam and print—more specifically, increased access to the steamship, railway, printing press, and telegraph—played a crucial role in the extended dynamic challenges of the ideas of the Caliphate, Wahhabism and Mahdism vis-à-vis each other. It aims to illustrate how these three concepts took on global dimensions by spilling over Ottoman borders and how they affected the Ottoman centre’s reactions to these developments after the revolution in communications and transportation in the second half of the nineteenth century. Ideas about the Caliphate, Wahhabism and Mahdism had already existed for a long time. However, their spheres of influence had remained limited to a certain area and timeframe, not attaining a global scope until the advent of the new age. The centuries-old Islamic concept of the Caliphate assumed a new global dimension under the banner of Pan-Islamism, and the Ottoman Caliphate claimed spiritual sovereignty over all of the multinational Muslim communities that lived under the control of various authorities, including the British, Dutch, Russian, and French empires. Wahhabism, as the ideology of a doctrine-oriented movement that came into being in the previous century but had remained local, spread all around the world in this new era and thus became a global concern for state rulers. Likewise, the Mahdi creed had existed throughout Islamic history but it became a widespread ideology in the case of the Sudanese Mahdi movement, garnering attention in distant lands and drawing in many Muslims in a short period of time. Show less
Surimono reflect cultural and social facets of urban life in late Edo period Japan. Thus far, most surimono research was focused on the art historic qualities of the material, regularly also taking... Show moreSurimono reflect cultural and social facets of urban life in late Edo period Japan. Thus far, most surimono research was focused on the art historic qualities of the material, regularly also taking the interplay between poetry and image into account. The research presented here places surimono in a greater perspective by including the literary antecedents of the content, the cultural background of the kyōka world and the social networks of poets.Fundamental to the aim of this research is to expose how kyōka provided spheres where people with a cultural interest could join in a literary pursuit that allowed them to fully incorporate their appreciation for and knowledge of the classics. I argue that surimono and kyōka books are deeply rooted in a literary tradition and aimed at an audience of amateur poets who enjoyed honing their wit and culture, creating a world of their own with self-imposed regulations. Despite the initial mocking stance towards the classics seen in early stages of the renewed kyōka popularity in Edo, I contend that surimono, well as other kyōka related materials, show a specific rediscovery and reception of a literary past, which coincides with a period of cultural self-identification in Edo society. Show less
