This dissertation addresses the question of what it means to remake everyday life in the shadow of disaster. Focusing on the city of Banda Aceh, Indonesia, in the years after the devastating Indian... Show moreThis dissertation addresses the question of what it means to remake everyday life in the shadow of disaster. Focusing on the city of Banda Aceh, Indonesia, in the years after the devastating Indian Ocean tsunami of December 26, 2004, it explores how tsunami survivors have been remaking the everyday ever since that moment. Based on ethnographic research in the post-disaster years, the five chapters of this dissertation discuss various dimensions of the remaking of everyday life that were important to the tsunami survivors, including the reconstruction of houses, interactions between survivors, international organizations and the state, the narrative experiences of the tsunami, the process of grieving and its entanglement with Islam, the creation of collective memory and forgetfulness in urban space, and ideas about the future that build on notions of moral and socio-economic improvement. In these chapters the concept of subjectivity is used to show how individuals creatively shape their lives in the context of tremendous social, economic, and political changes. The dissertation concludes that the anthropology of disaster, that has up to now predominantly focused on post-disaster social change and continuity and on structural historical patterns of vulnerability and resilience, can be enriched by ethnographic studies of subjectivity. Show less
Tamil movie fans typically manifest themselves in public space during movie releases and other special occasions. All over Tamil Nadu their fan club organizations put up billboards and posters,... Show moreTamil movie fans typically manifest themselves in public space during movie releases and other special occasions. All over Tamil Nadu their fan club organizations put up billboards and posters, paint murals, and generate a plethora of images in different media. With this ‘fandom on display’ fans pursue aspirations of power that seem to go beyond the fan clubs’ cinematic roots. This ethnography explores these diverse ambitions by looking at the images that fans produce, disseminate and consume. Images, Roos Gerritsen argues, are crucial for fans in engaging with their star, but they also assist in putting forward their own personas and hence they underpin individual needs, personal career aspirations, and desires for power. A second important focus of this dissertation is organized around fan images in Tamil Nadu’s wider mediascape and public sphere. It concentrates on the role of urban space in the dissemination of political imaginations and aspirations that are embedded in neoliberal, global imaginaries of “world class”. The dissertation shows how such imaginations are slowly changing the ways in which fans use public spaces, watch films and engage in socio-political networks. In this last part of her dissertation, Gerritsen shows how public space and the images it contains become the canvas on which these clashing and shifting discourses are played out. Show less
